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"Full of humor, wit, and pathos, The Color Master is the work of a writer with a strong, distinctive point of view, and with enough confidence to let it lead her into fresh and exciting places."
—The Boston Globe
"All these stories made my mouth water."
—Alan Cheuse, NPR's "All Things Considered"
"Bender became a bestselling novelist with The Particular Sadness of Lemon Cake, but her new collection returns readers to her real forte: short stories that combine gnomic postmodern prose with whimsical fairy tale reveries...[T]he best stories are mood pieces about the mysteries of female friendship ('Bad Return') and bittersweet pageants populated by mall-worshipping adolescents ('Lemonade'), still fanciful but so light on gimmick that the reader senses — like the lovelorn atheist in 'The Doctor and the Rabbi' — 'the realization that there were many ways to live a life.' Many ways to write a life too, and Bender colors them with a tincture out of dreams. The world is everywhere present in this collection, but it gets the moon in, too."
"Stories that range from fairy tales to quasi-erotica, all showing Bender's versatility...Bender's gifts as an author are prodigious, and with each story, she moves the reader in surprising, not to say startling, ways."
"In the lively pages of Aimee Bender's dazzlingly dreamlike new story collection, The Color Master, Asian tigers split their skins and are mended by specially trained seamstresses; a woman who is 'ugly, by human standards,' falls in love with a man-eating giant she meets in a tavern; and random gifts, including cans of lobster bisque, materialize out of thin air, perhaps delivered by ghosts. These fantastical elements season the soup of Bender's savory and sublime human sagas...So many of Bender's sentences both settle and unsettle, and deserve to be read aloud for pure pleasure."
"In Aimee Bender's short stories, the value of life is measured in terms of goodness, succulence and simplicity, all qualities that can be tasted, chewed and ultimately swallowed by the mouth or the mind."
—The New York Times Book Review
"This is Bender at her best, using her signature style to reveal (and perhaps overcome) the obstacles that keep us from understanding each other."
"Bender has an extraordinary gift for drawing readers into her magical, mesmerizing tales, and those looking to lose themselves in fiction will not be disappointed."
Verdict Stories that blend elements of folklore and legend with contemporary domestic situations engage us from the start, without straining credibility because they are told so well. The voice is assured, and the (often comic) timing impeccable. Readers of Bender’s previous work (Willful Creatures; The Girl in the Flammable Skirt) will welcome this new book, and first-time readers will discover a writer who is well worth getting to know. [See Prepub Alert, 3/25/13.]—Sue Russell, Bryn Mawr, PA
(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
So-called magical realism — the incursion of the fantastic into stories otherwise set within our recognizable world — can divide readers into camps of passionate advocates and those allergic to its hybrid allure. But Aimee Bender's fictions manage an artful balance, modern fairy tales grounded in characters and emotions that remain thoroughly, sometimes painfully convincing.
Throughout The Color Master, in fifteen stories, there are themes of the suffocating enthrallment of materialism and the aching desire to fit in and be accepted for who we are. In "The Red Ribbon," a woman takes her husband's casual mention of prostitution to another level when she starts charging him for sex. "I know it's odd," she says, "but for whatever reason, I can't seem to summon up any desire right now to do it without payment." In "Americca," spelled with an extra c, a family find themselves haunted by a ghost who keeps giving them extra belongings — cans of soup, fresh towels. "There was nothing appealing about getting more items every day, and I felt a vague sense of claustrophobia pick up in my lungs," the narrator relates.
Already the author of the novels The Particular Sadness of Lemon Cake and An Invisible Sign of My Own and the short-story collections The Girl in the Flammable Skirt and Willful Creatures, Bender is obviously a master of this genre. But perhaps the most moving stories of this collection are the ones that could best be described as "magical thinking." In "The Fake Nazi," an elderly man turns himself into the police, claiming to have been a a Nazi — though his actual crimes are of a different, more elusive nature.
In the end, the pith of The Color Master comes not from the magical elements of Bender's imagination but instead from her ability to capture what makes us flawed and, ultimately, human.
Jessica Ferri is a writer living in Brooklyn. Her work has appeared at The New Yorker's Book Bench, NPR,The Economist, The Daily Beast, Time Out New York, Bookforum, and more. Find her at www.jessicaferri.com.
Reviewer: Jessica Ferri
Posted October 8, 2013
I told my husband the book made me feel stupid ... as if there was a point or plot I was missing. But I did somehpw enjoy reading it and I knpw some of the images will be
with me for some time.
Posted September 26, 2013
Full disclosure: I'm a diehard fan of Aimee Bender. I admire the way she defies categorization even while all of her fiction has a magical realism/fantasy element. Especially in a collection like this one, I admire the way she's able to assume a new, convincing authorial voice for each story. And I'm constantly amazed at the mysteries of her writing, which makes every story, no matter how long, seem too short.
I experienced The Color Master for the first time by reading each story aloud to my husband. He enjoyed the stories, but maintains that Ms. Bender doesn't know how to come to an end. Every time, he said some variation of, "That's it? That's where she chose to end it?" On a writerly level, I appreciate that she ends each story when she feels it's complete. These stories are evocative, meant to point to a bigger truth or to a whole world beyond what the reader's just read. Anyone who's expecting an entire world described and signed, sealed, delivered, should read a novel, and probably not a novel by Aimee Bender. It's just not what she's trying to do.
This is Bender's third collection of stories. In the first two collections, I thought there were some hits and misses (although even the misses were ecstatic and thrilling in their own way). Here, the quality is consistently high to the extent that going back through, I can't point out a weak one. Each one is memorable and impressive for any number of reasons, and together they make up a tour-de-force book even better than a die-hard fan like me could have hoped for.
Posted September 26, 2013
Posted August 15, 2013
I should state up front that Aimee Bender is one of my favorite authors, right up there with Haruki Murakami. Even though I knew I'd likely fall in love with this new collection of short stories (and I did!), I was blown away by the extent of her versatility and imagination in The Color Master. From teenagers at the mall in "Lemonade" to ogres in "The Devourings," each of the fourteen stories is set in its own fantastical world with its own voice, tone, and set of rules.
The title story, "The Color Master" was by far my favorite. This is a spin-off of the French fairytale "Donkeyskin" by Charles Perrault. It was a little more plot-driven than the others, yet had a beautiful, glittery air of magic to it. The tailors had to make dresses the color of the sun, the moon, and the sky (!!!)... pretty incredible.
This collection is reminiscent of fables of old, containing social commentary and deeper lessons to be learned. Bender definitely has a surrealist bent, so read these offbeat, eccentric stories knowing that, in some cases, you may be waking up before the dream is completely over!
As much as I relished each story, I was still surprised by how astonishingly bizarre and avant-garde they are. If you are new to Aimee Bender's work, you may want to read The Particular Sadness of Lemon Cake (novel) and Willful Creatures (short stories) first.
I received a copy of this book from the publisher via NetGalley in exchange for an honest review. I did not receive any other compensation for this review.