The Downtown Book: The New York Art Scene 1974-1984by Marvin J. Taylor
Downtown is more than just a location, it's an attitude--and in the 1970s and '80s, that attitude forever changed the face of America. This book charts the intricate web of influences that shaped the generation of experimental and outsider artists working in Downtown New York during the crucial decade from 1974 to 1984. Published in conjunction with the first major… See more details below
Downtown is more than just a location, it's an attitude--and in the 1970s and '80s, that attitude forever changed the face of America. This book charts the intricate web of influences that shaped the generation of experimental and outsider artists working in Downtown New York during the crucial decade from 1974 to 1984. Published in conjunction with the first major exhibition of downtown art (organized by New York University's Grey Art Gallery and Fales Library), The Downtown Book brings the Downtown art scene to life, exploring everything from Punk rock to performance art.
The book probes trends that arose in the 1970s and solidified New York's reputation as arbiter of the postmodern American avant-garde. By 1974, the hippie euphoria of the previous decade, with its optimism, free love, and paeans to personal fulfillment, was over. In its place emerged a new kind of experimentation--in art, sex, drugs, and rock and roll. The seven essays featured here examine from different perspectives how Downtown artists constantly pushed the limits of both traditional media and the art world. Art critic Carlo McCormick addresses the energy, power, drugs, and nonstop erotic motion that propelled the scene. Music historian Bernard Gendron explores how minimalism, loft jazz, and Punk all occupied the same Downtown spaces. RoseLee Goldberg, the noted scholar and critic of performance art, looks back at ten years of its ascendancy Downtown. English professor Robert Siegle casts a critical eye on the literature of the Downtown scene. Librarian and archivist Marvin J. Taylor surveys Downtown as both geography and metaphor, and grapples with the question of how best to organize and preserve materials that often challenge the very notion of the archive. The book also includes seminal essays on the critical theories underlying Downtown art, by Brian Wallis; and on Downtown film, by Matthew Yokobosky.
The essays are intercut with personal reminiscences by such renowned pioneers of the Downtown scene as Eric Bogosian, Richard Hell, Lydia Lunch, Ann Magnuson, Michael Musto, and Martha Wilson. More than 150 striking photographs feature Downtown denizens and galleries; works by Cindy Sherman, Keith Haring, and many other artists; and hotspots such as CBGBs and Club 57. Hip and provocative, The Downtown Book provides a rare glimpse into the cauldron of the New York artistic counterculture--and the colorful characters who inhabited it.
Grey Art Gallery and the Fales Library
New York University
January 10 - April 1, 2006
The Andy Warhol Museum
Mid-May to September 4, 2006
Austin Museum of Art
November 11, 2006 - January 28, 2007 (tentative dates)
Honorable Mention for the 2006 Museum Publications Design Competition, Books Category, American Association of Museums
"The Downtown Book: The New York Art Scene 1974-1984 celebrates the era's creative commotion, much of it scattershot and under the mainstream radar."--New York Times Style Magazine
"For readers with an interest in New York's art history, the detailed chronology alone makes the book essential source material."--Kenneth Baker, San Francisco Chronicle
- Princeton University Press
- Publication date:
- Edition description:
- New Edition
- Product dimensions:
- 8.38(w) x 8.26(h) x 0.60(d)
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Meet the Author
Marvin J. Taylor is Director of the Fales Library and Special Collections at New York University. In 1994, he began the Downtown Collection, which documents the Downtown New York scene from 1974 to the present. Lynn Gumpert is Director of the Grey Art Gallery at New York University. Carlo McCormick is a popular-culture critic and curator in New York City. Bernard Gendron teaches at the University of Wisconsin/Milwaukee and writes on jazz, Punk, and the avant-garde. Matthew Yokobosky is a freelance film curator and the director of exhibition design at the Brooklyn Museum. RoseLee Goldberg is founding director of PERFORMA, a nonprofit organization founded to support and develop new visual art performance, and author of "Performance Art from Futurism to the Present". Robert Siegle is Professor of English at Virginia Tech, where he teaches courses in contemporary culture and theory. Brian Wallis is Chief Curator and Director of Exhibitions at the International Center of Photography in New York.
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