The End of Michelangelo
Reading the poetry of Dan Gerber, we are summoned to this larger truth: Though we live in fraught times, on the tipping point of human self-destruction, we and our planet are still very much alive.

In one of his last sonnets, nearly five hundred years ago, Michelangelo Buonarroti confronted the paradox of our earthly existence: “Why beauty mixed with terror, feeds so strangely my desire.” Reading The End of Michelangelo, we are similarly reminded that the very fact of being alive—experiencing our fleeting, fragile existence—is our only source of joy, our only avenue of consolation. These are poems that wake us up, revivify our desire to go on living despite our times, to counter our times; if poetry has a purpose, it may be exactly this. As T.H. White suggests, we can't save our world if we don't first savor it.

“Dan Gerber tenderly reels his readers through the ‘beautiful movie’ he calls the passing of time on Earth, in a language completely unadorned and Zen-like in its quietude. The thing itself carries the weight off these poems that recall the deep imagery of Vallejo, Neruda, and Wright.” —Rain Taxi

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The End of Michelangelo
Reading the poetry of Dan Gerber, we are summoned to this larger truth: Though we live in fraught times, on the tipping point of human self-destruction, we and our planet are still very much alive.

In one of his last sonnets, nearly five hundred years ago, Michelangelo Buonarroti confronted the paradox of our earthly existence: “Why beauty mixed with terror, feeds so strangely my desire.” Reading The End of Michelangelo, we are similarly reminded that the very fact of being alive—experiencing our fleeting, fragile existence—is our only source of joy, our only avenue of consolation. These are poems that wake us up, revivify our desire to go on living despite our times, to counter our times; if poetry has a purpose, it may be exactly this. As T.H. White suggests, we can't save our world if we don't first savor it.

“Dan Gerber tenderly reels his readers through the ‘beautiful movie’ he calls the passing of time on Earth, in a language completely unadorned and Zen-like in its quietude. The thing itself carries the weight off these poems that recall the deep imagery of Vallejo, Neruda, and Wright.” —Rain Taxi

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The End of Michelangelo

The End of Michelangelo

by Dan Gerber
The End of Michelangelo

The End of Michelangelo

by Dan Gerber

Paperback

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Overview

Reading the poetry of Dan Gerber, we are summoned to this larger truth: Though we live in fraught times, on the tipping point of human self-destruction, we and our planet are still very much alive.

In one of his last sonnets, nearly five hundred years ago, Michelangelo Buonarroti confronted the paradox of our earthly existence: “Why beauty mixed with terror, feeds so strangely my desire.” Reading The End of Michelangelo, we are similarly reminded that the very fact of being alive—experiencing our fleeting, fragile existence—is our only source of joy, our only avenue of consolation. These are poems that wake us up, revivify our desire to go on living despite our times, to counter our times; if poetry has a purpose, it may be exactly this. As T.H. White suggests, we can't save our world if we don't first savor it.

“Dan Gerber tenderly reels his readers through the ‘beautiful movie’ he calls the passing of time on Earth, in a language completely unadorned and Zen-like in its quietude. The thing itself carries the weight off these poems that recall the deep imagery of Vallejo, Neruda, and Wright.” —Rain Taxi


Product Details

ISBN-13: 9781556596599
Publisher: Copper Canyon Press
Publication date: 10/11/2022
Pages: 128
Product dimensions: 6.00(w) x 9.00(h) x (d)

About the Author

Dan Gerber's Trying to Catch the Horses (MSU Press) received Foreword Magazine's Book of the Year Award in Poetry, and A Primer on Parallel Lives (Copper Canyon) won the Michigan Notable Book Award.  His work has appeared in many journals and anthologies, including The New Yorker, Poetry, The Nation, and The Sun.  Along with poetry collections, Gerber has published three novels, a collection of short stories, and two books of nonfiction. He and his wife Debbie live with their menagerie, domestic and wild, in the mountains of California’s Central Coast.

Read an Excerpt

Walking Toward the End

I’m beating north again,

a thousand miles

 

from the pole, and as it’s

still late summer, I

 

may get a long way

before cold nights 

 

and the hunger of old age

consume me, a little

 

lighter each day, having

left more of life’s

 

sweet confusion in

the grasses I’ve been

 

tracking through since

crossing above

 

the tree line, a week ago

toward something

 

I sense I’ve always been,

my hunger and discomfort, only

 

physical, slaked by the joy

 

of having nothing

but the next low ridge ahead,

 

as far as I can see.


World

There is nothing in the picture

you don’t see. That is, there

 

is nothing in the picture, but

you can’t see it, as there

 

is also nothing beyond the picture

which you can see. As you watch

 

the picture and begin to notice

more, the nothing grows less, but

 

never less than nothing. For you,

the picture has no separate

 

being, and, like you, the

nothing in the picture exists.

