The Dozens: A History of Rap's Mama

Overview


Following his groundbreaking explorations of the blues and American popular music in Escaping the Delta and How the Beatles Destroyed Rock 'n' Roll, Elijah Wald turns his attention to the tradition of African American street rhyming and verbal combat that ruled urban neighborhoods long before rap: the viciously funny, outrageously inventive insult game called "the dozens."

At its simplest, the dozens is a comic concatenation of "yo' mama" jokes. At its most complex, it is a ...

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The Dozens: A History of Rap's Mama

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Overview


Following his groundbreaking explorations of the blues and American popular music in Escaping the Delta and How the Beatles Destroyed Rock 'n' Roll, Elijah Wald turns his attention to the tradition of African American street rhyming and verbal combat that ruled urban neighborhoods long before rap: the viciously funny, outrageously inventive insult game called "the dozens."

At its simplest, the dozens is a comic concatenation of "yo' mama" jokes. At its most complex, it is a form of social interaction that reaches back to African ceremonial rituals. Whether considered vernacular poetry, verbal dueling, a test of street cool, or just a mess of dirty insults, the dozens has been a basic building block of African-American culture. A game which could inspire raucous laughter or escalate to violence, it provided a wellspring of rhymes, attitude, and raw humor that has influenced pop musicians from Jelly Roll Morton to Ice Cube. Wald explores the depth of the dozens' roots, looking at mother-insulting and verbal combat from Greenland to the sources of the Niger, and shows its breadth of influence in the seminal writings of Richard Wright, Langston Hughes, and Zora Neale Hurston; the comedy of Richard Pryor and George Carlin; the dark humor of the blues; the hip slang and competitive jamming of jazz; and most recently in the improvisatory battling of rap. A forbidden language beneath the surface of American popular culture, the dozens links children's clapping rhymes to low-down juke joints and the most modern street verse to the earliest African American folklore.

In tracing the form and its variations over more than a century of African American culture and music, The Dozens sheds fascinating new light on schoolyard games and rural work songs, serious literature and nightclub comedy, and pop hits from ragtime to rap.

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Editorial Reviews

The Washington Post
Elijah Wald makes a persuasive case that rap grew from a verbal folk culture of improvised insults called "The Dozens"…The author's affection and respect for this strange, unheralded current of folk culture shine through every word of his book.
—Michael Lindgren
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Product Details

  • ISBN-13: 9780199895403
  • Publisher: Oxford University Press
  • Publication date: 6/1/2012
  • Pages: 256
  • Sales rank: 767,493
  • Product dimensions: 6.20 (w) x 9.30 (h) x 0.80 (d)

Meet the Author

Elijah Wald is a musician and writer who has toured on five continents and written thousands of articles for newspapers, magazines, and album notes. His ten published books include Escaping the Delta: Robert Johnson and the Invention of the Blues, How the Beatles Destroyed Rock 'n' Roll: An Alternative History of American Popular Music, and The Blues: A Very Short Introduction. He has taught blues history at UCLA and won multiple awards, including a 2002 Grammy.

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Table of Contents

1. A Trip Down Twelfth Street
2. The Name of the Game
3. Singing the Dozens
4. The Blue Dozens
5. The Literary Dozens
6. If You Grin, You're In
7. The Martial Art of Rhyming
8. Around the World with Your Mother
9. African Roots and Branches
10. The Dozens and Race
11. Why Do We (They) Do that?
12. Rapping, Snapping, and Dueling on YouTube

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