Eleven-year-old Katherine McConnell is so immersed in Civil War history that she often imagines herself a general, leading troops to battle. When Kat’s beautiful, impulsive mother wakes her early one morning in the summer of 1968 to tell her they will be taking a road trip from Georgia to Maine to find antiques for a shop she wants to open, Kat sees the opportunity for adventure and a respite from her parents’ troubled marriage. Armed with a road atlas and her most treasured history books, Kat cleverly charts a course that will take them to battlefields and historic sites and, for her mother’s sake she hopes, bring them home a success. But as the trip progresses, Kat’s experiences test her faith in her mother and her loyalty to the South, bringing her to a difficult new awareness of her family and the history she reveres.
And when their journey comes to an abrupt and devastating halt in Gettysburg, Kat must make an irrevocable choice about their ultimate destination. Deftly narrated with the beguiling honesty of a child’s perspective and set against the rich backdrop of the South during the 1960s, The Confederate General Rides North gracefully blends a complex mother-daughter relationship, the legacy of the Civil War, and the ache of growing up too soon.
Eleven-year-old Katherine McConnell is so immersed in Civil War history that she often imagines herself a general, leading troops to battle. When Kat’s beautiful, impulsive mother wakes her early one morning in the summer of 1968 to tell her they will be taking a road trip from Georgia to Maine to find antiques for a shop she wants to open, Kat sees the opportunity for adventure and a respite from her parents’ troubled marriage. Armed with a road atlas and her most treasured history books, Kat cleverly charts a course that will take them to battlefields and historic sites and, for her mother’s sake she hopes, bring them home a success. But as the trip progresses, Kat’s experiences test her faith in her mother and her loyalty to the South, bringing her to a difficult new awareness of her family and the history she reveres.
And when their journey comes to an abrupt and devastating halt in Gettysburg, Kat must make an irrevocable choice about their ultimate destination. Deftly narrated with the beguiling honesty of a child’s perspective and set against the rich backdrop of the South during the 1960s, The Confederate General Rides North gracefully blends a complex mother-daughter relationship, the legacy of the Civil War, and the ache of growing up too soon.
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Overview
Eleven-year-old Katherine McConnell is so immersed in Civil War history that she often imagines herself a general, leading troops to battle. When Kat’s beautiful, impulsive mother wakes her early one morning in the summer of 1968 to tell her they will be taking a road trip from Georgia to Maine to find antiques for a shop she wants to open, Kat sees the opportunity for adventure and a respite from her parents’ troubled marriage. Armed with a road atlas and her most treasured history books, Kat cleverly charts a course that will take them to battlefields and historic sites and, for her mother’s sake she hopes, bring them home a success. But as the trip progresses, Kat’s experiences test her faith in her mother and her loyalty to the South, bringing her to a difficult new awareness of her family and the history she reveres.
And when their journey comes to an abrupt and devastating halt in Gettysburg, Kat must make an irrevocable choice about their ultimate destination. Deftly narrated with the beguiling honesty of a child’s perspective and set against the rich backdrop of the South during the 1960s, The Confederate General Rides North gracefully blends a complex mother-daughter relationship, the legacy of the Civil War, and the ache of growing up too soon.
Product Details
| ISBN-13: | 9781416598404 |
|---|---|
| Publisher: | Scribner |
| Publication date: | 02/23/2013 |
| Pages: | 288 |
| Product dimensions: | 6.00(w) x 8.90(h) x 0.90(d) |
About the Author
Read an Excerpt
Chapter One
Get up, baby," Mother says. "We're going on an adventure." She has my suitcase out and is already pulling clothes from my dresser drawers before I've even rolled over and put my feet on the floor. It's six a.m., still dark outside. Only a few minutes earlier I'd woken up to the noise of Daddy's truck engine turning over and over until it finally started and he revved it hard once. Now that he runs his own construction company, I never see him in the daytime unless it's Sunday. "Well, come on," Mother says. "Get dressed and help me pack your things." I wonder where we're going this time. Wherever it is, I wish we could leave later.
