The Dream That Kicks: The Prehistory and Early Years of Cinema in Britain / Edition 2

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Overview

The Dream the Kicks is a classic account of the prehistory and early years of cinema in Britain. In this new paperback edition, which has been thoroughly revised to take into account recent scholarship of early cinema, Michael Chanan provides a fasciniating account of the rich and hitherto hidden history of the origins of film.
Chanan demonstrates that the theory of 'the persistence of vision', which led to the invention of moving pictures, has been superceded by modern scientific findings. In its place, he puts forward a theory of invention as a type of bricolage, and shows that cinematography was a product of the forces of nineteenth century capitalism. He discusses the wealth of influences, both popular and bourgeois, on the culture of early cinema, including diorama, the magic lantern, itinerant entertainers and music hall. He looks at the relationship between film and photography, and considers the nascent film business, the ways in which early cinema was received by its audiences and the developing aesthetics of cinema in its first fifteen years.

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Product Details

  • ISBN-13: 9780415117500
  • Publisher: Taylor & Francis
  • Publication date: 12/18/1995
  • Edition description: REV
  • Edition number: 2
  • Pages: 312
  • Lexile: 1400L (what's this?)
  • Product dimensions: 0.70 (w) x 8.50 (h) x 5.50 (d)

Table of Contents

Author's note (first edition)
Preface to the second edition
Acknowledgements
1 The site of film 6
2 The sight of film 29
3 The conditions of invention 45
4 Theories of perception 54
5 Photographic development 70
6 Patent business 80
7 Celluloid muse 94
8 The production of consumption 109
9 Music hall and popular culture 127
10 Culture and politics in the middle classes 156
11 Market competition and industrial growth 173
12 The foundations of the film idiom 218
13 Epilogue: The dream that kicks 266
Bibliography 273
Index 279
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