The Evolution of Operational Art: From Napoleon to the Present
Broadly defined as the grey area between strategy and tactics, operational art spans the theory and practice of planning and conducting campaigns and major operations aimed at accomplishing strategic and operational objectives in a given theatre of operations. An intermediate link between strategy and tactics has always existed, but a distinct concept that encompasses a systematic and deliberate plan of campaign for major operations is a mere two hundred years old. Based on country specific case-studies, this book describes how the concepts that underpin operational art originated, how they received practical expression in various campaigns, and how they developed over time. The point of departure is the campaigns of 'the God of War', Napoleon Bonaparte. The book then proceeds with chapters on the evolution of operational art in Prussia / Germany, the Soviet Union / Russia, the United Kingdom, United States, Israel, and China. The final chapter deals with the future of operational art in irregular warfare. Theory is critical to refining and improving existing methods of applying operational warfare, and its importance cannot be overstated; however, to be useful, theory and its accompanying vocabulary must be combined with a proper examination of historical trends and practical experience. The present volume attempts to achieve that combination. This book is a project of the Oxford Leverhulme Programme on the Changing Character of War.
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The Evolution of Operational Art: From Napoleon to the Present
Broadly defined as the grey area between strategy and tactics, operational art spans the theory and practice of planning and conducting campaigns and major operations aimed at accomplishing strategic and operational objectives in a given theatre of operations. An intermediate link between strategy and tactics has always existed, but a distinct concept that encompasses a systematic and deliberate plan of campaign for major operations is a mere two hundred years old. Based on country specific case-studies, this book describes how the concepts that underpin operational art originated, how they received practical expression in various campaigns, and how they developed over time. The point of departure is the campaigns of 'the God of War', Napoleon Bonaparte. The book then proceeds with chapters on the evolution of operational art in Prussia / Germany, the Soviet Union / Russia, the United Kingdom, United States, Israel, and China. The final chapter deals with the future of operational art in irregular warfare. Theory is critical to refining and improving existing methods of applying operational warfare, and its importance cannot be overstated; however, to be useful, theory and its accompanying vocabulary must be combined with a proper examination of historical trends and practical experience. The present volume attempts to achieve that combination. This book is a project of the Oxford Leverhulme Programme on the Changing Character of War.
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The Evolution of Operational Art: From Napoleon to the Present

The Evolution of Operational Art: From Napoleon to the Present

The Evolution of Operational Art: From Napoleon to the Present

The Evolution of Operational Art: From Napoleon to the Present

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Overview

Broadly defined as the grey area between strategy and tactics, operational art spans the theory and practice of planning and conducting campaigns and major operations aimed at accomplishing strategic and operational objectives in a given theatre of operations. An intermediate link between strategy and tactics has always existed, but a distinct concept that encompasses a systematic and deliberate plan of campaign for major operations is a mere two hundred years old. Based on country specific case-studies, this book describes how the concepts that underpin operational art originated, how they received practical expression in various campaigns, and how they developed over time. The point of departure is the campaigns of 'the God of War', Napoleon Bonaparte. The book then proceeds with chapters on the evolution of operational art in Prussia / Germany, the Soviet Union / Russia, the United Kingdom, United States, Israel, and China. The final chapter deals with the future of operational art in irregular warfare. Theory is critical to refining and improving existing methods of applying operational warfare, and its importance cannot be overstated; however, to be useful, theory and its accompanying vocabulary must be combined with a proper examination of historical trends and practical experience. The present volume attempts to achieve that combination. This book is a project of the Oxford Leverhulme Programme on the Changing Character of War.

Product Details

ISBN-13: 9780191037566
Publisher: OUP Oxford
Publication date: 11/04/2010
Sold by: Barnes & Noble
Format: eBook
File size: 781 KB

About the Author

Colonel Dr John Andreas Olsen is Deputy Commander, NATO HQ Sarajevo, and Visiting Professor of Operational Art and Tactics at the Swedish National Defence College. He was the Dean of the Norwegian Defence University College and Head of the Division for Strategic Studies at the Norwegian Defence Command and Staff College from 2006 to 2009. A serving officer, he is a graduate of the Norwegian Defence College (2008) and the German Command and Staff College (2005). Recent assignments include tours as the Norwegian liaison officer to the German Operational Command in Potsdam, as the military assistant to the attaché in Berlin, and as a tutor and researcher at the Norwegian Air Force Academy. Professor Martin van Creveld was born in the Netherlands, but raised and educated in Israel. After receiving his master's degree at the Hebrew University, he did a PhD in History at the London School of Economics and Political Science. Since 1971, he has been on the Faculty of the History Department at the Hebrew University, from which he retired early in 2008. Van Creveld is one of the leading experts on Military History and Strategy, with a special interest in the Future of War. He has authored twenty books. Professor Martin van Creveld has been a consultant for the defence establishments of several countries.

Table of Contents

PrefacePrologue, Michael HowardIntroduction, John Andreas Olsen and Martin van Creveld1. Napoleon and the Dawn of Operational Warfare, Martin van Creveld2. Prussian-German Operational Art, 1740-1943, Dennis E. Showalter3. The Tsarist and Soviet Operational Art, 1853-1991, Jacob W. Kipp4. Operational Art and Britain, 1909-2009, Hew Strachan5. American Operational Art, 1917-2008, Antulio J. Echevarria II6. The Rise and Fall of Israeli Operational Art, 1948-2008, Avi Kober7. Operational Art in China, Andrew Scobell8. Conclusion, John Andreas Olsen and Martin van CreveldEpilogue, Rupert Smith
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