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Jonathan YardleyThe story Ben Macintyre tells in the lovely, affecting The Englishman's Daughter is at once simple in the extreme yet complex and elusive.
— Washington Post Book World
“This poignant reconstruction...has all the tensions of a contemporary mystery.”
--The Philadelphia Inquirer
”Wrenching...thoroughly captivating...reminds one of the novels of Michael Ondaatje.”
--The Washington Times
Rain spilled from an ashen sky as the famously glutinous mud of Picardy caked on my shoe-soles like mortar, and damp seeped into my socks. In a patch of cow-trodden pasture beside the little town of Le Câtelet, we stared out from beneath a canopy of umbrellas at a pitted chalk rampart, the ivy-strangled remnant of a vast medieval castle, to which a small plaque had been nailed: "Ici ont été fusilés quatre soldats Britanniques" (Four British soldiers were executed by firing squad on this spot). The band from the local mental institution played "God Save the Queen," excruciatingly, and then someone clicked on a boom-box and out crackled a reedy tape-recording of French schoolchildren reciting Wilfred Owen's "Anthem for Doomed Youth."
What passing-bells for these who die as cattle?
Only the monstrous anger of the guns.
Only the stuttering rifles' rapid rattle
Can patter out their hasty orisons.
An honour guard of three old men, dressed in ragged replica First World War uniforms — one English, one Scottish, one French — clutched their toy rifles and looked stern, as the rain dripped off their moustaches. A pair of passing cattle stopped on their way to milking and stared at us.
The day before, I had received a call from the local schoolmaster at the Times office in Paris: "It would mean a great deal to the village to have a representative of your newspaper present when we unveil the plaque," he said. I had hesitated, fumbling for the polite French excuse, but the voice was pressing. "You must come, you will find it interesting."
Reluctantly I had set off from Paris, driving up the Autoroute du Nord past signposts — Amiens, Albert, Arras — recalling the Great War, the war to end all wars, and the very worst war, until the one that came after. Following the teacher's precise directions, I had turned off towards Saint-Quentin, across the line of the Western Front, over the River Somme, through land that had once been no-man's, and headed east along a bullet-straight Roman road into the battlefields of the war's grand finale. No place on earth has been so indelibly brutalised by conflict. The war is still gouged into the landscape, its path traced by the ugly brick houses and uniform churches thrown together with cheap cement and Chinese labour in 1919. It is written in the shape of unexploded shells unearthed with every fresh ploughing and tossed onto the roadside, and in the cemeteries, battalions of dead marching across the fields of northern France in perfect regimental order.
Early for my rendezvous, I stopped beside the British graveyard at Vadancourt and wandered among the neat Commonwealth War Graves headstones with their stock, understated laments for the multitudinous dead: some known, some unknown, and the briskly facile "Known unto God" one of the many official formulations for engraved grief worked up by Rudyard Kipling. The cemetery is a small one, just a few hundred headstones, a fraction of the 720,000 British soldiers slain, who in turn made up barely one-tenth of the carnage of that barbaric war, fought by highly civilised nations for no pressing ideological reason.
The schoolteacher, solemn of manner and strongly redolent of lunchtime garlic, was waiting for me by the Croix d'Or restaurant in Le Câtelet, where a group of about thirty people huddled under the eaves, like damp pigeons. I was introduced as "Monsieur, le rédacteur du Times," an exaggeration of my position that made me suspect he had forgotten my name. My general greeting to the assembled was met with unsmiling curiosity, and again I wondered why I had come to a ceremony for four entirely obscure soldiers, a droplet in the wave of war-blood, Known unto Nobody.
The band, drawn up in the field behind the restaurant, now broke into a hearty, rhythm-defying rendition of something French and appropriately martial. The three amateur soldiers came to attention, of sorts, as two cars pulled up. Out of the first emerged the mayor of Le Câtelet, the préfet of the region, and his wife; from the second an elderly white-haired woman was extracted, placed in a wheelchair, and trundled across the field to the rampart wall.
After a round of formal French handshaking, the ceremony began. The previous year I had reported on the eightieth anniversary of the Battle of the Somme, a huge, poppy-packed performance with big bands and bigwigs to celebrate the very few, very old survivors. The Le Câtelet ceremony felt somehow more apt: ill-fitting uniforms on civilians, children reciting English words they did not understand, a handful of people remembering to remember, in the pouring rain. I began to feel moved, in spite of myself. The préfet launched into a lofty speech about valour, honour, and death. "See the holes in the wall?" the teacher whispered, with a gust of garlic, in my ear. "Those are from the execution." As the oration rumbled on, I surveyed the assembled crowd, few under seventy and some plainly as old as the event we were here to remember. Lined peasant faces listened hard to the official version of what the war had meant.
