The Critical Imagination

Overview


The Critical Imagination is a study of metaphor, imaginativeness, and criticism of the arts. Since the eighteenth century, many philosophers have argued that appreciating art is rewarding because it involves responding imaginatively to a work. Literary works can be interpreted in many ways; architecture can be seen as stately, meditative, or forbidding; and sensitive descriptions of art are often colourful metaphors: music can "shimmer," prose can be "perfumed," and a painter's colouring can be "effervescent." ...
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Overview


The Critical Imagination is a study of metaphor, imaginativeness, and criticism of the arts. Since the eighteenth century, many philosophers have argued that appreciating art is rewarding because it involves responding imaginatively to a work. Literary works can be interpreted in many ways; architecture can be seen as stately, meditative, or forbidding; and sensitive descriptions of art are often colourful metaphors: music can "shimmer," prose can be "perfumed," and a painter's colouring can be "effervescent." Engaging with art, like creating it, seems to offer great scope for imagination. Hume, Kant, Oscar Wilde, Roger Scruton, and others have defended variations on this attractive idea. In this book, James Grant critically examines it.

The first half explains the role imaginativeness plays in criticism. To do this, Grant answers three questions that are of interest in their own right. First, what are the aims of criticism? Is the point of criticizing a work to evaluate it, to explain it, to modify our response to it, or something else? Second, what is it to appreciate art? Third, what is imaginativeness? He gives new answers to all three questions, and uses them to explain the role of imaginativeness in criticism.

The book's second half focuses on metaphor. Why are some metaphors so effective? How do we understand metaphors? Are some thoughts expressible only in metaphor? Grant's answers to these questions go against much current thinking in the philosophy of language. He uses these answers to explain why imaginative metaphors are so common in art criticism. The result is a rigorous and original theory of metaphor, criticism, imaginativeness, and their interrelations.

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Editorial Reviews

From the Publisher

"The Critical Imagination is a well-organized and clearly written book that moves swiftly between abstract argumentation and concrete cases of art criticism. The arguments Grant uses are strong, and the views he defends are plausible, but controversial enough to be found interesting."--Rafael De Clercq, Australasian Journal of Philosophy

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Product Details

  • ISBN-13: 9780199661794
  • Publisher: Oxford University Press
  • Publication date: 5/19/2013
  • Pages: 208
  • Product dimensions: 5.40 (w) x 8.60 (h) x 0.70 (d)

Meet the Author

James Grant is a Lecturer in Philosophy at Birkbeck College, University of London.

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Table of Contents

Introduction
1. The Aims of Criticism
2. Criticism and Appreciation
3. Criticism and Imagination
4. Metaphor and Likeness
5. The Dispensability of Metaphor
6. Metaphor and Criticism
Conclusion
Bibliography

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