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The Day Finger Pickers Took Over the World

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Editorial Reviews

All Music Guide - Richard S. Ginell
At 73, with hundreds of albums and countless sessions to his credit, Chet Atkins still had another great recording in him -- this splendid duo session with the young Australian guitarist/composer Tommy Emmanuel. Here, Atkins leaves all of the smooth jazz experiments from the previous decade and a half behind him, choosing superior material for their acoustic guitars, with the rhythm section laying down swinging country-pie tracks underneath. Emmanuel's fingerpicking style isn't quite as tied to the rhythm as Atkins'; it's a little sharper in attack, fleeter in technique and a bit flashier in temperament, yet remarkably well-matched to that of the east Tennessee ...
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Editorial Reviews

All Music Guide - Richard S. Ginell
At 73, with hundreds of albums and countless sessions to his credit, Chet Atkins still had another great recording in him -- this splendid duo session with the young Australian guitarist/composer Tommy Emmanuel. Here, Atkins leaves all of the smooth jazz experiments from the previous decade and a half behind him, choosing superior material for their acoustic guitars, with the rhythm section laying down swinging country-pie tracks underneath. Emmanuel's fingerpicking style isn't quite as tied to the rhythm as Atkins'; it's a little sharper in attack, fleeter in technique and a bit flashier in temperament, yet remarkably well-matched to that of the east Tennessee master, almost an alter ego. Indeed Atkins' tune "Tip Toe Through the Bluegrass" plays the two styles off each other quite revealingly. Emmanuel turns out to be a top-notch tunesmith in his own right, too. His "Dixie McGuire," a disarmingly affectionate mid-tempo tune that won't let you go, inspires a performance that is one of the high points of Atkins' Columbia period -- or for that matter, equal to anything from his long RCA period, too, in sheer emotional effect. The title track, which Atkins adapted from a lyric that dealt with bass players as opposed to fingerpickers, finds the two reciting and singing a mock-horror flick tale -- and "Ode to Mel Bay" good-naturedly mocks beginning string players everywhere. As a tribute to the visitor from Down Under, there is also a slyly countrified "Waltzing Matilda." This would be Atkins' last album of new material released during the 20th century -- leaving it, glory be, on a very high note.
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Product Details

  • Release Date: 2/1/2008
  • Label: Sbme Special Mkts.
  • UPC: 886972369020
  • Catalog Number: 723690
  • Sales rank: 8,925

Album Credits

Performance Credits
Chet Atkins Primary Artist, Primary Artist, Primary Artist, Guitar
Johnny Gimble Fiddle
Tommy Emmanuel Bass, Guitar, Percussion
Randy Goodrum Keyboards
Terry McMillan Harmonica, Conga, Harp, Juice Harp
Paul Yandell Rhythm Guitar
Giles Reeves Strings, Drums, Acoustic Bass
Clark Hagan Guitar
Technical Credits
Chet Atkins Composer, Author
Claude Bolling Composer
Tommy Emmanuel Author
Don Cobb Digital Editing
Carlos Grier Digital Editing
Bill Johnson Art Direction
Denny Purcell Mastering
Michael Granda Composer
Giles Reeves drum programming
Tracy Baskette-Fleaner Art Direction
Clark Hagan Engineer
Traditional Composer
Buck Rogers Illustrations
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Customer Reviews

Average Rating 5
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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    Awesome Stuff

    Chet and Tommy did an awesome job on this album. All songs are great. On some Cd's there are a few songs you skip over. On this CD all the songs are great. They are an incredible duo, it's too bad Chet's not around anymore to make another cd with Tommy. You gotta get it.

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Sort by: Showing 1 Customer Reviews