Yesterday Mother was touchy. Usually she likes me to be in the basement with her while she's painting, but after only a few minutes she made me pack up my watercolors because she said the way my paintbrush tapped against the jelly glass got on her nerves. Then she and Daddy had a fight at dinner, not as bad as the worst ones, but she was quiet afterward. Now her cheerfulness so early in the morning surprises me a little, except that Mother's moods can change fast. I have to watch for that. Her mood can make a difference in what I say or whether it's best to say nothing at all. The good thing is that Mother never stays mad at me for long. Like Daddy says, she shifts gears a lot. Whenever Mother gets a notion, she'll change whatever she's doing, right then and there. She'll wake me up in the middle of the night to go to Dunkin' Donuts, where we sit on the pink stools next to truck drivers and order our favorite donut, toasted coconut. She tells me she thinks best then. I like watching her sketch on the foldedpieces of typing paper she brings along in her purse. In those moments it's just the two of us, like grown-ups together, and she tells me her ideas for making money. It's hard to make a living only on your art, she explains. You have to do something else to bring in steady money. And you need to make your own money, be independent, have your own bank account, she says. I don't think Daddy knows that we go; we're careful not to make noise when we leave.
Over three years ago when I was in third grade, on an October Saturday when Daddy was still a crew boss for Old Man Price, Mother packed us an overnight bag and we drove four hours to Pisgah National Forest in North Carolina. "I had to see the mountains, Bill," she told Daddy on the phone in the lodge. "I wanted to see the beautiful leaves. I had to get out of there." We stayed a week. During the day we went hiking, rode horses, and drew landscapes on large sketchpads with thick sticks of charcoal Mother brought. At night we ate dinner in the lodge dining room where the tables had starched white tablecloths and napkins, and we chose books from the shelves on either side of the lodge's huge stone fireplace. I missed that whole week of school. Daddy and Mother had a huge fight in the kitchen when we got home. I heard Daddy yelling, "Damn it, Margaret, I don't care. I forbid it! You can't go off like that, spending money I don't have." He got so mad he threw a can of frozen orange juice that smashed out the kitchen window; but the next day he whistled while he put in a new windowpane, and he asked me did I have a good time, off with my wild artist mother.
As I pull on my shorts and find my favorite blue T-shirt in the pile of clothes on the floor, Mother takes my book bag out of the closet. "We're going all the way to Maine," she says. "Now that you're out of school for the summer, we can take off. Isn't this great? I've got it all planned out. We're going to buy antiques and open a store like I told you about." Mother has a lot of business ideas. Of all her plans, the antique store is my favorite — it sounds more fun than opening an art gallery or a picture-framing shop. I love old things: the wavy grain of the wood in the pine boards of our dining room table, the marble-top dresser at Gramma's with the brass drawer pulls you can spin, or the richly colored oriental rug in my aunt's living room where I lie on my stomach to count all the tiny birds in the design.
Mother grabs my dirty-clothes bag, dumps everything out of it, and begins stuffing it with sweaters and my coat.
"Hey, why do I need those? It's summer!"
She stops stuffing for a minute. "Honey, even in the summer it gets cold at night up North. Don't you remember me telling you about Boston?" I don't remember her saying Boston's cold in the summer. I remember her stories about foot-high snowdrifts in the winter and how wonderful it was to grow up in a city where you could go to a different art museum every day of the week.
Daddy hates it when she talks about Boston. "Just quit with the Boston crap," he says. "You think anything in the North is better than everything in the South."
She tightens the drawstring of my laundry bag and lays two pairs of folded pajamas in my suitcase. "Fit in as many outfits as you can. Pick out a few school dresses."
"School dresses? I hate them."
"We might need to get dressed up some," she says firmly. "I'm going to be making contacts for my new business."
I take two jumpers, both plaid, off their coat hangers and fold them on my bed. Mother adds two white shirts to the stack. I open my desk drawer and pull out my colored pencils and sketchbook.
"Katherine, you're going to see Boston and Cape Cod and all the places I went when I was growing up." Mother's tone is soft and serious, as if she's telling me a secret.
I put my art supplies in my book bag.
