'I met Tom Marshall just the once, as I recall. In September of 1992, at the Grand Theatre on Princess Street in Kingston. The occasion was the book launch for Steven Heighton's Flightpaths of the Emperor. Al Purdy was there, and Carolyn Smart. We didn't sell as many books as I had hoped, or John Metcalf had rashly predicted, but then again, we never do. Tom Marshall was just fifty-five years old when he died the following year, so it is with an acute sense of responsibility to community that PQL is happy to partner with novelists David Helwig and Michael Ondaatje in publishing The Essential Tom Marshall.'
The Essential Tom Marshallby Tom Marshall
Number nine in our series of Essential Poets, this newly selected, essential collection of Tom Marshall's poetry, co-edited by his friends David Helwig and Michael Ondaatje, pushes Marshall to his rightful place in the Canadian canon. Tom Marshall lived in Kingston for most of his adult life. During his short lifetime he made a substantial contribution to Canadian… See more details below
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Number nine in our series of Essential Poets, this newly selected, essential collection of Tom Marshall's poetry, co-edited by his friends David Helwig and Michael Ondaatje, pushes Marshall to his rightful place in the Canadian canon. Tom Marshall lived in Kingston for most of his adult life. During his short lifetime he made a substantial contribution to Canadian literature and culture, with ten published collections of poetry, four of critical essays and seven of fiction.
In this selected volume the reader will find verse from his early years, daring and inventive, imbuing the familiar Kingston landscape with an electric intensity. One of his earliest poems, 'Astrology', suggests Marshall's range of tones, the balance of humour and seriousness, and the way his poems remain lyrical even when he is writing of bitter love, self-abasement and brilliant restless nights. Also included is more reflective poetry from later in his life, probing and elegant, as he struggled with an ambiguous relationship to his parents. But through them all one hears Marshall's distinctive voice, his shrewd irony, his daring intensity, his preoccupation with mortality and the enduring power of myth.
'Over the two decades since Tom Marshall passed away, his poetry has become increasingly hard to find. The publication of The Essential Tom Marshall is a welcome corrective, restoring to us the poet's best work and also, in some ways, the man himself: psychic mariner, elemental lyricist, interpreter of the silences of fire, author of neglected small masterpieces like 'Autobiographies', 'Summer', 'Politics I & II' and 'We are dying . . .' And Tom demonstrates in poems like 'The Mother' that in a few lines he can render characters as vivid as many fiction writers need a full novel to realize: 'She mouths her pieties/ but she hates God/ with splendid, unrecognized ferocity.' (In that last sentence I see I've used the present tense - Tom demonstrates - where before, when the poems were out of print, I would have used the elegiac past tense. How wonderful that this book makes possible such a restorative conjugation. And how it would delight the poet himself.)'
The Essential Tom Marshall embodies two aspirations: to sketch an overview of the poet's career, including less developed youthful work, and to mount a portrait of Marshall in the Canadian canon, based on his better-known material. This slim volume succeeds more as a primer than a definitive guide, but it is nevertheless an important first step in the restoration of a poet well worth getting acquainted with.
Salon has written about The Porcupine's Quill's Essential series plenty already, and here we are again. This series is a precious examination of poetry in Canada. It is precious as both adjective and noun -- a slim 64 pages and with the subtle elegance of the press's handmade design, they're not to be overlooked and each edition is like a letter to a beloved. This most recent addition, The Essential Tom Marshall, was selected by David Helwig and Michael Ondaatje. I had never read Marshall before, but his thematic roots in the past, history and repetition easily resonate across the expanse from Kingston, Ont., to New Brunswick. Helwig and Ondaatje rightly point out in their foreword, &'grave;Everyone likes to believe that the best of poetry will endure, but it doesn't do so without help.'' The Porcupine's Quill is doing its part, now you must, too.
'The Essential Tom Marshall does its job incredibly well, celebrating a poetic gift that's both light and intense at the same time – the simple structure and relatively easy language open up the depth and resonance of this work almost immediately.'
'[The Essential Tom Marshall] is a book that you enjoy holding while you savour the poems it contains.'
'The Essential Tom Marshall is ... a lovely book both in terms of its content and its appearance, making it quite a pleasure to read, and the kind of book you'll pull off your shelf again and again.'
With The Essential Tom Marshall, The Porcupine's Quill has once again shown its ability to select and present the best work of poets whose words might otherwise be lost in the electronic ether.
Read an Excerpt
'Words For H.S.K.M. (1910-91)'
The Kennedy profile recumbent is like a craggy mountain range rising above the oak casket.
Time's scythe has had its way with her.
The Ancient of Days has drawn a line around her. She survives herself no more.
For years she had been receding little by little. She had been remembered in dreams as younger, stronger.
A shrunken woman, kindly, distant,
not that terrifying sorceress not yet the strong, protective matrona.
Mother, in your darkness and light
I grew. Your love of music and reading.
Your hatred of space and freedom.
Curious contradictions of anxiety, nerves, depression persisting through generations
of Kennedys working the land.
Whence comes all that depth of darkness?
From Scotland's internecine turmoil?
Human mysteries persist, deepen.
There is no resolution. Only pain familiar and defining, strengthening.
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