The Daughters of Mars

( 16 )

Overview

From the acclaimed author of Schindler’s List comes the epic, unforgettable story of two sisters whose lives are transformed by the cataclysm of the First World War.

IN 1915, Naomi and Sally Durance, two spirited Australian sisters, join the war effort as nurses, escaping the confines of their father’s farm and carrying a guilty secret with them. Though they are used to tending the sick, nothing could have prepared them for what they confront, ...

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Overview

From the acclaimed author of Schindler’s List comes the epic, unforgettable story of two sisters whose lives are transformed by the cataclysm of the First World War.

IN 1915, Naomi and Sally Durance, two spirited Australian sisters, join the war effort as nurses, escaping the confines of their father’s farm and carrying a guilty secret with them. Though they are used to tending the sick, nothing could have prepared them for what they confront, first on a hospital ship near Gallipoli, then on the Western Front.

Yet amid the carnage, the sisters become the friends they never were at home and find them­selves courageous in the face of extreme danger and also the hostility from some on their own side. There is great bravery, humor, and compassion, too, and the inspiring example of the remarkable women they serve alongside. In France, where Naomi nurses in a hospital set up by the eccen­tric Lady Tarlton while Sally works in a casualty clearing station, each meets an exceptional man: the kind of men for whom they might give up some of their newfound independence—if only they all survive.

At once vast in scope and extraordinarily intimate, The Daughters of Mars brings World War I vividly to life from an uncommon perspec­tive. Thomas Keneally has written a remarkable novel about suffering and transcendence, despair and triumph, and the simple acts of decency that make us human even in a world gone mad.

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Editorial Reviews

Publishers Weekly
The horrific butcher’s bill of WWI trench fighting, which took a toll not only on the wounded soldiers but on the doctors and nurses who tended to them, is at the heart of this moving epic novel from the author of Schindler’s List. The story is told through the experiences of two sisters, Sally and Naomi Durance, both nurses, who enter the morally complex area of treating the devastatingly injured with peacetime experience. Eight months before the call went out from the Australian government for military nurses, Naomi apparently used some extra morphine that Sally had procured to end their mother’s suffering from inoperable cervical cancer. The euthanasia both drew the siblings together in a conspiracy of silence and created a barrier between them. Their duties take them to Egypt and Europe, as they struggle to stay alive, and to stay mentally composed despite the awful situations they must confront. By again using individuals to humanize a larger story, Keneally succeeds in conveying the experience to his readers in a manageable way. Agent: Amanda Urban, ICM. (Aug. 10)
The Guardian
Magnificent… a stunning performance, full of suspense, searing particulars, and deep emotion.… The huge talents of Thomas Keneally are everywhere on display.”
One of the Best Books of 2012 The Spectator
“May be the best novel of Keneally’s career… a book that aims for, and achieves, real grandeur.”
The Times (London)
“Superbly exciting to read….. An unmissable, unforgettable tribute.”
The Telegraph
“Not only is The Daughters of Mars one of the most ambitious novels in a career that stretches back to 1964, but it might even be the best… The result is something few other authors would aim for, let alone achieve: genuine grandeur."
The Australian
“A big and brutal book, a new prism through which to think about World War I…breathtaking…magnificent and almost magical. There are moments of joy, of pleasure, that make you look up from their page for a while to arrest and savour their sensation.”
A.N. Wilson
“Along with a Tolstoyan ability to describe the horrors of battle, this amazing book also has an extraordinary intimacy, especially in the relationship between the sisters...an altogether towering achievement.”
Canberra Times
“Now, at last and triumphantly, there is a full-scale Keneally novel of the Great War...All of it is handled by Keneally with calm mastery. If epic is no longer a literary category that fits this world, The Daughters of Mars nonetheless has a tragic and humane span that few recent novels have attempted, let alone equalled.”
Booklist
"Greatly detailed... boasts authentic characters set in equally authentic locations."
LA Times
"An epic, sweeping book."
The New York Times Book Review
Poignant . . . masterly . . . epic . . . [Keneally] has rescued forgotten heroines from obscurity and briefly placed them center stage.”
Wall Street Journal
“A burly, captivating saga of Australian nurses on the front lines of World War I... Inscribed with the stately, benign authority of an eminent tale-spinner.
NPR
"The Daughters of Mars is the work of a master storyteller, sharing a tale that is simultaneously sprawling and intimate."
Editor's Choice New York Times
"[A] poignant novel."
The Dallas Morning News
"Keneally has a Tolstoy-like gift for getting into his characters’ heads, as well as for portraying great turns of history in scenes of everyday life."
Bookpage
“Expansive and brilliant…a masterpiece that is sure to rank among Keneally’s best works. “
The Missourian
“Like the warriors of Homer’s Iliad, Keneally gives readers a sense of the vast and continuous casualties dealt by war and reminds us that each soldier was once a boy armed with little more than a pitchfork.”
Pittsburgh Post-Gazette
"Keneally has summoned all of his ample talent to write a sweeping novel of World War I."
San Jose Mercury News
“By Page 6, readers can put up their feet and relax. They know they're in the reassuring hands of a master storyteller, and a fascinating read lies ahead. “
Seattle Times
"A bravura piece of writing."
Minneapolis Star-Tribune
“The story has a surprise ending — two, in fact — that add to its fascinations. Keneally’s best-known book is likely to remain 'Schindler’s List,' but this is his masterpiece.
One of the Best Books of 2012 The Spectator