Suddenly I had the sensation of being watched myself. The old woman in the wheelchair, placed alongside the préfet, had also stopped listening and was staring at me. Disconcerted, I forced a smile, and tried to feign absorption in the speech, but when I sneaked a sideways glance, I found her eyes were still fixed on me. Finally, the préfet wound down, and the village priest offered a hasty orison, again in English: "Our Father who art in Heaven . . ." The rain stopped, the band struck up, and the military trio shouldered plastic and marched briskly off down the street towards the town hall, where a vin d'honneur was on offer.
As the crowd drifted away, I looked around for the old woman, and then realised she was beside me, looking up. Before I could volunteer my name, she spoke, in a high, faint voice and a thick Picardy accent that I could barely understand. "You are the Englishman," she said. It was not a question. The eyes that had caught my attention through the drizzle were now exploring my face. They were the most intensely blue eyes I have ever seen. Unnerved again, I offered a banal observation about the improvement in the weather, but she barely allowed me to finish before piping up once more.
"Our village, Villeret" — she gestured vaguely to the west with a mottled white hand — "was over there, near the front line, on the German side. When the British were retreating, in quatorze, some soldiers were left behind and could not get back to their army across the trenches. They came to us for protection. We bandaged their wounds, we fed them, and we hid them from the Germans. We concealed them in our village."
Her voice was rhythmical, as if reciting a story rehearsed by heart and scored in memory. "There were seven of them, brave British soldiers, and my family and the other villagers, we kept them safe. Then, one day, the Germans came to their hiding place." The voice trailed away, and for the first time I became aware that another person was listening: I turned to find an elderly man standing behind my shoulder, an expression of undisguised alarm on his face. She pressed on, her eyes now turned to the plaque.
"Three of the British soldiers managed to escape from Villeret, and returned to England. Four did not. We were betrayed. The Germans captured them. They shot them against that wall, and we buried them beside the church." She turned back to me and smiled gravely. "That was in 1916. I was six months old."
She continued, as if the events she spoke of were the moments of yesterday, the tragedy as fresh as the rain. "Those seven British soldiers were our soldiers." She paused again, and then murmured, the faintest whisper: "One of them was my father."
Copyright © 2001 Ben Macintyre
The Angels of Mons
On a balmy evening at the end of August in the year 1914, four young soldiers of the British army–two Englishmen and a pair of Irishmen–crouched in terror under a hedgerow near the Somme River in northern France, painfully adjusting to the realisation that they were profoundly and hopelessly lost, adrift in a briefly tranquil no-man’s-land somewhere between their retreating comrades and the rapidly advancing German army, the largest concentration of armed men the world had ever seen.
Privates Digby, Thorpe, Donohoe, and Martin were small human shards from a mighty explosion that had been primed for years, expected by many, desired by some, and detonated just six weeks earlier when a young Bosnian Serb named Gavrilo Princip pulled a revolver in a Sarajevo back street and mortally wounded Archduke Franz Ferdinand, heir to the imperial throne of Austria-Hungary. Europe was now ablaze, and the first battles of a long and brutal war had been fought. The lamps were going out all over Europe, but in the small town of Villeret, deep in the Picardy countryside, the lamps were just being lit, watched, from under a hedge, by four pairs of hungry British eyes.
The four Tommies, of whom the oldest was only thirty-six, had barely a clue of their whereabouts, but knew well enough that they were not supposed to be there. According to official military theory, they should have been at least one hundred miles north, in Belgium, winning a swift and decisive victory against the Hun. But, then, the war was not going according to plan: neither the Schlieffen Plan, dreamed up by a dead German aristocrat, to encircleFrance rapidly from the north; nor France’s Plan XVII, which called for the gallant French soldiery to attack the enemy with such élan that the Germans would immediately lose heart; nor the British plan, to defend Belgian neutrality, support the French, reinforce the might of the British Empire, and then go home.
Barely a fortnight earlier, the British Expeditionary Force, or BEF (this was a war that appreciated a clipped acronym), had begun crossing the Channel in troopships, to be met with beer and flowers in the August sun. Some of the soldiers were surprised, even a little disappointed, to discover they were not going to fight the French again. They swapped cap badges for kisses and then happily headed east and north towards Belgium to teach the Kaiser a lesson: thirty thousand jingling horses and eighty thousand men clad splendidly in khaki and self-confidence. The poet Rupert Brooke thanked God,
Who has matched us with His hour,
And caught our youth, and wakened us from sleeping,
With hand made sure, clear eye and sharpened power . . .
