The Cormorant Hunter's Wife
This collection of poetry is inspired by the author’s lineage as an Iñupiaq Eskimo woman with family from King Island and Mary’s Igloo, Alaska. The poems’ syncopated cadences and evocative images bring to life the exceptional physical and cultural conditions of the Arctic and sub-Arctic that have been home to her ancestors for tens of thousands of years, while the poems’ speakers refer to an indigenous identity that has become increasingly plural. The author’s perspective as a Native person affords her unique insight into the relationship with place and self, which she applies in her consideration of the arctic landscape and to questions of adaptation and resilience. Kane’s work refers to the Inupiaq oral tradition, and while in some poems she continues to revisit, rewrite, and revise traditional narratives that are suited to the lyric form, she moves beyond narrative retelling, honoring the legacy of imagination that has sustained Inupiaq people for millennia.
1106027548
The Cormorant Hunter's Wife
This collection of poetry is inspired by the author’s lineage as an Iñupiaq Eskimo woman with family from King Island and Mary’s Igloo, Alaska. The poems’ syncopated cadences and evocative images bring to life the exceptional physical and cultural conditions of the Arctic and sub-Arctic that have been home to her ancestors for tens of thousands of years, while the poems’ speakers refer to an indigenous identity that has become increasingly plural. The author’s perspective as a Native person affords her unique insight into the relationship with place and self, which she applies in her consideration of the arctic landscape and to questions of adaptation and resilience. Kane’s work refers to the Inupiaq oral tradition, and while in some poems she continues to revisit, rewrite, and revise traditional narratives that are suited to the lyric form, she moves beyond narrative retelling, honoring the legacy of imagination that has sustained Inupiaq people for millennia.
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The Cormorant Hunter's Wife

The Cormorant Hunter's Wife

by Joan Kane
The Cormorant Hunter's Wife

The Cormorant Hunter's Wife

by Joan Kane

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Overview

This collection of poetry is inspired by the author’s lineage as an Iñupiaq Eskimo woman with family from King Island and Mary’s Igloo, Alaska. The poems’ syncopated cadences and evocative images bring to life the exceptional physical and cultural conditions of the Arctic and sub-Arctic that have been home to her ancestors for tens of thousands of years, while the poems’ speakers refer to an indigenous identity that has become increasingly plural. The author’s perspective as a Native person affords her unique insight into the relationship with place and self, which she applies in her consideration of the arctic landscape and to questions of adaptation and resilience. Kane’s work refers to the Inupiaq oral tradition, and while in some poems she continues to revisit, rewrite, and revise traditional narratives that are suited to the lyric form, she moves beyond narrative retelling, honoring the legacy of imagination that has sustained Inupiaq people for millennia.

Product Details

ISBN-13: 9781602231580
Publisher: University of Alaska Press
Publication date: 02/15/2012
Series: The Alaska Literary Series
Sold by: Barnes & Noble
Format: eBook
Pages: 76
File size: 328 KB

About the Author

Joan Kane is a poet who lives in Anchorage, Alaska.

Read an Excerpt

The Cormorant Hunter's Wife

Poems
By Joan Kane

University of Alaska Press

Copyright © 2012 University of Alaska Press
All right reserved.

ISBN: 978-1-60223-157-3


Chapter One

Antistrophic

    The Sunken Forests


    Just above the waterline
    Jut the bone-white
    Crowns of drowned trees.
    They are bare, they are
    Fallen together. I

    Scratch the earth
    At my feet: I can
    No longer draw water.
    I recite the ice that has thrown
    The river over its banks

    And move through a terrain
    Of annotations bright,
    New and innumerable.
    Fire-felled, they gape
    At the stump,

    Split at the consumed
    Root. I will not know how
    To forget them
    Though I do not know why.
    The inlet in the morning—

    A thin pan
    Inlaid with blue: this I am sure
    I have misremembered, for
    Always it is a gray
    Tint, clay and salt.

    The sun is not a dipper
    But a jostle in my head.


    Rote

    It could have been yesterday,
    Trying to learn a pattern of water
    On water or a road I thought
    Prophesied and never found.

    Against the backdrop of valley
    I lost the flock as it flew past
    For no known reason at all,
    A sudden and small consolation.

    I saw skins hung on rain-wet willows.
    I could not fix in mind or memory
    The terrible road or where it led.
    Perhaps it was sleep moving

    Against me, its round hill
    Swelling against a flat landscape.
    Iris of eye gives evidence of the sea
    Growing larger; an obscured sky

    Casts over, scatters and rains.
    Of a day that will not want to end,
    Tomorrow shall be longer.


