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The Dream the Kicks is a classic account of the prehistory and early years of cinema in Britain. In this new paperback edition, which has been thoroughly revised to take into account recent scholarship of early cinema, Michael Chanan provides a fasciniating account of the rich and hitherto hidden history of the origins of film.
Chanan demonstrates that the theory of 'the persistence of vision', which led to the invention of moving pictures, has been superceded by modern scientific findings. In its place, he puts forward a theory of invention as a type of bricolage, and shows that cinematography was a product of the forces of nineteenth century capitalism. He discusses the wealth of influences, both popular and bourgeois, on the culture of early cinema, including diorama, the magic lantern, itinerant entertainers and music hall. He looks at the relationship between film and photography, and considers the nascent film business, the ways in which early cinema was received by its audiences and the developing aesthetics of cinema in its first fifteen years.
|Author's note (first edition)|
|Preface to the second edition|
|1||The site of film||6|
|2||The sight of film||29|
|3||The conditions of invention||45|
|4||Theories of perception||54|
|8||The production of consumption||109|
|9||Music hall and popular culture||127|
|10||Culture and politics in the middle classes||156|
|11||Market competition and industrial growth||173|
|12||The foundations of the film idiom||218|
|13||Epilogue: The dream that kicks||266|