Great Story-- Terrible Writing
I finally finished The Echoing Green, all 350 pages of text. There are an additional 149 pages of notes, a dissertation-length bibliography, a gazillion acknowledgements, and an index. Although there's a great story in there someplace, the book mostly drove me nuts. The first 200 pages should have been ruthlessly slashed by an editor to about 50 pages. I found those pages almost unreadable, every sentence packed and dragged down by so many facts that reading was less a pleasure than a sensation akin to tramping through a field of rock-filled mud. Prager seems determined to include in his narrative every last little fact he accumulated in the course of what can only be called compulsive research. Every subject mentioned gets traced back to the Stone Age every person mentioned gets not a capsule but a quart jar-sized biography. The narrative, such as it is, slows down to a crawl and pretty much disappears beneath the weight of all this largely irrelevant material. I kept wondering: does this author have a brother or some other relative who's an Ivy League English literature professor, a snooty fellow who looks down on poor Joshua for not earning a doctorate, and for his choice of a career in mere journalism? Prager seems determined to show how erudite he is, with those high-falutin' quotations from literary works both famous and obscure bedecking the opening of each chapter, and references within the text that serve no other purpose than to show off. Does a (needlessly exhaustive) discussion of the history of signs and sign-stealing in baseball really have to drag in Ferdinand de Sassure, the ' father of semiotics,' as Prager helpfully tells us ignorant sports-folks? There's a disease worse than Writer's Block and a LOT worse than Writer's Cramp, and Prager has a raging case of it. The ailment is Writer's Tic: a repetitious and terminally annoying prose affectation. In Prager's case you could call it the 'Throw Mama From the Train a Kiss Construction.' All too often Prager uses a backwards sentence structure that's right up there with Chinese Water Torture-- you keep wondering when the next drop is going to fall. Examples: 'a quartet of well-dressed women who sat every game beside the right-field foul pole ' 'gathered in the Forbes Field clubhouse, sat silently Durocher's new team ' 'Maglie...then gave up to Robinson a single to left.' And so on and on. I started making a little red dot in the margin each time I came across one of these constructions, and the margins look like they have the measles. How any editor could have allowed this tic to reach the printed page is beyond me. But I didn't think the book was all bad. After struggling through the first 200 pages, we FINALLY get to, and past, the actual home run. This is where the real story begins-- the story of how Thomson and Branca have come to be yoked together for all eternity, NOT the entire history of baseball, of sign-stealing, and of everyone with any connection whatsoever to the story that fills those endless 200 previous pages. The last 150 pages are wonderful-- even the Throw Mama Syndrome can't completely ruin this part of the book, where the story really soars. Although the sub-title calls the book 'the untold story' of the famous home run, everything in the first 200 pages has been told before, albeit in less overwhelmingly detailed form. After all, it was Prager himself who broke the story in 2001 in the Wall Street Journal, and as he points out, snippets of the story had been floating around in print since the early 1950s. What's new is his insightful account of how Thomson and Branca have dealt with their fame/notoriety during those subsequent decades, and how their mutual knowledge of the sign-stealing secret affected the way each man reacted to the other, and to what fate dealt him. This could have been a great LITTLE book, instead of a badly flawed BIG book.
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Overview
At 3:58 p.m. on October 3, 1951, Bobby Thomson hit a home run off Ralph Branca. The ball sailed over the left field wall and into history. The Giants won the pennant. That moment-the Shot Heard Round the World-reverberated from the West Wing of the White House to the Sing Sing death house to the Polo Grounds clubhouse, where hitter and pitcher forever turned into hero and goat. It was also in that center-field block of concrete that, after the home run, a Giants coach tucked away a Wollensak telescope. The Echoing Green places that revelation at the heart of a larger story, re-creating in extravagant detail and illuminating as never before the impact of both a moment and a long-guarded secret on the lives of Bobby Thomson ...