"I'm so glad I'm doing this. You'll see, Kat. It's going to change everything." Mother's eyes are bright this morning and she's excited. For the last few months she hasn't had any energy, sometimes spending all day in her slippers and bathrobe, and leaving half-finished drawings all over the house. She's hardly painted at all. Daddy has started saying again that nothing suits her, that nothing is right with her. Maybe if she starts an antique business, it will change everything and she can be happier. After all, Daddy said he'd never been happier than when he told Mr. Price he was quitting to start his own company.
"How long are we going to be gone?" I ask.
"As long as it takes." She clicks the locks on my suitcase and looks at me. Her face breaks into a grin. "Yeah, as long as it takes," she says. "To get a new start." I wish she would tell me exactly how long we'll be gone, but when we take a vacation Daddy always figures out when we'll leave and when we'll arrive. Mother's not much for that kind of detail. She tosses me my tennis shoes. "Come on, we need to eat some breakfast."
In the kitchen, Mother opens up the Allstate road atlas in front of me on the table. "Up the East Coast, sugar, heading to Maine. Why don't you look and see what you think is an eight- or ten-hour drive for today. We have to go pick up the trailer in Cartersville first." She pauses. "Remember, we want to find good bargains on antiques, so make sure we go through some small towns."
It's easy to read a road map. Daddy taught me. Just add the little red numbers together to find the distance and then figure maybe fifty miles per hour and come up with the time. I begin with the dot for our town, Marietta, Georgia, and write down the numbers on a pad Mother keeps for phone messages. I pick a highway heading northeast from Cartersville and follow it to places that might be around eight hours away, which is all Daddy says you ought to drive in a day. After I calculate on the pad, it turns out Greensboro, North Carolina, is the right distance. Mother keeps walking through the kitchen, taking boxes and bags to the carport. When she stops to drink the rest of her coffee, I show her Greensboro on the map.
"That's exactly where I thought we should stop," Mother says. "Exactly." She picks up the ballpoint click pen and circles Greensboro. I don't like her marking on the map because it ruins the way the page looks, everything printed neatly, and there in the middle, her off-kilter dark blue ink circle. She stuffs the atlas in her tote bag and takes it to the car before I have a chance to look at the places I might want to visit. We're bound to pass some Civil War battlefields on the way to Maine, but I can't just come out and ask about them, because Mother doesn't like Civil War history. Whenever I go to the Kennesaw Mountain battlefield, only a few miles from where we live, I go with Aunt Laura. She teaches history at the high school, and Daddy says his sister got all the brains in the family.
The summer before third grade when Aunt Laura asked to take me to Kennesaw Mountain for the Civil War Centennial Celebration, Mother argued with her. I overheard her say that a celebration of war was nonsense — that it was gruesome to pretend men were dying all over again, especially when we're in the middle of a real war. It's about history, Aunt Laura replied; it's important to remember how and why things happened. Mother said she still didn't want me to go, that the segregationists used these spectacles to whip up people's emotions. Finally Aunt Laura said it was better that I learn history from her than from someone who was prejudiced, if you know what I mean, and Mother gave in.
On Kennesaw's rolling green field, inside a split-rail fence that bordered the road, men dressed in dark blue Union uniforms marched with their rifles on their shoulders toward butternut-clad Confederates who were lying in shallow depressions or crouched behind trees at the base of the mountain. On the first ridge, two small cannons were visible. Aunt Laura and I stood outside the visitor center looking down on the field, and the big crowd around us yelled and whooped. "This isn't exactly how the battlefield looked," Aunt Laura told me, "but the Park Service didn't want to ruin the field by digging trenches." It didn't matter to me. To me it was all spectacular — the noise of the people, the uniformed soldiers with their rifles, and not knowing what was going to happen next.
The lines of Union soldiers stopped and fired their rifles. Small white puffs of smoke filled the air. A round of shots came from the Confederates, marked by more puffs. Some Union men dropped to their knees to reload, but others clutched their chests and fell flat on the ground as if they were dead. Aunt Laura had told me that everyone would be using blanks — powder, but no minié balls, only paper wadding. The Union troops started running toward the Confederates and the cannons fired, making a huge noise and creating so much smoke we could hardly see what was happening. "How do they know what to do?" I asked Aunt Laura.
