The Domenichino Affair: Novelty, Imitation, and Theft in Seventeenth-Century Rome

The Domenichino Affair: Novelty, Imitation, and Theft in Seventeenth-Century Rome

by Elizabeth Cropper
     
 


Ten years after completing his work The Last Communion of Saint Jerome, Bolognese painter Domenichino was accused by his rival Giovanni Lanfranco of stealing the idea for the painting from an altarpiece crafted by Lanfranco’s teacher, Agostino Carracci. The resulting scandal reverberated through the centuries, drawing responses by artists and criticsSee more details below

Overview


Ten years after completing his work The Last Communion of Saint Jerome, Bolognese painter Domenichino was accused by his rival Giovanni Lanfranco of stealing the idea for the painting from an altarpiece crafted by Lanfranco’s teacher, Agostino Carracci. The resulting scandal reverberated through the centuries, drawing responses by artists and critics from Poussin and Malvasia to Fuseli and Delacroix.

Why was Domenichino attacked in this way when other related paintings—including Raphael’s Marriage of the Virgin and Perugino’s painting of the same subject—aroused no such negative response? In this fast-paced book, Elizabeth Cropper investigates the Domenichino affair and addresses the perennial debate regarding the precise nature of originality and of imitation. She offers close readings of the paintings involved in the story, detailed analysis of attitudes toward imitation, emulation, and plagiarism, and a fascinating discussion of what Domenichino’s plight signifies in art history.

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Product Details

ISBN-13:
9780300109146
Publisher:
Yale University Press
Publication date:
11/10/2005
Edition description:
New Edition
Pages:
192
Product dimensions:
8.78(w) x 11.22(h) x 0.90(d)

Table of Contents

1Agostino Carracci's Last Communion of Saint Jerome23
2Domenichino's Last Communion of Saint Jerome67
3Imitation, influence, invention : the Carracci and Tasso99
4Novelty, translation, theft : controversy in the 1620s129
5Begging, stealing, and being caught out : two centuries of debate157
Coda : a reflection on the history of art193

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