“May be the best novel of Keneally’s career… a book that aims for, and achieves, real grandeur.”
Booklist

"Greatly detailed... boasts authentic characters set in equally authentic locations."
From the Publisher
International Praise for The Daughters of Mars

Magnificent… a stunning performance, full of suspense, searing particulars, and deep emotion.… The huge talents of Thomas Keneally are everywhere on display.”

“May be the best novel of Keneally’s career… a book that aims for, and achieves, real grandeur.”

“Extraordinarily moving… Keneally is a master of character development and period detail…. Fans of Downton Abbey and Gallipoli alike will find much to admire in Keneally’s fast-moving, flawlessly written pages.”

“Superbly exciting to read….. An unmissable, unforgettable tribute.”

“Not only is The Daughters of Mars one of the most ambitious novels in a career that stretches back to 1964, but it might even be the best… The result is something few other authors would aim for, let alone achieve: genuine grandeur."

“A big and brutal book, a new prism through which to think about World War I…breathtaking…magnificent and almost magical. There are moments of joy, of pleasure, that make you look up from their page for a while to arrest and savour their sensation.”

“Along with a Tolstoyan ability to describe the horrors of battle, this amazing book also has an extraordinary intimacy, especially in the relationship between the sisters...an altogether towering achievement.”

“Now, at last and triumphantly, there is a full-scale Keneally novel of the Great War...All of it is handled by Keneally with calm mastery. If epic is no longer a literary category that fits this world, The Daughters of Mars nonetheless has a tragic and humane span that few recent novels have attempted, let alone equalled.”

"Greatly detailed... boasts authentic characters set in equally authentic locations."

LA Times

"An epic, sweeping book."
Canberra Times

“Now, at last and triumphantly, there is a full-scale Keneally novel of the Great War...All of it is handled by Keneally with calm mastery. If epic is no longer a literary category that fits this world, The Daughters of Mars nonetheless has a tragic and humane span that few recent novels have attempted, let alone equalled.”
The Times (London)

“Superbly exciting to read….. An unmissable, unforgettable tribute.”
The Telegraph (UK)
Not only is The Daughters of Mars one of the most ambitious novels in a career that stretches back to 1964, but it might even be the best… The result is something few other authors would aim for, let alone achieve: genuine grandeur.
The Australian

“A big and brutal book, a new prism through which to think about World War I…breathtaking…magnificent and almost magical. There are moments of joy, of pleasure, that make you look up from their page for a while to arrest and savour their sensation.”
The Spectator (London)
May be the best novel of Keneally’s career… a book that aims for, and achieves, real grandeur.
The Guardian

International Praise for The Daughters of Mars

Magnificent… a stunning performance, full of suspense, searing particulars, and deep emotion.… The huge talents of Thomas Keneally are everywhere on display.”