"They obey their officers, who follow battle plans that the generals have made. The generals are in charge of everything," she told me. Lots of Union soldiers were lying on the field and the Confederates came from behind the trees to chase the few blue coats that were still upright. "Hooray," I yelled with the crowd.
When the dead men stood up and all the soldiers started shaking hands with one another, we went to the museum. Aunt Laura bent down and spoke quietly in my ear. "It's okay to cheer — after all, our relatives fought as Confederates — but you need to know that it was a good thing that the North won the war, otherwise slavery would have lasted a lot longer." I nodded. "That's my girl," she said and patted me on the back.
In the museum, I stood staring for a long time at a wooden box with medical instruments resting in blue velvet compartments. The box was so beautiful, the velvet lush and unstained, the knife blades glinting, and the steel teeth on the saw still shiny. It was almost impossible to imagine that small saw cutting off arms and legs a hundred years before. It frightened me and I peered at it for signs of blood.
We looked at the uniform exhibit and I tried to like the Union private's dark blue sack coat because Aunt Laura said the Union soldiers did such a good thing for the country, but I couldn't. It was plain, with moth holes and threadbare edges on the sleeves. Next to it was a magnificent Confederate general's full uniform: a gray wool coat with brass buttons and braid, a sword in a decorated scabbard, and the general's hat, its gold tassels with acorns at the ends hanging over the brim. All were in perfect condition. Aunt Laura said the everyday uniforms like the Union private's were much harder to come by and more valuable, but I didn't care. I would want a general's uniform, especially the hat. "If I had been a Confederate general," I told Aunt Laura, "I could have saved Atlanta." She chuckled. "That's fine," she told me. "But remember what I said, the way the war came out was for the best." In the gift shop she bought me a biography of Robert E. Lee. "This is the general you'd want to be," she said. "North or South."
I like to imagine the lives of generals, conferring with one another inside their tents, their horses tied up nearby; writing out orders to be delivered to their trusted lieutenants, and then leading their troops into battle. They were in control, responsible, resourceful, and strong. Even when things went badly, they could figure out what to do. I think a lot about being a Confederate general, someone in a beautiful gray hat on a tall horse who would have commanded my great-greatgrandfather, someone who knows how to defend his homeland and family.
Maybe if Mother keeps letting me plan the route, I can make sure we just happen to go through some of the battlefield towns — Manassas, Harpers Ferry, Sharpsburg, Gettysburg — and I can visit the museums and take the battlefield tours.
When we start packing the car, I ask about stopping by Gramma and Poppa's house across the field to say good-bye, but Mother shakes her head. "No, it'll take too long. We need to get on the road."
I write a note to Daddy and leave it for him with the one Mother seals up in an envelope and props between the sugar bowl and the salt and pepper shakers on the kitchen counter. On my note, I draw a border of flowers and ivy and write:
When we get back I'm going to help Mother run the antique store. We'll make lots of money. Scout will keep you company while we are gone. I think you're the greatest.
Love, Kat. S.W.A.K.
"We could leave a note in their mailbox," I suggest.
Mother scowls at me. "They'll come out as soon as we stop. They're always watching out their windows to see what I'm up to. They're probably looking at us right now wondering why we're putting so much stuff in the car. Soon as you get to their mailbox they'll run down the driveway calling, 'Yoo-hoo, where're y'all off to?' " Mother mimics Gramma's voice. "And then the next thing you know we'll be stuck here, waylaid, looking out for everybody else's interests." Mother is red in the face. "Those two fill your head with guns and dogs and hunting and that, that Confederate ancestor worship of theirs. I'm glad I'm getting you away from them. I should have done it years ago."
"They don't sit around looking out the window," I tell her. "They've got better things to do." Mother always thinks Gramma and Poppa are checking up on her, and she and Daddy argue about them a lot. She says she wants me to spend less time with them, but I still see them almost every day.