To the east, the first of the two hundred thousand Frenchmen whose élan would be extinguished forever in this single summer month were already rotting into the soil of Alsace and Lorraine. And down through Belgium hurtled the German behemoth, sweeping aside the impregnable fortifications of Liège and Namur and moving on across the great industrial plains to where the unsuspecting British army was busily arranging itself into neat battalions. “The evening was still and wonderfully peaceful,” recalled one British officer, scouting in advance of the main body of troops. “A dog was barking at some sheep. A girl was singing as she walked down the lane.” He watched the darkness settle gently over the land. “Then, without a moment’s warning, with a suddenness that made us start and strain our eyes to see what our minds could not realise, we saw the whole horizon burst into flames. To the north, outlined against the sky, countless fires were burning . . . A chill of horror came over us.”
At Mons, above the Belgian border, on August 23, the British stiff upper lip was busted by a roundhouse punch that seemed to come from nowhere, as wave upon wave of field grey came crashing down from the north, three-quarters of a million German men. At first the outnumbered British fought with calm efficiency, then determination, then desperation. For some, the fear was worse than the blood-letting. Retreating inside France, three days later they turned and fought again at Le Cateau, leaving more dead on the battlefield than Wellington had lost at Waterloo. The retreat resumed. Sure hands now trembling, clear eyes clouded, the depleted army scrambled south, a pell-mell withdrawal that would last two weeks and take them to the edge of Paris.
An old Frenchwoman stood on a cottage doorstep and watched the ragged British soldiery stumbling through her village. As the mounted officer passed, she spat a livid stream of sarcasm at him: “You make a mistake,” she hissed. (The young captain would never forget the sting of it.) “The enemy is behind you. Are you not riding in the wrong direction?”
For two hundred miles the German army pursued, looting, burning, and wielding the weapons of summary massacre and collective retribution, for this was the policy of Schrecklichkeit, organised ghastliness, a determination to inflict such horrific repression on the civilian population that it would never dare to resist. Hostages were shot and bayonetted, priests executed, homes and towns destroyed, and at Louvain, in a signal act of desecration, the great library of more than two hundred thousand books was put to the torch. Some German soldiers were appalled at their own might. Ernst Rosenhainer, an educated and sensitive young infantry officer, was torn between exultation and repulsion as he watched civilians fleeing from their homes: “It was heart-rending to hear a woman beg a high-ranking officer, ‘Monsieur, protégez-nous!’ ” he wrote. The local people watched in disbelief as refugees, Belgian and then French, streamed through the villages of the Somme and the Aisne, a “broken torrent of dusty misery,” dragging overladen donkey and dog carts, carrying their children and, along with them, lurid tales of German brutality. Behind followed the BEF: horse-drawn ambulances with mangled wounded and the long lines of exhausted and hungry soldiers, “an unthought-of confusion of men, guns, horses, and wagons. All dead-beat, many wounded, all foot sore.” At their backs, plumes of smoke marked the steady German advance in a spectacular frenzy of arson. An English officer turned around from a small incline to see “the whole valley and plain burning for miles.”
“We must allow the enemy no rest,” declared a German battalion commander, and so the British rear-guard fought as it fled. Nerves frayed, bellies empty, minds warping from lack of sleep, some retreating soldiers dozed on the march while others began to see ghosts and castles along the way. Flight forged its own legends.
The “Angels of Mons” were said to have been seen hovering
over the retreat, the shimmering spectres of English bowmen killed at Agincourt in 1415, now resurrected to protect their fleeing countrymen.
The Times correspondent wrote: “Amongst all the straggling units that I have seen, flotsam and jetsam in the fiercest fight in history, I saw fear in no man’s face. It was a retreating and
broken army, but it was not an army of hunted men . . . Our losses are very great. I have seen the broken bits of many regiments.”
The lines stretched and snapped, authority dimmed, the strag-glers multiplied, and the treasured distinctions of regiment and division blurred as units fragmented, re-formed, or broke away. Whatever the British reading public might be told, many soldiers were terrified. When the horses were allowed to rest, their legs folded. Unable to march farther, some men threw away theirequipment and lay down to die or await the enemy. Officers who would have shot any man who acted thus a day or two earlier, did not now look back. “That pained look in the troubled eyes of those who fell by the way will not easily be forgotten by those who saw it. That look imposed by circumstances on spent men seemed to demand all forgiveness from officers and comrades alike, as it conveyed a helpless and dumb farewell to arms.” The neat martial simplicities of the army that had disembarked on the coast of France became hazy in retreat. Most men marched unquestioningly on. Some deserted. Some looted. Some hid. Others died of exhaustion. An officer of the Royal Fusiliers recalled a private from Hackney, “a most extraordinarily ugly little man in my company who could not march one bit . . . On the second day of the Retreat he collapsed at the side of the road and died in my arms. I have no record of his name, but as a feat of endurance and courage I cannot name his equal.”
