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| Etta James | Primary Artist |
| Etta James | Composer |
| Johnny Otis | Composer |
| Hank Ballard | Composer |
| Richard Berry | Composer |
| Jerry Leiber | Composer |
| Harold Battiste Jr. | Composer |
| Harvey Fuqua | Composer |
| Berry Gordy Jr. | Composer |
| Mike Stoller | Composer |
| Sister Rosetta Tharpe | Composer |
| Ed Townsend | Composer |
| Tony Rounce | Liner Notes |
| Duncan Cowell | Mastering |
| George Matola | Composer |
| Joe Josea | Composer |
| Jules Taub | Composer |
| John Marascalco | Composer |
| Sam Ling | Composer |
| Edward Madden | Composer |
| Howard Mandolph | Composer |
| Ray Stanley | Composer |
| Saul Bihari | Composer |
| Eddie Brandt | Composer |
| Rick Darnell | Composer |
| Gus Edwards | Composer |
| Frank Gallo | Composer |
| Dorothy Hawkins | Composer |
| Jean Mitchell | Composer |
| Bro. Raymond Johnson Jr. | Composer |
Editorial Reviews
All Music Guide - Thom Jurek
Ace does it again -- of course. These two discs, The Complete Modern and Kent Recordings, contain every side that the young powerhouse Etta James cut for Modern, Crown, and Kent between 1955 and 1961. There are 42 cuts on these two discs, remastered and sequenced painstakingly according to release date. There are no less than seven previously unissued cuts, and two more that have appeared only on Ace compilations. (There's a killer alternate take of "Hey Henry" here that rivals the released version). Fans will have a lot of this material in various places, but this collection puts everything together in one slamming package. The first disc is comprised exclusively of sides ...