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| Glenn Miller | Primary Artist, Trombone |
| Johnny Desmond | Vocals |
| Al Klink | Tenor Saxophone, Soloist |
| Ray Eberle | Vocals |
| The Modernaires | Vocals |
| Tex Beneke | Tenor Saxophone, Vocals, Soloist |
| Marion Hutton | Vocals |
| Dale McMickle | Trumpet, Soloist |
| Murray Kane | Vocals |
| Don Briggs | Announcer |
| Erskine Hawkins | Composer |
| Billy May | Arranger |
| Mel Powell | Arranger, Composer |
| Julian Dash | Composer |
| W.C. Handy | Composer |
| Harold Arlen | Composer |
| George M. Cohan | Composer |
| Barry Feldman | Reissue Producer |
| Bill Finegan | Arranger |
| M. Gordon | Composer |
| Mack Gordon | Composer |
| Jerry Gray | Arranger, Composer |
| E.Y. "Yip" Harburg | Composer |
| William Johnson | Composer |
| J. Livingston | Composer |
| David M. | Composer |
| Glenn Miller | Composer |
| Mitchell Parish | Composer |
| Doug Pomeroy | Mastering |
| Frank Signorelli | Composer |
| Harry Warren | Composer |
| Ned Washington | Composer |
| Matty Malneck | Composer |
| Howard Fritzson | Art Direction |
| Paul McGrane | Composer |
| Ralph Wilkinson | Arranger |
| M.P. Curtis | Composer |
| Buddy Feyne | Composer |
| Eric Maschwitz | Composer |
| Manning Sherwin | Composer |
| A.J. Lewis | Composer |
| P. Moore | Composer |
| M. Davis | Composer |
| R. Evans | Composer |
| Traditional | Composer |
| Mike Plaskett | Liner Notes |
| Triana DOrazio | Packaging Manager |
| Frank W. Meacham | Composer |
Anonymous
Posted October 1, 2010
What a great compilation of big band tunes from Glenn Miller! This is a must have CD for the fan of classic big band.
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Editorial Reviews
All Music Guide - Bruce Eder
This double-CD set should not be confused with the similarly named mid-'90s, 47-song compilation from BMG, which was good in its time but is outclassed by this entry in Sony Music's now Sony BMG's Essential series. Wisely ignoring a by-release-date-order approach, producer Barry Feldman has instead opted for a track lineup that, plain and simple, sells the Glenn Miller sound to modern ears -- so the summer 1939 "In the Mood" is the first cut on the set, and "Moonlight Serenade," from four months earlier, is held back, to the last slot among the Miller commercial recordings, thus allowing the listener to meander delightfully across three years of hits -- across 1940, 1941, ...