"Doesn't matter what you think. I know what is and you're not putting a note in their mailbox and that's final. This is our trip." She slams the trunk.
I don't want to leave without saying good-bye to Gramma and Poppa, and I think about not seeing them while Mother goes through the things in the glove compartment. She spreads out combs, lipsticks, and papers on the dashboard. I decide they won't be worried, because Daddy will tell them that we're off antiquing and I can write them postcards like I do when I'm gone for two weeks at summer camp. I can write Aunt Laura too, and if we stop in the battlefield towns I'll send her postcards of all the Confederate generals.
Mother opens the back door of the car. "Did you get your drawing supplies and books that you want?" I nod. "Go check your room and make sure." She follows me into the house. In my room, she opens all my desk drawers. "You'll want an extra pad of paper," she says, "and more pencils." I add my Golden Book of the Civil War. Mother sits on my bed and pats the spot next to her. "Come sit here." She puts her arm around me and hugs me hard. "You have to trust me on this," she says. "I love you. I want the best for you. This trip is a chance in a lifetime for both of us." I don't know exactly what she is talking about and that worries me a little. But I do know that she means this trip is important for both of us, that I'm going to help her do something she's always wanted to do.
"I know you'll miss everyone while we're gone, but it's like a vacation — you won't be lonesome, because we'll be having so much fun together." She pushes my bangs back a little with her fingertips, smiling. "Okay?"
"Okay," I tell her, smiling back. More than anyone, I'm the one Mother wants with her. I sit on the bed with her and she pulls me into her body again. She smells like coffee with a hint of lavender in her shirt from the sachet she keeps in her drawer. I stare at the open door of my bedroom and think about Mother and me on the trip together.
The Confederate general buckles her belt and adjusts her sword. Her orderly checks to make sure all her gear is stowed in the trunk. In a short time her army will be on the march once again. It feels good to be poring over maps and having strategy meetings with her staff — they are about to embark on an important Northern campaign. It's true that they are outnumbered, but it is also true that if they keep their wits about them, they can be victorious. The spirit and heart of the troops is what is most crucial, not how many there are. As she swings onto her steed, she says to herself, "There can be no more valiant troops in the world than those before me now."
We're in our shiny white Impala with its fire engine red interior, ready to go, when Mother pauses and twists the rearview mirror toward her. I watch as she takes her lipstick from her big leather purse and slowly touches up the frosted pink that looks so good against her tan. She examines her long blond hair, held back in a black velvet ribbon, and pulls a few strands out above her ears, making it look softer around her face. She is beautiful. Sometimes when we are in public and people look at her a little too long, I see how much she enjoys it. I feel her drawing attention to herself and I wish she wouldn't. I don't want her to care what strangers think. She often makes me sit with her in front of her vanity at night, going over the finer points of hairstyles and makeup and what colors of lipstick are in fashion, all things I don't care about. Most of the other kids' mothers are older and wear their hair short in what Mother calls beauty-parlor dos, but Mother has straight blond hair down to her shoulders. When she's driving she pulls it back into a loose ponytail, and when she's going out to a party or to Christmas dinner at my grandparents' she gives it some curl with big pink rollers and wears it down.
Everyone remarks on how much I look like her. I have her dark brown eyes, long slender nose, and my hair is blond too, but with a slight curl I get from Daddy and cut short with bangs. Mother's been after me lately to grow my hair long, but so far I've resisted. She lets Aunt Laura cut it.
"You want to look your best, Kat," she always tells me. "Greet the day right. If your face is on, then you're more confident. Spend a little extra time putting on your face. You'll be glad later." But Mother doesn't always put her face on; sometimes she stays in bed all day long, harnessing her creative energy, she says. This morning, though, she's in one of her good moods because we're heading out for a great adventure. Daddy will be surprised; I can feel it, Mother is going to follow through with her plans this time.
As we sit in the driveway while Mother checks her makeup, my dog, Scout, watches us from her pen, her nose right up against the chicken wire. She knows we are going away for a long time, not on a trip to the store. When Mother first took the suitcases to the carport, Scout barked a weird bark with a whine at the end of it and I went into her pen to give her a long hug and to gently scratch her muzzle. "We'll be back before you know it," I told her.