One of the Best Books of 2012 - The Spectator
“May be the best novel of Keneally’s career… a book that aims for, and achieves, real grandeur.”
The Telegraph

“Not only is The Daughters of Mars one of the most ambitious novels in a career that stretches back to 1964, but it might even be the best… The result is something few other authors would aim for, let alone achieve:genuine grandeur."
A.N. Wilson

“Along with a Tolstoyan ability to describe the horrors of battle, this amazing book also has an extraordinary intimacy, especially in the relationship between the sisters...an altogether towering achievement.”
Library Journal
In this latest from Booker Prize-winning author Keneally (Schindler's List), Australian sisters Naomi and Sally Durance volunteer as nurses at the beginning of World War I. Initially posted to a medical ship off the coast of Greece, they survive a shipwreck and are eventually transferred to the European front in France, Sally to a clearing station and Naomi to a hospital established by an eccentric viscountess. Though the sisters' viewpoints are seemingly limited, their service is a testament to the scope of war, as the number and nature of casualties they treat range from shrapnel and bayonet wounds to gassing, trench foot, shell shock, and finally the Spanish flu. Along the way we meet an unforgettable cast of supporting characters, including the resolute Matron Mitchie, returning to the front with a prosthetic leg, and Quaker Ian Kiernan, who volunteers for medical service but refuses a transfer to combat. VERDICT Keneally must have done copious research, but historical details and information about wartime medical treatment are presented organically, without the weight of historical retrospection. His ambiguous ending helps the reader bear the unbearable. Highly recommended. [See Prepub Alert, 1/6/13.]—Christine DeZelar-Tiedman, Univ. of Minnesota Libs., Minneapolis
Kirkus Reviews
Australian novelist Keneally (Schindler's List, 1982, etc.) turns to his native country in a time of war. Anticipating the centennial of World War I by a shade, Keneally constructs a Winds of War–like epic concerning figures whom only Ernest Hemingway, among the first-tier writers, got to: military nurses. Naomi and Sally Durance are two sisters who join the Nursing Corps in 1915 and sail off to Gallipoli, where they witness terrible things and form bonds of attachment with the wounded soldiers who suffer them; no one with a sensitive stomach will want to read Keneally's descriptions of their wounds. Crossing the Mediterranean, they experience the further terror of being torpedoed. Keneally's set piece, which takes up nearly a tenth of this long but economical book, is extraordinarily moving, if often quite gruesome ("Within the ambit of Lemnos floated a boat with four putrefying dead soldiers and three dead nurses in it"). Since Keneally has established soldiers and nurses alike as characters, the reader experiences their loss. Only on arriving at the Western Front do the sisters part, and there they discover "a dimension of barbarity that had not existed on Gallipoli and had been undreamed of in Archimedes," namely the terror of gas warfare. There, too, each falls in love, which, this being a war story, cannot end well for the both; it is only the love-story element that does not entirely work in Keneally's book, though it seems inevitable. For all that, Keneally is a master of character development and period detail, and there are no false notes there. Fans of Downton Abbey and Gallipoli alike will find much to admire in Keneally's fast-moving, flawlessly written pages.
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Product Details

  • ISBN-13: 9781476734613
  • Publisher: Atria Books
  • Publication date: 8/20/2013
  • Pages: 528
  • Sales rank: 396,584
  • Product dimensions: 6.48 (w) x 9.42 (h) x 1.44 (d)

Meet the Author

Thomas Keneally began his writing career in 1964 and has published thirty-one novels since. They include Schindler’s List, which won the Booker Prize in 1982, The Chant of Jimmie Blacksmith, Gossip from the Forest, and Confederates, all of which were shortlisted for the Booker Prize. He has also written several works of nonfiction, including his boyhood memoir, Homebush Boy, The Commonwealth of Thieves, and Searching for Schindler. He is married with two daughters and lives in Sydney, Australia.

