[An] ingenious analysis of the history and social function of cultural prizes and awards.
The Economy of Prestige: Prizes, Awards, and the Circulation of Cultural Value argues that we've become an awards-crazy culture in a prize-drunk world.
[This is a] frequently hilarious and gripping book...An anecdotal delight and an intellectual revelation.
Did you know that there are more film prizes than there are feature films made every year? I didn't. Similar odd facts abound in this fascinating analysis of the business of prizes and awards: their meaning, their financing, their cultural machinery. English sets off at a brisk trot through the history of gongs, from the tragedy prize at Athens, through the Nobels, the Goncourt and Booker, to the Oscars and the sadly defunct alternative Hubby Awards, which featured 'Best Kung-Fu' and 'Best Mindless Sex Comedy' categories...I hope someone inaugurates a prize for Best Book About Prizes, and gives it to this one.
New York Magazine
Intellectually shrewd and consistently entertaining.
Times Literary Supplement
[An] elegant and entertaining book...English positions himself as an objective analyst, whose aim is not to criticize the awards industry but to see it as part of contemporary cultural practice. He is a witty, shrewd, and urbane observer.
James F. English's compelling [book] offers a harsh view of the process of giving and receiving special prizes. Anyone who thinks that awards genuinely pay tribute to excellence in achievement should have their naivete shaken away with this often-startling book.
Journal of Economic Literature
In this fascinating book, James F. English deftly paints a portrait of the current state of play in the "economy of cultural value." While describing the history of cultural prizes, he offers a compelling explanation for the economic forces that have led to their extraordinary proliferation over the last several decades.
Fascinating...In The Economy of Prestige: Prizes, Awards, and the Circulation of Cultural Value, English argues that scandal and discord are part and parcel of the prize enterprise. This is because at the heart of the literary or cultural prize lies a series of loosely connected ambivalences--between art and commerce; high and popular culture; inspiration and marketing; imagination and materialism; devotion to the muse and a lust for personal reward--that are outrageous by definition.
Times Higher Education Supplement
[English] has embedded himself in the public history of awards, emerging with a slew of entertaining anecdotes.
Media International Australia
English's far-ranging examination of the prize phenomenon is able to provide concrete specificity--the history of individual awards, their trophies' value, their administrative costs--as well as engaging with the most abstract questions of 'cultural capital'...One of the joys of English's project is the way it merges high cultural theory...with an astounding range of newspaper, magazine and television commentary, providing in the process an analysis of the prize 'event' as much as prize outcomes.
The Economy of Prestige, as James F. English himself is only too aware, is part of the phenomenon it is meant to explain. At the most basic level, English's book is an engaging and readable account of "the rise of the prize," the veritable explosion of global self-congratulation apparently set off by the institution of the Nobel Prize in 1901. Full of information and anecdote as it is, The Economy of Prestige also intends to analyze the larger "cultural field" established by these prizes, including both the interest they inspire and the critical hostility they so increasingly evoke. One of the most striking claims made by the book, in fact, is that there is no escape from "the economy of prestige"--that, as the common wisdom has it, there is no such thing as bad publicity. Even the most vehement opposition to a particular prize, or, for that matter, to the institution of prizes as a whole, simply cements the prize system all the more firmly in place...A large part of the very real interest of this book comes from the author's unfastidious curiosity about every detail of the awards industry. Not satisfied just to list and describe many of the awards themselves, English digs deeply into what he calls the "peculiarities" surrounding the prizes, including the burdens of administering and judging them, even the cash amounts and the actual physical trophies handed out in addition to the honors.
Cleveland Plain Dealer
Ambitious...Reading [The Economy of Prestige by James English] feels like being in the company of a cultural code-cracker. His work shows that we hardly know how to think about art outside the rubric of awards...[English] is an astute guide down this dizzy rabbit hole. He reminds us of the Dodo in Alice in Wonderland, who cries, 'Everybody has won, and all must have prizes'...English dissects the dishy politics and tawdry tricks, but the author is after much bigger intellectual game. He wants to understand how the awards-biz carries our cultural currency, creating our shared investments in what is art...The Economy of Prestige is rich fare for anybody who has ever been trapped at an awards banquet. It ought to win a prize.
Karen R. Long
Wall Street Journal
Mr. English knows everything there is to know about the mechanics of prize-giving, from the appointing of judges to the globalizing of cultural prizes to the exploiting of prizes for further self-aggrandizement. As The Economy of Prestige makes clear, Mr. English has mastered the subject in little and large, and it is one full of interest about the way cultural life operates in our day.