Around us the day is heating up fast. The sun's rays angle through the windshield onto my bare legs. I check my pocket for my pocketknife and the money from my cigar box. Mother said we don't have time to go to the real bank where I have my birthday and Christmas money stashed, earning interest.
"I'll get you what you need," she said as she stacked our cereal bowls in the sink without even rinsing.
I'm excited about going to places I've only read about, maybe even walking on battlefields where my great-great-grandfather fought. Mother readjusts the mirror and twists around to back out of our driveway. I'm already itching to look at the map again. Once we are on the highway I'll get it out of Mother's tote bag and make notes on the battlefields we can intersect. Around us there is a buzz in the air, like a million clicks of insect wings or the vibration of a long thin wire that reaches for miles and miles. It is a sound that goes with the cloudless pale blue, almost white, sky of summer and the kind of day that stands still without a hint of breeze.
Copyright © 2009 by Amanda C. Gable
Reading Group Guide
Reading Group Guide
1. The Confederate General Rides North is a coming-of-age novel, about Katherine coping with difficult events and being forced to grow up quickly. Though the trip she and her mother take lasts just under a week, Kat changes her attitudes about a number of things; what are they?
2. The story of Katherine and her mother’s journey is told exclusively from Kat’s point of view. In what ways would the novel be different if the story had been told by Kat’s mother in first person narration? How would the novel be different if third person narration had been used and the thoughts of both Kat and her mother were revealed? What might have been lost in a different sort of narration?
3. Discuss how Katherine uses her love of Civil War history to cope with her personal difficulties. How does the author convey this in the italicized sections? How does the “voice” of the italicized (3rd person) sections differ from that of the primary 1st person narrative of the book? Does the voice of the “italicized” sections change over the course of the book?
4. The journey in the novel takes place early in the summer of 1968. In what ways and from whom does Kat learn about some of the important political events of 1968? How does she make sense of this information and what effect does it have on her as she travels with her mother? What memories or knowledge do you have about the political and cultural events in the U.S. in 1968?
5. What are the various civil wars in the novel? How is Kat involved in these “wars”? Are there places in the novel where Kat begins to make connections among some of these “wars”?
6. Discuss your own notions of being identified as southern or northern. How does Katherine grapple with this issue?
7. Several secondary characters, some more prominent than others, contribute to Katherine’s education and growth during the novel. Discuss one or two who struck you as the most important guides, either in a positive or negative manner.
8. Katherine’s grandparents and aunt give her a lot of love and attention. Other than your parents, did you have another family member or another adult who served as a guide or mentor to you when you were a child? Talk about the qualities of this person and one particular time you remember spending with them.
9. How does Kat describe her mother, Margaret McConnell? Do you think her description is accurate? How do you feel about Kat’s mother as the novel progresses? What about Kat’s father, Bill McConnell?
10. Discuss the relationship that Kat has with her mother and father. Which scenes in the novel reveal best how Kat feels about each parent and the legacies she has “inherited” from each?
11. Katherine loves books and they are important talismans for her above and beyond their content. What favorite books do you remember from your childhood? Were they on a particular subject, as Kat’s are? Discuss why they were so important to you.
12. Discuss the significance of Gettysburg as the last battlefield of the book. Why does Gettysburg hold such significance for Kat before she and her mother even get there? How does the place of Gettysburg contribute to Kat’s development?
13. What is Kat’s understanding of violence and war at the beginning of the trip? How has it changed by the end of the trip? Discuss the reasons for the change.
14. Were you surprised by Kat’s actions at the end of the novel? In what way? What do you imagine happens after the novel ends?
15. Many people have visited Civil War battlefields (or other battlefields or historic sites) on family vacations. If you’ve been on such a trip, talk about your experience. How did you feel; what did you learn; did it change you in any way? What sort of tour did you go on—was there a museum—a living history presentation—a bus tour—car audio tour? Who in the family planned the trip and who drove?