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Read an Excerpt

The Daughters of Mars


  • It was said around the valley that the two Durance girls went off but just the one bothered to come back. People could not have said which one, since both the girls were aloof and looked similar—dark and rather tall. There was confusion even in the local paper. And they weren’t the sort of girls whose names were called across streets—girlfriend hallooing girlfriend in the excitement of Kempsey’s big shopping days. Before the war it was the younger one—wasn’t it?—who stayed at home with her parents. The slightly shorter one, anyhow. And it was she who took her mother, Mrs. Durance, to visit the surgeon in Sydney. But what could those Macquarie Street doctors do?

• • •

After a choppy night’s passage down the coast aboard the Currawong, Mrs. Durance finally fell asleep off Broken Bay, only to be woken, as the steamer entered the Sydney Heads, by a steward bearing tea—Sally being on deck at the time for the experience of the approach to Port Jackson.

Mother and daughter had time for another cup of tea at the wharf in Darling Harbour before Sally took the exhausted Mrs. Durance to the surgeon’s rooms in Macquarie Street. After an examination by this eminent man, she was sent from his office to Sydney Hospital for X-rays. Then she and Sally met up with Naomi, the other daughter, the one who was considered a bit flash—Macleay District Hospital not good enough for her—who’d been in Sydney a few years.

They went that afternoon for a bang-up tea at Cahill’s, while they waited for the expert men who read the body’s inner secrets from photographs to discover what was wrong with Mrs. Durance. The sisters knew their mother had understated her pain to them. They knew she was secretive about the scale of her bleeding and the urine coming out of the wrong opening.

That night, Naomi put them up in her little flat in Bondi Junction—Mama sharing Naomi’s bed, Sally on the sofa. They could have all stayed at Mrs. Durance’s younger sister Jackie’s place at Randwick, but Mrs. Durance didn’t want to share news of her health problems with her sister yet. Both Sally and Naomi woke several times to their mother’s choked-down groans. But unblunted ambition seemed to declare itself the next morning in the briskness with which Naomi put on her uniform and her scarlet cape to go to her duty at Royal Prince Alfred Hospital.

There had always been something larger than her beginnings written in Naomi Durance’s gestures and her long bones. Her parents knew it. She had left them for the city, but in so far as they were boastful, they boasted of her. Sally worked a mere three miles from home, across the river, at the Macleay District Hospital. Merit in that, no one denied, and loyalty. But it was news of Naomi that made eyes shine on the Durance farm.

It was cervical cancer, the surgeon told Mrs. Durance the next morning. There was no option of an operation, for it would be a very long, painful, and dangerous procedure, and could not hope to get all of the proliferating cancer. Surgery was to be recommended chiefly in the early stages, whereas metastasis had already occurred, as the X-rays showed. If she rested well and ate lots of fruit, he said, she could expect to live at least a year. She was a dairy farmer’s wife? Well, no more butter churning, he said, and no early morning milking. He would give her a script for pain medicine, he told her. He would also be writing to her doctor in the Macleay so that he could keep her comfortable.

You are fortunate to have two daughters who are registered nurses, he told her.

I am, she said, glowing with pride but hollowed by pain.

She and Sally caught the regular outward journey of the Currawong home the next night. Naomi saw them off at Darling Harbour, in the shadow of those shameful slums of the Rocks. From them bubonic plague had come boiling forth in the girls’ childhoods and been carried north on the Currawong by a rat nestled in a furniture case. Naomi waited in their small cabin until the last call to go ashore and then stayed on the wharf to wave a futile handkerchief, as if she were part of one of those heartbreaking paintings of emigrant farewell.

She’s so beautiful, isn’t she, Sal? asked Mrs. Durance, leaning on the railing from pain rather than as a gesture of languid seafaring. She has a lot of grace, doesn’t she?

As they reached on a black tide for Dawes Point, the handkerchief still waved, more luminous than Naomi’s face. Bush people did that handkerchief-waving stuff and it gave them away as hayseeds. But worldly Naomi risked that tonight. She had promised she’d come up as often as she could and help Sally out. But that she would remain a city woman was not questioned.

