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| Clifford Brown | Primary Artist, Trumpet |
| Maynard Ferguson | Trumpet |
| Herb Geller | Alto Saxophone |
| Quincy Jones | Conductor |
| Harold Land | Tenor Saxophone |
| Herbie Mann | Flute |
| Helen Merrill | Vocals |
| Oscar Pettiford | Bass, Cello |
| Max Roach | Drums |
| Dinah Washington | Vocals |
| Bobby Donaldson | Drums |
| Danny Bank | Flute, Baritone Saxophone |
| Joe Benjamin | Bass |
| Keter Betts | Bass |
| Clark Terry | Trumpet |
| Ernie Wilkins | Conductor |
| Barry Galbraith | Guitar |
| Roy Haynes | Drums |
| Milt Hinton | Bass |
| Osie Johnson | Drums |
| Jimmy Jones | Piano |
| Junior Mance | Piano |
| George Morrow | Bass |
| Paul Quinichette | Tenor Saxophone |
| Sarah Vaughan | Vocals |
| Richie Powell | Piano |
Editorial Reviews
All Music Guide - Matt Collar
The 2012 Clifford Brown three-disc anthology The EmArcy Master Takes, Vol. 2: The Singers Sessions collects all of the tracks Brown recorded with vocalists Dinah Washington, Sarah Vaughan, and Helen Merrill during one magical five-month period in 1954. All of these sessions are now considered classic recordings and landmarks in the careers of each singer, as well as legendary trumpeter Brown. Coming off a four-year ascent that found him moving from working as a sideman with the R&B band the Blue Flames in 1951, to playing as a member of the Lionel Hampton band in 1953, to co-leading his innovative quartet with drummer Max Roach in 1954, Brown was a bona fide star by the...