A general noted sternly that a “good many cases of unnecessary straggling and looting have taken place,” and summary courts-martial were held. Some could not resist the lure of an empty home, as a hiding place or source of plunder, and hunger saw soldiers pulling chocolate from the pockets of dead men or chewing raw roots scrabbled out of a field. In Saint-Quentin, two senior British officers looked on their beaten men and agreed with the petrified city mayor that surrender would be preferable to a losing fight and the probable death of countless civilians in the crossfire. It was a most humane decision, for which both officers were cashiered and disgraced.
Later, the retreat would be rendered into history as a courageous action that had held up the Germans for long enough to scupper Field Marshal Schlieffen’s plan, ensuring that the advance would finally be stopped on the line of the River Marne. But to those who took part in it, the retreat was a grim shambles, just a few shades short of a rout, “a perfect débâcle.” The BEF had been severely wounded. (Most of the rest of the body would be hacked up at Ypres, a few months later.) Of the eighty thousand British men who had come to France to fight a short war, twenty thousand were killed, wounded, captured, or found to be missing on the long retreat from Mons.
In the wake of the limping army, like the detritus from some huge and bloody travelling fair, lay packs, greatcoats, limbs, canteens, makeshift graves, dead horses, and living men. In woods, ditches, homes, and haylofts, alone and in small bands, surviving shreds of the khaki army felt the battle roll over them, and then heard it rumble south. The advancing German troops were thorough in flushing out the enemy remnants: Walter Bloem, novelist, drama critic, and a captain in the Brandenburg Grenadiers, recalled how advancing German hussars, rightly suspecting that British soldiers were hiding among the newly cut corn, “did not trouble to ransack every stook, but simply found that by galloping in threes or fours through a field shouting, and with lowered lances spiking a stook here and there, anyone hiding in them anywhere in the field surrendered.”
Posted May 23, 2003
In a novel like Sebastian Faulks outstanding 'Birdsong' the personal horror and romance under the umbrella of war can be explored to maximum effect. The fact that Ben Macintyre's story is true makes it equally special. But in the end less satisfying because the focus of the book is far more than the story of the Englishman's Daughter. In England the book was published under the title 'A Foreign Field' which really is a better title, in that the book explores the whole story of the war and it's effect on the Village of Villeret, France. The story of Helene Digby's conception and the execution of her father Robert Digby the major emotional center of the book. What I found strange is that towards the end of the book Mr. Macintyre tries hard to finger who may have betrayed the Englishman, but I did not seem to care. I somehow thought it was understandable that the whole village did, and the fact that the Englishman, including Robert Digby could not have possibly survived the eventual total destruction of the village underscored the ultimate betrayal. The war itself.
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Posted April 12, 2013
After reading, and thoroughly enjoying "Operation Mincemeat," I purchased several other books by Ben MacIntyre--one of them being "The Englishman's Daughter." The author untangles, and then braids the multiple threads of historical information, forensic genealogy and intermingled lives from so long ago--and some how, magnificently brings them back to life. MacIntyre thoughtfully and meticulously weaves one facinating story and inserts enough photos so the reader can look into the archived remnants of this place and time. His use of echoing past wartime poetry into this unique tale allows yet another generation to be in awe of so many stories needing to be re-told, and poets--again, needing to be re-heard. Could not put it down.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted March 7, 2002
In 1914, a small cadre of English military was stranded behind enemy lines. The French peasants of Villeret tried to hide the soldiers from the occupying German forces. However, the German army began using the homes of the villagers to quarter their troops and living off the local economy straining the food supply. The villagers refused to turn their English ¿guests¿ over to the Germans and collectively protected them over the next two years. One of the English, Private Robert Digby even fell in love with a local girl. However, by 1916 as sustenance became a problem and the withdrawal of the occupying army seemed like it would never happen, someone broke ranks and turned in Robert and his peers. The Germans executed the English soldiers. <P> In high school and college World War I is a desert dry footnote starting with Ferdinand, consisting of Wilson, neutrality, and the Lusitania, and ending with the League of Nations. On the other hand, Ben Macintyre takes a relatively minuscule incident from that War and breaths life into it and for that matter any war. THE ENGLISHMAN¿S DAUGHTER focus on that French incident between 1914-1916, but furbishes the audience with the underlying generalization that in war in spite of technology people count. It is the true human drama that makes history hum and enables the audience to understand the past, connects it to the present, and projects it into the future. Mr. Macintyre has written a winner that should be required reading at the military academies and included in any world history class so that we can learn in a lively exciting environment. <P>Harriet KlausnerWas this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.