It was a brisk night, and Mrs. Durance developed a cold on top of all else. She again fell asleep late. Again Sally came on deck at dawn and looked out at the blue surge of the tide breaking on the yellow sand of Trial Bay and making enough water at the river bar to allow the Currawong to enter.

• • •

For six months Mrs. Durance ate her fruit and sat in sumps of sunlight on the veranda. But the cancer owned her by night. Sally still worked the day shift at Macleay District but now slept on call in the same room as her mother, her father having moved to a lean-to at the back of the homestead. Sally was to administer a sixth of a grain of morphine hypodermically when brave and reticent Mrs. Durance confessed, one way or another, to agony. Naomi took her holidays and came home on a visit and gave her sister a break from the regimen. In between, Mr. Durance paid their neighbor Mrs. Sorley’s girl to sit with Mrs. Durance by day and was attentive himself. Since Mr. Sorley had been killed by a native cedar—which when cut had slipped sidewards rather than forwards—the Sorley kids were ever ready for employment.

Sally noticed more clearly now that though her father and mother were souls of decency, Eric Durance moved about the bedroom as if he and his wife were acquaintances only. He seemed to fear he might be seen as an intruder. There had always been that distant courtesy between her parents. Sally knew they’d infected Naomi and her with it too. It might be one of the reasons Naomi had cleared out—in the hope that on a different stage she might have a franker soul.

Mrs. Durance suffered so much night pain that she frequently told Sally she was praying to God for death. These were remarkable and dramatic things for her to say and—since she had always had contempt for overstatement—would be forced out of her only by the fiercest anguish.

In the seventh month of it, Naomi came back from Sydney again to sit with her mother by day and share the night watch. The second night she was home, Sally slept in her own room while Naomi took up post in Mrs. Durance’s room on the camp cot, a surface of canvas no blanket could soften. Naomi was meant to wake Sally at four so that she could take over, but did not come rapping on her door till near dawn. Naomi was in a dress and boots and her eyes looked smeared after gales of tears.

Mama’s gone, she said. I’m sorry, Mama’s gone. I ran over to the Sorleys’ and asked their boy to ride into town to get Dr. Maddox.

Sally stammered with a confused and bitter grief and went to go off at once down the hallway. Naomi took her shoulders and gazed at her, straight into her face. Naomi’s eyes seemed full of conspiracy. To Sally she had the eyes of a co-murderer. At that instant their shared mercy and their crime drew them together so utterly that they were no longer city and country nurses but sisters once more of the same womb.

You didn’t wake me for my shift, said Sally.

It wasn’t necessary, Naomi asserted, frankly, with her gaze on her. She went before it was time to wake you.

Let me see her.

I washed her and laid her out.

Without me?

I wanted you to sleep. I burned her nightdresses and the rags she used and took all the tonics and pounded the bottles to dust. Especially that rhubarb concoction Mrs. Sorley swore by.

There was indeed still a taint of smoke in the air.

Naomi led her sister by the hand and they walked down the hallway to the plain room they had both been conceived in. Blackbutt walls hemmed in the dim corridors they loved and hated, which seemed to pull Sally closer to home but which had proved to be escape avenues for Naomi.

There was her mother—gray-faced, prepared, serene—the girl she had been at some time visible again in these features delivered of pain.

Sally heard herself howl and went to her mother’s body, kissing the face. The skin of the dead yielded differently. They were beyond pain but past affection too. She kissed the hand. It smelled of the scented soap Naomi had washed the corpse with. This too was proof of death. The living mother smelled of workaday Sunlight soap.

Sally found herself on her knees, still caressing the hand, Naomi standing behind and above her. Naomi, who always presumed to do things first. Sally did not know whether to hate her, to attack her eyes, or fall flat in gratitude and wonder. Standing with a purpose in mind, she noticed the hypodermic needle, the morphine solution they had made up of pills actually prescribed by Dr. Maddox, and the unused bottled tablets in case the old doctor wanted to inspect them or return them to stock.

She went to the dresser, was poleaxed with loss by the mother-of-pearl hairbrush with strands of her mother’s hair in it. She knew the little drawer where her mother kept her subdued pink lipstick and her beige face powder.

