Disneyland Story: The Unofficial Guide to the Evolution of Walt Disney's Dream
The Disneyland Story: The Unofficial Guide to the Evolution of Walt Disney's Dream is the story of how Walt Disney's greatest creation was conceived, nurtured, and how it grew into a source of joy and inspiration for generations of visitors. Despite his successors' battles with the whims of history and their own doubts and egos, Walt's vision maintained momentum, thrived, and taught future generations how to do it Walt Disney's way.
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Disneyland Story: The Unofficial Guide to the Evolution of Walt Disney's Dream
The Disneyland Story: The Unofficial Guide to the Evolution of Walt Disney's Dream is the story of how Walt Disney's greatest creation was conceived, nurtured, and how it grew into a source of joy and inspiration for generations of visitors. Despite his successors' battles with the whims of history and their own doubts and egos, Walt's vision maintained momentum, thrived, and taught future generations how to do it Walt Disney's way.
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Disneyland Story: The Unofficial Guide to the Evolution of Walt Disney's Dream

Disneyland Story: The Unofficial Guide to the Evolution of Walt Disney's Dream

Disneyland Story: The Unofficial Guide to the Evolution of Walt Disney's Dream

Disneyland Story: The Unofficial Guide to the Evolution of Walt Disney's Dream

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Overview

The Disneyland Story: The Unofficial Guide to the Evolution of Walt Disney's Dream is the story of how Walt Disney's greatest creation was conceived, nurtured, and how it grew into a source of joy and inspiration for generations of visitors. Despite his successors' battles with the whims of history and their own doubts and egos, Walt's vision maintained momentum, thrived, and taught future generations how to do it Walt Disney's way.

Product Details

ISBN-13: 9781628090130
Publisher: Unofficial Guides
Publication date: 11/05/2013
Series: Unofficial Guides Series
Sold by: Barnes & Noble
Format: eBook
Pages: 336
File size: 8 MB

About the Author

Sam Gennawey is the author of Walt and the Promise of Progress City, a contributor to Planning Los Angeles and other books, as well as a columnist for the popular MiceChat website. His unique point of view built on his passion for history, his professional training as an urban planner, and his obsession with theme parks has brought speaking invitations from Walt Disney Imagineering, the Walt Disney Family Museum, Disney Creative, the American Planning Association, the California Preservation Foundation, the California League of Cities, and many Disneyana clubs, libraries, and podcasts. He is currently a Senior Associate at the planning firm of Katherine Padilla and Associates.

Jeff Kurtti is author of more than 30 books, a writer-director-producer of award-winning documentaries, and a respected public speaker, host, and moderator. Kurtti is an expert on pop culture and entertainment. He is a consultant to clients in the motion picture, theater, museum/exhibit and themed-entertainment industries. He was creative director, content consultant, and media producer for the cornerstone exhibit of The Walt Disney Family Museum in San Francisco that opened in 2009. In 2012, he served as a content consultant and media producer for the touring exhibit The Dream of Walt Disney on behalf of Disney Japan. He lives in Langley, WA.

Read an Excerpt

IDEAS EXCITE ME
Why would Walt want to build something so unlikely as an amusement park? Industrial trainer Van Arsdale France wrote of the park’s early history for the training programs he created, and he speculated that Walt built Disneyland for three primary reasons: taxes, tourism, and the opportunity to reinvent something familiar—the amusement park—into something he, his family, and his friends would enjoy.

Walt was politically conservative, and he was not fond of taxes. Anytime he produced a hit film he had to give some money to the government, and he knew that if he could reinvest his profits, he would pay less in taxes. But Walt did not want to pay fewer taxes to accumulate wealth; he wanted the money available to fund his dreams. “Money is something I understand only vaguely, and think about it only when I don’t have enough to finance my current enthusiasm, whatever it may be,” he said. “Money—or, rather the lack of it to carry out my ideas—may worry me, but it does not excite me. Ideas excite me.”

Prior to the opening of Disneyland, studies had determined that tourism was California’s third-largest industry. Typically, most tourists to Southern California would go to the beach, pick an orange, or try to visit a movie studio. Walt felt that a movie-related destination would be a natural attraction.

The post–World War II timing was perfect. The middle class was growing, and they began to purchase automobiles and have more leisure time. They were also restless. Former Disneyland marketing director Edwin Ettinger said, “They felt awkward about all that leisure time thrust onto them and they weren’t sure what to really do with it.” Walt’s amusement park idea could offer something that seemed familiar, predictable, and reassuring.

“Walt had that instinct, that gut feeling of what people wanted, when they wanted it and how much,” said Tommy Walker, Disneyland’s first entertainment director. “He was tremendously creative, yet he was a practical and common-sense guy.” His desire to exceed his guests’ expectations was central to the park’s success. “I think the reason that Disneyland worked was because Walt Disney liked people in the first place,” said John Hench. “He was always trying for better communication, of linking with the audience, of touching them. He said that the only thing wrong with people, if they were acting badly, was because of poor communication. They simply didn’t have the right information. Walt blamed all the trouble in the world on wrong information.”