  

As a child, we learn to see a ball, a tree,

a dog, sitting at the moment.

 

The dog knows little of our confusion, and

yet calms us with her eyes.


Mono No Aware

I don’t know just when it

caught up to be with me. Maybe

 

it had been gathering, always, like

dust and only now accruing enough

 

weight to become a presence, as

if the experience of my lifetime

 

had been hooked-up as a team

alongside my present, every step,

 

playing to the moment of my being

like a lenticular cloud or a nugget

 

of clear amber, some beacon of delight

within the sadness of things, a silent,

 

second actor in

every closely watched scene.

 

Presence

Something about the brush pile

thirty yards ahead beside the two-

track through the aspen grove,

something too dark, too dense, as

if the glance of a witch

in wait—something out of place.

 

I whispered the dogs to sit and stay

and held my hand, palm

down, between them to 

give my command more weight.

 

My first thought, always, was of bear. I’ve

followed the trail of ripped-open

sheepskins, scattered like

piles of bloody popcorn, when

the Basque herders bring

their flocks down from the

mountain pastures

in this late part of summer.

 

We waited, and the obscure shape

swayed, though not as if in wind.

There was no wind,

only caution becoming fear as

whatever it was rocked

back and forth four times,

building momentum to rise like

a mountain through geologic time, its

murky ridges spreading high against

the pale green of the aspens with

branches of its own, more massive

than these slender trees could take,

and under them,

two black-silver beads, in sunlight blacker

than the darkness they shone out of, sensing

something about our being there.

 

I felt the dogs quiver, or

maybe it was me.

 

I wondered how the moose might

see us, three frozen beings pretending

to be small trees or shrubs, pretending

not to breathe, waiting

for him to decide if we were

a threat worth being threatened by.

 

I thought of our neighbor, the blacksmith,

Johnny Reddan, stomped to death

the summer before, out for a short walk

after supper, told his wife

he’d be back before dark.

 

They found his body the following noon,

a cow with calves, the ranger

said, it must have been a cow. I heard

 

an airplane sounding angry above

the trees, then it relented to a hard-

edged hum and hummed on

for several minutes, it seemed.

 

I heard then the kyrie of a red-tail hawk

and wondered what she might be

seeing of our standoff

in this rivery break of ranch road

through the trees. Two

 

years before a herd of thirteen

moose, five cows and eight

lumbering bulls, spent an idle Christmas

on our snow-covered lawn, rubbing

on the clapboards of the house, nudging

the drift boat on its trailer, locking

antlers, aimlessly pushing each other

around, with no agenda. It seemed

so safe with the solid walls

around us, smiling at

the mangy pelts and

homely mugs, that docile

consciousness at play.

Time was all around us now, meaning

one more siphoned breath of

the air the moose was breathing too.

I wondered if he could smell us—nothing

moving anywhere 

 

A fly buzzed by my ear.

 

Was the bull waiting

for us to break the spell?

His moosness was implacable,

the light behind him from the trees.

 

Eight miles south in the town of Driggs,

Deb was at the Safeway for tomatoes,

lettuce, bacon, and bread, expecting

I’d be home for lunch.

 

The dogs were so still I almost

forgot them, their noses locked

on the moose like

pointers on a grouse.

 

I scanned the grove for a gap

between two slender trunks,

just wide enough for me.

 

And then there was a breeze.

The grass heads nodded.

A sudden flutter through

the leathery leaves—one breath

was all, as tentative

as our own. It seemed

enough to move the scene.

 

The bull swayed again

and swung himself one step into the forest

and then another.  We heard

dry branches whisper and snap

as he plowed his way,

a primeval wave of mid-day

darkness through the fragile trees.

 

The dogs stayed close the last

quarter mile through the aspens

till the track opened out onto a prairie

of scrubby sage and yellow arrowroot.

 

After Dinner

It was when I stepped out

to take a leak and was noticing

 

how many branches of the sheltering

oaks were invading the eaves and needed

 

to be cut back, that the hawk, a falcon

in fact, flashed from the green entanglements

 

to a roof tile not five feet above

my eye. The air went missing and everything

 

I might have sensed moving fled

with my breath under the quick

 

solemn snap roll glances of this compact

new lord of impending night, honoring me,

 

I took it that way, my heartbeat

 

chanting thank you, thank you, thank you, without quite

caring who you was.

 

 

Other

When I had yet to learn the nature

of words, I had no sense

the trees and animals

I walked among were something

I was not.

 

Only when I saw

the swallow fly into the glass

of the window I was

watching through,

and picked it up,

and felt its life struggle

to get back inside,

as its eyes closed

and its head shook

and my hand felt its body

cool and become

a thing somewhere

beyond a glass

that wouldn’t let me through.

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