Yes, said Naomi, you should put some color on her poor face.

It was a prayer—not an order—and Sally set to.

The stolen reserve of morphine she had put together to finish her mother had been in the towel and linen cupboard in the hallway. How had Naomi found it? You could bet the solution Naomi had made up and injected for mercy’s sake had been poured out, and the spare illicit tablets Sally had filched from Macleay District consigned to fire with the rhubarb tonic. To Sally—putting rouge and color into her mother’s cheeks—it seemed knowledge grew between Naomi and her without them looking at each other. Yesterday they had been near strangers. Now they were altered. A different kind of reserve was imposed on them, and a different intimacy.

Is Papa up? Sally asked. Does he know?

Not yet. I was frightened. Will we tell him in a moment? Perhaps let the poor fellow rest a few more minutes.

For he would need to do the milking even on the morning of his wife’s death.

But she finds it hard to face him, Sally perceived. Naomi—who had tried to avoid the weight of home and its taint of illness—had certainly assumed the weight now. She’d taken up station on the far side of the bed, across from where Sally, on her knees, put reasonable Methodist coloration on the poor, released features.

Naomi said, I didn’t have any idea till I came home that it was as bad as that. Her pain was the whole world to her. She could see nothing but it. Well, not any longer.

Sally was engrossed with her mother.

It was easy, Mama, to steal what you needed. I cut out two pages from the drugs record book. Former nurses who had managed the drugs register had done similar excisions because they did not approve of some missed or untidily written entry. Then for your dear sake I copied the dosages on fresh pages, adding an extra dose of an eighth of a grain of morphine in this case and that, until I’d created a phantom two grains, which I then fetched from the drugs cabinet and brought home to you. It’s unlikely a doctor or matron will remember a specific dose as months go by. But I don’t care if they do.

She had kept the tablets hidden behind the bed linen in the hallway dresser. These two grains when mixed in solution and injected would bear away disease and the fuss of enduring all useless treatment. They would reach deep into the body and halt the mechanism of agony. And had now.

She kissed her mother’s brow before gracing it with the powder. Eric Durance would be astonished by his wife’s beauty in death.

Naomi declared, I gave her half a grain and we kissed and held hands, though I had to be careful—a touch would break her bones. Then she went.

You were standing over her? said Sally.

They both knew how rare it was that a patient expired while the nurse was standing there to observe and hold a hand. The dead went almost secretively.

By good fortune, said Naomi without flinching but without bothering to look at her sister. By good fortune I was there.

Again, Sally’s astonishment that Naomi had done the right, fierce, loving, and hard thing Sally had meant to do! Even in this she was not to be outshone, the half-mad Sally thought. But Naomi was there because she had found the secret cache and took the burden of soothing her mother’s breath down to nothing. A solemn loss and rejoicing were the day’s order—Mama’s freedom now from a world she had never since their babyhoods seemed accustomed to. As for her children, they must now get accustomed to something new. To new love and new hate and mutual shame.

The roads being firm just then, Dr. Maddox arrived by motor at midmorning. The town—ignorant of medicine—loved him for his kindliness and punctuality and a lack of airs in a place where a doctor could easily play the grand wizard. But the hospital staff knew he was one of those tosspots who could carry it off well; that some unforgettable and disabling past event drove him to it. Though he performed surgery only when the other town doctors were not available, he was still a better surgeon when sober than most country doctors. It was peripheral things he was negligent at—paperwork, including death certificates. His method with the town at large was to hide it all behind an air of universal brotherhood and to breathe an impeccably mentholated breath over the sickbeds of the shire.

That Saturday morning Dr. Maddox came to lower his face over Mrs. Durance and to ask Naomi about the last injection and how many grains, and to accept what she said and then breathe, Good woman—good, poor woman. Then he prepared a medical certificate, which he showed Naomi and Sally and which said Mrs. Durance had died of cancer, nephritis, and exinanition. There were in the valley many people Dr. Maddox had certified as dying of nephritis and exinanition. Nephritis and exinanition was the cited verdict all along both banks of the river and inland to the blue, wooded hills where the timber workers camped and always died of nephritis and exinanition, unless a tree fell on them. Farmers who had taken poison to escape the bank had their death certificates compassionately marked by Maddox with that saving formula.