    Legend

    I.

    I would have been a girl bound in stone, quartz—
    Coarse, cracked, and whitening as bone.
    Os, echoing away from twin calderas
    But for a long string that drew me to the sea.

    A sixteen-strand sinnet lain on sand
    Marks the rivers unbraiding, knotted,
    And plaiting their skeins towards the basin,
    Where a red-throated loon, shot through the eye,
    Yields his largest rib for an awl.

    At our junction a bunch of feathers.
    I take a brittle weed in leaf, thumb chert blade
    Gray. Our junction a fumarole; when it smokes,
    I lose sight of the girl. It is nothing to know
    The rift and buckle—

    To witness the sun eclipsed for days on end,
    The bruised fields redden and freeze.


    II.

    The sea, then, our garden: a film,
    Char of oil on water. A hiss of tides
    Run up to that which was burning
    And has gone out. A slow

    Erosion. It is one thing to
    Give oneself to water; I
    Wore down to a spur of myself.

    A bird with nowhere to land
    Alighted on a femur. A terrible need.

    The land took a drink of the sea;
    Mountain valleys soughed as throats.

    She knew of submerged peaks
    Recollected in an unheard song,
    Seized in a lesser fever.

    The induced shore
    Keeps still a drowned order.


    III.

    Meant to have gone to famine
    In a season recurring from wind:
    It would not turn.

    Into a deep snow in sleep
    I shook again. If she could not beat
    The lightness from her clothes,
    It would become a layer
    That eddied around in mouth,

    Myriad, in everywhere. No
    Animal stirs in the noiseless
    Quick of a year of two winters,
    But marrow:

    Gristle of a bloated fish, roots
    Split and cached, skin torn
    From the hull of a boat
    Long withdrawn from water.


    IV.

    Hers, a burial in damp
    Sand by the springs. Through
    December, willows green
    There; alder bark reddens

    Against late snow. Those
    Dead too numerous; no loose
    Entombments beneath
    Scars of rock. Nothing roots

    In the oldest graves—
    Lichen lifts with a fingernail scrape.
    Leave belongings piled:
    The opaque white bead

    Now unstrung, the unidentified
    Fragment, ivory ferrule,
    The small human figure
    Carved of wood.


    Insomnia at North

    I shall yet have a long sleep
    When the dark is at a stand
    In the woods. The rocks
    Along the ridge

    Will no longer ring
    Like bells, but will
    Become simple, gray
    And silent. I will be

    Still then, and sleep
    As night now sleeps,
    Swaying the larch
    Outside my window.

    It is losing its needles.
    Dry slivers of gold
    Drop in the tall,
    Sheltering grass.

    These I shall hurry,
    And envy their settle.


    The Designation

    I live brokenly and assemble together
    Weakly—from long bone of the arm, hip
    Rollicking in its socket, and the jaw,

    Its brux. From the lip of a wooden
    Bowl carved from the knot of a limb
    Drifted, my name was given on water

    And laid down like hail upon my tongue.
    It's become a bewilderment of white—
    It snows. It does snow. It is snowing.


    Variable at Prime

    It was never a speedy alchemy—
    It was a desolate town
    That conquered me. I lifted

    My hands to my head;
    They shook. It was all over.
    To obscure my path, I lit a fire.

    Everything about me
    Seemed to be toppling over.
    The waves had begun their break

    Into whitecaps. I crossed in fog.
    Rivulets link lake to river.
    He would like to go out

    Towards the ocean,
    Calmer, to see me fall easy,
    And easier now.


    Proper

    A blue tusk, a petrifying blue—there is only
    One way in which everything goes wrong.

    This the raw tooth that would not rot,
    What is left of the mammoth. Mineral

    Leached from snowmelt, a deep blue
    From vivianite, a phosphorescent blue.

    A stain of slow excavation, of resurfacing
    From ground bruised, bursts from cold.

    It is a near station. I wanted to grow
    Sound, but perhaps have strayed—

    Drawn to dusk again, thinned by tension,
    A bark ivory, dentine sloughed away.


    Stative

    I.

    Along the hillside whorls of wind: I collect
    Anemone, blown into a two-week peak

    As Grass-of-Parnassus' small bog star
    Throngs the marsh below.

    I pick these flowers for weather,
    To ferment and powder.

    I do not know their cure, heal or sour,
    Or if it is my name again written
    One thousand times, grove upon grove.

    II.

    The bucket of a man pouring water,
    A quarterly moon dips low.

    Fish slip from the seine: it is time
    To depart. As morning nears,
    Ursa Major's last light trails.


    III.

