Burgin is the poet laureate of loneliness and longing, writing economically, with humor and exquisite attention to interior monologues.
The Conference on Beautiful Momentsby Richard Burgin
The Chicago Tribune has called Richard Burgin "among our finest artists of love at its most desperate," a critic for the Philadelphia Inquirer dubbed him "one of America’s most distinctive storytellers... I can think of no one else of his generation who reports the contemporary war between the sexes with more devastating wit and accuracy."/i>/i>… See more details below
The Chicago Tribune has called Richard Burgin "among our finest artists of love at its most desperate," a critic for the Philadelphia Inquirer dubbed him "one of America’s most distinctive storytellers... I can think of no one else of his generation who reports the contemporary war between the sexes with more devastating wit and accuracy." Through an extraordinarily vivid and variegated set of characters, The Conference on Beautiful Moments, Burgin’s sixth collection of stories, continues his daringly dark yet often humorous exploration of these themes, as well as our mysterious quest for truth, success, and identity.
In the gently satiric "Jonathan and Lillian," a movie star throws a dinner party with very different meanings for her biographer, her butler and ex-lover, and herself. In "Cruise," an aging straight man befriends a young gay man. Together they meet on their cruise ship’s deck to confess to each other "the worst thing they have ever done." In the title story, a journalist sent to investigate a conference formerly devoted to discussing beauty in the arts discovers it has turned into something considerably more sinister.
In The Conference on Beautiful Moments, Burgin writes with equal compassion and insight about the homeless and the wealthy, prostitutes and businessmen, an autistic child and an art forger. His characters are masterfully illuminated by their interior narratives, which burst sharply into conversations at once intimate and calculated.
Johns Hopkins University Press
Burgin skates along the edge of realism and dark fantasy in fiction so supremely well made that all manner of fancy and menace is readily ingested.
It takes a masterful writer to create characters who, regardless of whether they are likable, keep the reader engaged. Richard Burgin is such a writer.
It's not an astonishing claim to speak of Burgin's mastery of the short story form. His multiple Pushcart Prizes speak to this... Both in subject and form Burgin never seems to tell the same story twice... Burgin [is] at the top of his game.
Richard Burgin’s voice is what takes you in. It can be casual to the point of breeziness, but with an undertone of insinuation that, like a street-corner whisper, at once draws you in deeper and warns you against following; it treats you almost obsessively to detail while seeming to withhold the one thing you need to know; it never loses its cheerful, dogged note even when describing the absolutely horrific; it has a nugget of ice at its center. It is, in short, the perfect instrument of urban anomie, and over the course of several fiction collections and a novel, Ghost Quartet, it has carved out a distinctive and unmistakable place in American letters. Burgin’s new collection, The Conference on Beautiful Moments, represents him in peak form.
Burgin is always inventive and suspenseful, with tough and truthful insights about the quest for identity, authenticity, connection and commitment.
Burgin's compelling work examines loneliness... Burgin does a superb job of chronicling an essential human need.
The Conference on Beautiful Moments contains some of the best prose I've read in the last year, and while nearly every story is a model of psychological realism and philosophical depth, a sizable percentage of them also offer suspense of the praying-the-character-will-get-out-alive variety... Burgin as a portraitist of conjugal love that is neither idealized nor desperately bleak bears comparison with some of the literary-historical peaks in relationship-realism, like, say, William Dean Howells and Alice Munro.
If his literary career ended today, Richard Burgin would certainly be ranked in the top tier of American short story writers... some of his best writing; for those already in the know, enjoy yet another strong collection by a master practitioner of the short story.
The Conference on Beautiful Moments offers a negotiationbetween reader and text, character and place, character and characterdemonstrating that rather than a singular, breathtaking, life-changing moment, it is the process that contains the value, and sometimes the joy, of life.
Burgin has the wonderful audacity to write about the beauty in desperate characters and tough situations and the skill to make readers believe it but wish they didn't.
Stunningly effective, containing some of the best stories of [Burgin's] accomplished career... Burgin, at the peak of his considerable powers here, demonstrates the eternal difference between testimony and art, confession and paradox, journalism and fiction, Mencken and Faulkner.
This is a work Chekhov could appreciate.
Burgin in these engaging, haunted stories of obsession and misplaced, misguided affection, offers the reader both comedy and pathos, as if God is a comedian and humans are the punchline.
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