Disneyland emerged at a very special moment. After World War II, people were looking for an escape, and the mild weather of Southern California beckoned. The Los Angeles region was ripe for a movie-based tourist attraction. The fact that the metropolitan region was going through a population boom did not go unnoticed. Disneyland would become a pedestrian-friendly urban center surrounded by auto-centric suburban sprawl.

Walt also wanted to create an amusement park that his wife could enjoy. When Lillian asked him, “Why would you want to get involved with an amusement park? They’re so dirty and not fun at all for grown-ups. Why would you want to get involved in a business like that?” Walt said, “That’s exactly my point. Mine isn’t going to be that way. Mine’s going to be a place that’s clean, where the whole family can do things together.” He figured that if she enjoyed herself at his amusement park, he would be doing OK.

Table of Contents

ACKNOWLEDGMENTS

FOREWORD by Jeff Kurtti

INTRODUCTION

CHAPTER 1: One Little Spark
One of These Days
A Birthday Christmas Present
Ideas Excite Me
It Does Me Good
Ever Been to Knott's?
Walt Disney's America
Cannibal Island
Tell A Story Visually
It's About the Park
Bankers Don't Have Imagination
Can Do!
Twenty Feet of Earth
Sneeze Twice

CHAPTER 2: Stumbling Forward: 1955
An Establishing Shot
Scene One: Main Street U.S.A.
• Town Square
• Main Street Corridor
• The Plaza Hub
Main Street Transportation
Archetypal Truth
All Aboard!
Adventureland
• You'd Sell That Tree?
Frontierland
• Ingenuity of the Pioneers
• Queen of the River
• They Will Appreciate It
Fantasyland
• Not Needed But Necessary
• All Jumpers
• Drama, Humor, and Beauty
Tomorrowland
• Science-Factual
• Only Two Cars Running
• Whale of a Tail
Opening Day: The Public is My Subsidy

CHAPTER 3: Learning: 1955
Year One
World's Largest Striped Circus Tent
Get a Bit Lost
New Worlds of Enchantment
Stalactite and Stalagmite Caverns

CHAPTER 4
Hand On 1956 - 1958
Something We Don't Have
A Good System
Bloodmere Manor
There was Something Missing
An Innovator and a Thinker
Two Heads For One of Yours
Wild Turkeys
Another Big Boat
Down the Rabbit Hole
40 Hour Watch
Build This!
And That Was That

CHAPTER 5: Walt's Disneyland 1959 - 1966
The Committee Car
Give 'em a Real Show
Highway In The Sky
Poetic License
A Mechanical Genius
A Favorite Subject of Mine
Undamped Divergent Oscillation
Sizzling Teriyaki Steak
The Bird Show
We're Selling Happiness
Other World Illusion
Humor Doesn't Hurt Anybody
This Stuff is Really Weird
Set On The Shelf
We're Just Gettin' Started
Lincoln's Own Pen
Too Many Good Ideas
A Little Boat Ride
Disney Realism
A Time Tunnel
A Happy Accident

CHAPTER 6: Momentum
It's Like a Cocktail Party
Dead Men Tell No Tales
His Private Dining Room
A World on the Move
Back On Visual
Great Big Beautiful Tomorrow
Stingrays
The Pattern of Leaves
People of Equal Clout
Great Caesar's Ghost

Chapter 7: Carrying On: 1970 - 1984
Repeat Customers
Bears Who Could Laugh
Bronzed Baby Shoes
Jason Chandler
A Receptacle of Experience
A Milestone in Americana
The Love Bug
Simpler Pleasures
Race Through Space
Harold
Do It With Integrity
Enjoyment of Quieter Attractions
What Have We Done?
Fear and Conquest
Kind Of Crazy and Eccentric
Keep Changing the Show

CHAPTER 8: NEW IDEAS 1985 - 1996
The First, The Fastest, and The Finest
We'll Build You a Theater
One Continuous Take
A Little Gallery
It's Not Just Disneyland
The Longest, Steepest, Highest
The Disney Decade
Port Disney
The Seven Wonders of the World
40-foot Pink Elephants
A Christmas Present
Normal Seasonal Adjustments
A Complete Character Community
Partners
Highlighting Its Essence
Making Us Think Twice
The Jungle Cruise Trading Co.
An Accident Waiting to Happen
Invisible Technology
The Anaheim Problem

CHAPTER 9: The Resort 1996 and Onward
Play at the Edge
Erasing Leo Freedman
Welcome Center for California
The Lively Lass
Imagination and Beyond
Hip, Irreverent and Contemporary
More Productive Time
Speed Parking
The Second Gate
A Chance to be with Pooh
50 Years
Mental Real Estate
Tinkering

EPILOGUE

NOTES

SELECTED BIBLIOGRAPHY
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