    Who would not dream a year of two winters,
    All dullness and narrow entrance?

    What a mean thing, the horizon,
    So open-mouthed at gap
    And close of day. It drowns a thin disc
    Of sun from its height of one thumb's width
    At arm's length. We can measure
    Its meanness.


    IV.

    An odor of
    Ledum twisted in grip—

    Dusk placed like a seal over liquid hours.
    A cogged wheel pulls the tide near, away from shore.


    V.

    The water drained away
    Reveals a flat land of grasses.

    I began to miss one of the small bones
    In my hand and it hurt.


    On the Border of Speech

    I did not swim under the water
    Deliberately, though my eyes
    Were pieces of ice as I plunged
    Below its surface. I do not

    Have a large heart. I am turning
    My head to look up at the sky
    That holds no stars. To the east
    There hangs an isolated cloud

    Of dust or smoke; perhaps
    It is descending upon a place
    That has many ravens. At night,
    Sometimes, I hear them.

    Here, the man is hammering.
    I thought I had given the world
    To him again, how sad instead
    That he is hurt, that his sorrow

    Has formed an impossible cluster.


    Off Course

    I.

    A drag in the wake
    Of a skeleton path
    On water—
    What can be said of
    The small degree?

    II.

    With its unfixedness
    March is difficult.
    There was a map
    I carried.

    III.

    I think it is time again.
    Clear night, raised
    Emblems

    Of a man adrift.


    Ruins

    A pebble of humid air here
    At Pilgrim Hot Springs where the first
    Yet return to open water early.
    A flight of cottonwood flush upwards,
    Or, peregrines arc courses above the sloughs.
    Each fissured surface shifts level.
    What I thought light now
    A premonition. What the fledged

    Require weighs to the balance, to
    Instinct. To the carved
    Ivory orb, the tedium
    Of form orphaned:
    The drought settling
    In your right hand.


    Declining the City

    Altogether elsewhere summer slips under its horizon.
    Burst from the first frost, cloudberries embarrass
    Rud-orange. Toughening beneath a clump of earth,
    Moss campion's rough taproot gilds,
    Calloused edible, too. For all of hunger,
    Yarrow grows obdurate, brown on the stalk:

    A gauntlet to winter. Ice spindles in the dry crown.
    In departure, moulted geese blanket the lakes
    With their shed feathers.

    Here: multifoliate night, vapor-lit.
    I've beat into leaf, a thin plate.


    A Proposal

    If weather
      and rock and moss.
    If a flurry of white against the space
    Where water undercuts the bank.
    And herring roe clouds
      and gathers on boughs
    Of blue spruce moored to shore ...

    A present of four deer, petty game,
    Moves quiet and invisibly through trees.

    Green wood grows from old roots,
    Seals sleep on their backs, salt-borne,

    And brightness on the horizon
    Gives of a presence of ice on the ocean.

    Let us turn the intestines inside out
      and eat them.


    Anchorage

    How rapidly the tide turned, turns.
    Still, turning now, gray wash and silt
    Pivots on a finger of foam.

    One could count time in its long
    Trough, or lose it altogether:

    Winter may thicken the air
    Earlier than expected. Or,

    An inflection in the shadow
    Of the long crest is an increment,
    And a small variation.

    With it, we are joined, and continue.
    A sharp-shinned hawk now wheels

    Overhead, as each spring tends,
    And shows its white underbelly.

(Continues...)



Excerpted from The Cormorant Hunter's Wife by Joan Kane Copyright © 2012 by University of Alaska Press. Excerpted by permission of University of Alaska Press. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Acknowledgments

One: Antistrophic
The Sunken Forests
Rote
Legend
Insomnia at North
The Designation
Variable at Prime
Proper
Stative
On the Border of Speech
Off Course
Ruins
Declining the City 

A Proposal
Anchorage
Placer
Building the Boats
Exit Glacier
Stray and Error
The History of Two
Ornament
Ivu
Clear Cut
And Other Ruins
Laid In
Antistrophic

Two: Otherwise, Sky
The Prodigy
At Bridal Veil Rocks
On Eating before Hunting
The Greenland Mummies
Three Masks
Traveler’s Rest
Variations on an Admonition
The Relation
Animal Figurine
Lost Season
The Slate Fields
Variable at Nightfall 

Withdraw
Tributary
The Slip
Nelson’s Curio
Nix
Five Stops
Fled to the Inlanders
Birth at Safety Sound
The White Night Falling
Haunt
The Cormorant Hunter’s Wife
Theories of Migration
Due North
Dust in June
Tiŋmiat

Biographical Note
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