Complete United Artists Solo Singles

Complete United Artists Solo Singles

by George Jones
     
 

Unlike Razor & Tie's 1997 double-disc collection She Thinks I Still Care: The George Jones Collection (The United Artists Years), Omnivore's 2013 set The Complete United Artists Solo Singles focuses directly on the 45s George Jones released for United Artists between the years 1962 and 1966 (he was only with the label until 1964 but they churned outSee more details below

Overview

Unlike Razor & Tie's 1997 double-disc collection She Thinks I Still Care: The George Jones Collection (The United Artists Years), Omnivore's 2013 set The Complete United Artists Solo Singles focuses directly on the 45s George Jones released for United Artists between the years 1962 and 1966 (he was only with the label until 1964 but they churned out singles for another two years after his departure). This is a bigger difference than it may initially seem. The 40-track She Thinks I Still Care sampled generously from Jones' duets with Melba Montgomery, his tributes to Bob Wills and Hank Williams, his bluegrass and gospel LPs, which meant there were several singles absent from its track listing. Conversely, The Complete United Artists Solo Singles misses several of these stylistic detours (naturally, the title is a give-away that there are no duets to be found here), but it has its share of surprises -- i.e, the rocking holiday single "My Mom and Santa Claus (Twistin' Santa Claus)" -- and, better still, its 32 songs give a greater sense of how George Jones was heard at his '60s peak: as a series of singles saturating the airwaves or cranking away on a jukebox. George had some of his biggest hits during these five years -- "The Race Is On," "She Thinks I Still Care," "You Comb Her Hair" -- but his star didn't shine as brightly as it did in the '70s, when he was a fixture in the upper reaches of the charts. He was a popular country singer, regarded as one of the best and selling at a rate deserving of his reputation, and the singles reflect this status, as they're largely exceptional pieces of straight-ahead country designed to please broad audiences. His hardcore Texas honky tonk wound up getting slightly sweetened by the pros in Nashville, a transition that resulted in the first flowering of his gorgeous ballad style, a bit of MOR Nashville sound ("Where Does a Little Tear Come From") but also gave a bit of a lively snap to the novelties ("Geronimo," "The Best Guitar Picker") and poppier tunes like "What's Money" or "Your Heart Turned Left (And I Was on the Right)." This gives the United Artists singles some color, but the foundation lies in the purer country, whether it's the haunted murder ballad "Open Pit Mine" or such barroom weepers as "A Girl I Used to Know" and "Brown to Blue." Taken together, each of these singles -- including the B-sides, which are often quite strong -- create a portrait not only of George Jones in the '60s, but that decade's mainstream straight-ahead country, a blend of Nashville and Texas that remains enormously appealing. Needless to say, this is the best way to hear George Jones' United Artists recordings; it's tighter, better than either the Razor & Tie comp or the enjoyable but very large Bear Family box.

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Product Details

Release Date:
02/12/2013
Label:
Omnivore Recordings
UPC:
0816651013609
catalogNumber:
101360
Rank:
32628

Tracks

  1. She Thinks I Still Care
  2. Sometimes You Just Can't Win
  3. Beacon in the Night
  4. He Made Me Free
  5. Open Pit Mine
  6. Geronimo
  7. He's So Good to Me
  8. Magic Valley
  9. A Girl I Used to Know
  10. Big Fool of the Year
  11. Not What I Had in Mind
  12. I Saw Me
  13. Lonely Christmas Call
  14. My Mom and Santa Claus (Twistin' Santa Claus)
  15. You Comb Her Hair
  16. Ain't It Funny What a Fool Will Do
  17. Your Heart Turned Left (And I Was on the Right)
  18. My Tears are Overdue
  19. Something I Dreamed
  20. Where Does a Little Tear Come From
  21. The Race is On
  22. She's Lonesome Again
  23. Least of All
  24. Brown to Blue
  25. Wrong Number
  26. The Old, Old House
  27. What's Money
  28. I Get Lonely in a Hurry
  29. World's Worst Lover
  30. I Can't Change Overnight
  31. Best Guitar Picker
  32. A Good Old Fashioned Cry

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Album Credits

Performance Credits

George Jones   Primary Artist
Jordanaires   Choir, Chorus
Red Rhodes   Steel Guitar
Grady Martin   Guitar
Billy Strange   Guitar
Johnny Western   Guitar
Buddy Harman   Drums
Kelso Herston   6-string Electric Bass
Howard Roberts   Guitar
Tommy Jackson   Fiddle
Hargus "Pig" Robbins   Piano
Muddy Berry   Drums
Bob Moore   Bass
Hal Rugg   Steel Guitar
Fred Hayes   Piano
Donald P. Duffy   Bass

Technical Credits

Sonny James   Composer
George Jones   Composer
Johnny Mathis   Composer
Freddie Hart   Composer
Justin Tubb   Composer
Smokey Stover   Composer
Johnny Western   Composer
Jack Clement   Composer
Hank Cochran   Composer
Harlan Howard   Composer
Dickey Lee   Composer
J.P. Richardson   Composer
Don Rollins   Composer
Holly George-Warren   Liner Notes
Autry Inman   Composer
Clyde Beavers   Composer
Billie Jean Horton   Composer
Gavin Lurssen   Mastering
Darrell Edwards   Composer
Hal Bynum   Composer
June Davis   Composer
Virginia Franks   Composer
Dickie Overby   Composer
Marge Barton   Composer
D.T. Gentry   Composer
Bryan George   Licensing
Greg Allen   Art Direction
Reuben Cohen   Mastering
Merle Moore   Composer
Fred MacRae   Composer
Herbert Treece   Composer
Carole Smith   Composer
Georgie Riddle   Composer

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