The Colossus: and Other Poems [NOOK Book]

Overview

With this startling, exhilarating book of poems, which was first published in 1960, Sylvia Plath burst into literature with spectacular force. In such classics as "The Beekeeper's Daughter," "The Disquieting Muses," "I Want, I Want," and "Full Fathom Five," she writes about sows and skeletons, fathers and suicides, about the noisy imperatives of life and the chilly hunger for death. Graceful in their craftsmanship, wonderfully original in their imagery, and presenting layer after layer of meaning, the forty poems...
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The Colossus: and Other Poems

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Overview

With this startling, exhilarating book of poems, which was first published in 1960, Sylvia Plath burst into literature with spectacular force. In such classics as "The Beekeeper's Daughter," "The Disquieting Muses," "I Want, I Want," and "Full Fathom Five," she writes about sows and skeletons, fathers and suicides, about the noisy imperatives of life and the chilly hunger for death. Graceful in their craftsmanship, wonderfully original in their imagery, and presenting layer after layer of meaning, the forty poems in The Colossus are early artifacts of genius that still possess the power to move, delight, and shock.


From the Trade Paperback edition.
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Product Details

  • ISBN-13: 9780307808820
  • Publisher: Knopf Doubleday Publishing Group
  • Publication date: 11/23/2011
  • Series: Vintage International
  • Sold by: Random House
  • Format: eBook
  • Pages: 96
  • Sales rank: 137,944
  • File size: 2 MB

Meet the Author

Sylvia Plath
Sylvia Plath was born in 1932 in Massachusetts. She began publishing poems and stories
as a teenager and by the time she entered Smith College had won several poetry prizes.
She was a Fulbright Scholar in Cambridge, England, and married British poet Ted Hughes
in London in 1956. The young couple moved to the States, where Plath became an
instructor at Smith College, and had two children. Later, they moved back to England,
where Plath continued writing poetry and wrote The Bell Jar, which was first published
under the pseudonym Victoria Lucas in England in 1963. On February 11, 1963, Plath
committed suicide. The Bell Jar was first published under her own name in the United
States by Harper & Row in 1971, despite the protests of Plath's family. Plath's
Collected Poems, published posthumously in 1981, won the Pulitzer Prize.


From the Trade Paperback edition.

Biography

"I was supposed to be having the time of my life," Sylvia Plath writes as her alter ego Esther Greenwood in The Bell Jar. Like Esther, Plath was a bright young woman who had earned scholarships and awards, and had all the talent to back them up, and saw this—but could never enjoy it. Her struggles with depression were in fact what often motivated her to write, until she committed suicide at age 30 in 1963.

Plath is among the best-known confessional poets, coming from a school (at its peak in the ‘50s and ‘60s) that left few stones unturned when it came to self-examination and revelation. Though not always bald or literal in her expression, Plath chronicled her flirtation with death—and with life—in her poems. She writes in "Lady Lazarus," a verse about a woman rising from the dead yet again, "Dying/Is an art, like everything else./I do it exceptionally well./I do it so it feels like hell./I do it so it feels real./I guess you could say I've a call." She has an ability to convey deep, almost frightening emotion, but do it in a deceptively lilting, almost-but-not-quite humorous language.

"Lady Lazarus" was published in Ariel (1965), a collection that appeared posthumously, as did other well-known collections such as Crossing the Water (1971), Winter Trees (1972) and Collected Poems (1981), for which Plath was awarded the Pulitzer. Though not all death and despair, Ariel stands out among Plath's works because it represented a departure from the first collection that was published while she was still alive, The Colossus and Other Poems, but primarily because it was such an intimate record of the end of her life. As poet Bob Hass remarked in a PBS interview, "Readers in general discovered this book [Ariel] of a young woman with two babies, whose husband had left her, living in a cold house, trying to be a mom, trying to be a writer, trying to put her life together, who didn't make it—who killed herself—and wrote poems full of rage, bravery, and it electrified people."

Plath's father died when she was eight years old, an event from which the poet never quite seemed to recover. She writes in Ariel's "Daddy": "At twenty I tried to die/And get back, back, back to you./I thought even the bones would do." Oddly (or perhaps appropriately) for a woman so devastatingly able to feel and react to people, Plath often writes about humans as objects, things that make noise, can be broken or repaired, marked in a continuum from birth to expiration. A child on the floor is like "an unstrung puppet"; cats howl "like women, or damaged instruments"; people are compared to statues. The technique provides a twisted understatement to the emotional effects Plath writes about, in a world where even the states of love and motherhood are accompanied by darkness.

Whereas Plath's poems often seem strange and dreamlike, The Bell Jar is direct and accessible. It ranks with Catcher in the Rye in both literary achievement and status. Plath gets across not only what it feels like to struggle with the most deadly and devastating emotions, but also how hapless and impotent the people around her are in coping with her. She portrays a woman at odds with the world, but does so without affect or pretension. It's no wonder the book has become a classic, particularly among young female readers. At times of despair, readers find comfort and empathy in Plath's words. All of her painfully wrought "confessions" are of us, for us.

Good To Know

Plath married fellow poet Ted Hughes, whom she met while studying in Cambridge. At the time Plath killed herself, Hughes had left her for another woman (who also eventually killed herself). He wrote about his relationship with Sylvia in Birthday Letters, an autobiographical collection of poems published just before he died in 1998.

Plath was portrayed by Gwyneth Paltrow in Sylvia (2003), a film produced by the BBC and Focus Features. The Bell Jar was adapted to the screen by director Larry Peerce in 1979.

The Colossus was Plath's literary debut in 1960, but she also published A Winter Ship that same year, anonymously. The Bell Jar was initially published under a pseudonym, Victoria Lucas.

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    1. Also Known As:
      Victoria Lucas (pseudonym)
    1. Date of Birth:
      October 27, 1932
    2. Place of Birth:
      Boston, Massachusetts
    1. Date of Death:
      February 11, 1963
    2. Place of Death:
      London, England

Customer Reviews

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Sort by: Showing all of 5 Customer Reviews
  • Anonymous

    Posted May 4, 2012

    Brilliant

    I've veen wanting to read some of Plath's poetry for a while now because I've heard so many good things about her work. I was not dissappointed.

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  • Anonymous

    Posted September 19, 2005

    Dear Sylvia

    I think her poems are deep. Sylvia touched her own soul. It is important to fill a 'hollowness'. & She did it wonderfully, painlessly. Sylvia ended her morbid life lovingly. Funny how 'stardom' is always recognized after the persons passing.

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    Posted December 4, 2008

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    Posted January 26, 2013

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    Posted June 8, 2009

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