This morning of the death, over tea Sally made while keeping her eyes from straying to Naomi, Dr. Maddox sat at the kitchen table and spoke for a while to the girls’ father. These were very much men’s mutterings, half-embarrassed and platitudinous. Their father wore large, mute features, the same he brought to his labors. They had not yet crumbled in grief but somehow promised soon to do so.

• • •

Sally had less reason to stay in the Macleay Valley now. She was maybe a year beyond the age girls left home for marriage. Her sister had returned to her Sydney duties. Mr. Durance took sturdily to his work and employed the Sorley boys when needed. But Sally did not yet feel entitled to go. To flee would be obscene. It would be an insult to her mother’s spirit. Her sister could escape because escape was her forte. She’d managed the trick before. But while it was easy for strangers to declare Eric Durance independent—a freestanding fellow—he did not seem so rugged to Sally.

The country hospital had its own retaining power too. On the Wednesday following her mother’s funeral she found that a fourteen-year-old boy with peritonitis she was nursing had died in the night, and she believed her stinging tears were a debt paid to her mother and a sort of tax paid to the valley. So by horseback, or more often by sulky, she continued traveling in her uniform—along the broad yellow-earth road and unreliable bridge over the river—to and from the home at Sherwood. She was a figure located essentially amidst the green paddocks, one who could not glibly get away.

It was in the corridors during her night shifts that the mercy they’d given her mother took on the demeanor of a crime never to be argued away. Did I do it because I was tired? Fed up with all-day working and all-night watching? In the nurses’ cubicle at the end of a public ward which contained—with all injuries and diseases there present combined and counted—no pain such as that of her mother’s, Sally wept without consolation, since no night pleadings from an entire hospital of patients seemed to come close to the daytime pleadings she’d heard from her dead but eternal mother.

This young woman of twenty-two—or near twenty-three—years was considered by those who bothered to see her to be possessed by a wistfulness which some people thought represented that greatest crime of bush towns: aloofness, flashness. Either that, or she was a cause for sympathy. A spinster-in-training.

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Sort by: Showing all of 16 Customer Reviews
  • Posted September 4, 2013

    The Daughters of Mars by Thomas Keneally, is a powerful, yet qui

    The Daughters of Mars by Thomas Keneally, is a powerful, yet quietly written story, that tells of the experiences of two Australian sisters who enlist as volunteer nurses in The Great War of 1914-1918. Naomi and Sally Durance are estranged as the book begins and each has their own reason for signing up.

    The first half of the book follows the sisters from Egypt to Greece to a Red Cross hospital ship, the Archimedes. In a powerful series of pages, the Archimedes is torpedoed and is sunk. The immediate aftermath contrasts the bravery, quick-thinking, and fortitude of some of the staff as they await aid while trapped in the cold, deep, and dark waters with others who are not able to endure. These scenes allow the reader into the very heart and soul of the main characters facing almost certain death.

    The second half of the book details Naomi's experiences at the Australian Voluntary Hospital that is set up in a French chateau by the eccentric, yet very capable, Lady Tarlton and Sally's work on the Western Front clearing station. No one is prepared for the horrors that face them: gas warfare, the smell of septic wounds, the multiple amputations, dysentery, influenza, and consumption are all there to be dealt with.

    Along with the many physical ordeals, there are many emotional feelings/issues to deal with. Like Captain Constable who had half of his face blown off and wonders how his life is to be after reconstructive surgery. Indeed, will he have a life? Or Ian Kiernan, a Quaker who is imprisoned for his beliefs, what is to become of him? Interspersed are the small romantic interludes that Sally and Naomi try to steal with their beaus.

    War is shown with all its horrors and futility, all of its damage to body, mind, and spirit. When will we ever learn?

    Thomas Keneally based this book on journals he found written by Australian nurses during this time period. I found this book to be a terrific read. It was panoramic in scope yet allowed for details in time, place, and character that caused me to care deeply. The use of minimal punctuation in the book made the story itself stand out even more. I also paid closer attention to what I was reading, for that reason. I have 2 small quibbles: a map inserted in the front of the book would have been very helpful. Secondly, I am not sure I buy into the alternate ending idea. For me, the "what if" is part of what I imagine myself as I reflect on the book. Full disclosure: I won this book as an ARC in a giveaway .

    2 out of 3 people found this review helpful.

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  • Anonymous

    Posted October 22, 2013

    Details of nursing in WWI

    All in all I enjoyed the historical details of how it may have been to be a nurse at the front lines during WWI. This novel gave the reader the opportunity to learn about the reality of war and its affects on those who participated. Overall, it was a well written book but the lack of quotation marks made its reading a challenge. And, as with many books, there were times the dialogue seemed pointless or the story focused on an event that did not seem relevant. I would recommend this book to others especially to people interested in history.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted September 1, 2013

    Excellent - Highly recommended.

    This is an excellent book about World War I. It has strong female characters which all readers will admire. Another great book with strong female characters is "The Partisan" by William Jarvis. This book is only 99 cents right now on the Nook. It is based on true facts about World War II. Both books deserve A+++++++

    1 out of 1 people found this review helpful.

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  • Posted August 26, 2013

    the characters are difficult to identify with.  the prose lacks

    the characters are difficult to identify with.  the prose lacks flow and is difficult to understand at times. A good book to keep on the bedside night stand to help you fall asleep.

    1 out of 3 people found this review helpful.

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  • Posted June 17, 2014

    Fabulous book! Written with real heart and soul.

    Fabulous book! Written with real heart and soul.

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  • Anonymous

    Posted February 15, 2014

    Highly Recommend!!!

    I thoroughly enjoyed the history and medical drama in this book.

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  • Anonymous

    Posted January 10, 2014

    Compelling

    Wonderful story with much history about WWl. Life like characters. Tears and happiness abiut the resilence of humn kind.

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  • Posted December 22, 2013

    Great story of human spirit during the trials of World War I

    <b> Great story of human spirit during the trials of World War I as told through Australian Nurse Corps.<b>

    I am a fan of historical fiction and have been reading quite a bit of them centered on World War II . I guess now I will be delving into World War I, or the Great War then known as the war to end all wars. It was very refreshing and interesting to read a book set in the hospitals and not on the battlefields. It was also great to read about the Australians contributions instead of from a perspective of the Americans, French , English or Germans. Very unique and based on true stories and diaries and historical figures. The character development is excellent and grabs you from the first paragraph. You want to know what happens to these Durance girls. 

    I think many will be pleased with how far this book travels with the characters, Australia, Africa, Egypt, France England, a world tour. I think also, though we have heard of the horrors of trench warfare and the chemical weapons of that time, to have it described by this author from the caregivers on hospital ships, clearing stations, and volunteer hospitals is so compelling and truly reminds us of the heroism and sacrifices that were made for peace. It underlined the futility and waste of war, but emphasized the power of the human spirit. 

    I absolutely recommend this to men and women who love a good story of human interaction and personal growth, who enjoy a few surprises now and then, and those who might wish to visit the world when it was turned upside down, from the perspective of some of those from down under.</b></b>

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  • Anonymous

    Posted November 15, 2013

    Highly Recommended

    "The Daughters of Mars" is a wonderful tale, telling a well known WWI story in a different way. Thomas Kennally made the sisters real people and he caught the woman's voice so well. His descriptions of batlles made them sharp and immediate with the horror of senseless and arbitrary death . By the novels end each character was real and important no matter their shortcomings you felt the pain of loss . After I finished reading I asked my book club to select it . It is not another war story, rather but an exploration of morality and humanity.

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    Posted October 10, 2013

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    Posted December 27, 2013

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    Posted October 1, 2013

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    Posted October 1, 2013

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    Posted December 30, 2013

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    Posted August 24, 2013

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    Posted July 1, 2014

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