The Exception to the Rulers: Exposing Oily Politicians, War Profiteers, and the Media That Love Them

The Exception to the Rulers: Exposing Oily Politicians, War Profiteers, and the Media That Love Them

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by Amy Goodman, David Goodman

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Now in paperback, the national bestseller that challenges the corporate and political hypocrisy that has silenced America n Exception to the Rulers, award-winning journalist Amy Goodman exposes the lies, corruption, and crimes of the power elite-an elite that is bolstered by large media conglomerates who obscure the truth. Her goal is 'to go where the silence is,


Now in paperback, the national bestseller that challenges the corporate and political hypocrisy that has silenced America n Exception to the Rulers, award-winning journalist Amy Goodman exposes the lies, corruption, and crimes of the power elite-an elite that is bolstered by large media conglomerates who obscure the truth. Her goal is 'to go where the silence is, to give voice to the silenced majority,' and she is fond of quoting Margaret Mead: 'Never doubt that a small group of thoughtful, committed people can change the world. Indeed, it's the only thing that ever has.' This book informs and empowers people to act on that principle.

Editorial Reviews

Goodman is the host of Democracy Now!, a daily news program aired on Pacifica radio stations and NPR. She has won many awards for her news coverage in dangerous places like East Timor or Manhattan on September 11, 2001. Because of her consistent demand to find the truth and to expose the propaganda machines in world governments, including our own, she has been mocked and denied access to the airwaves. Yet she persists in exposing how big oil, big business and big government are working together to limit democracy even as they say they are promoting it. She is the person who coined the phrase "The Silenced Majority" to describe how Americans are afraid to express their views for fear of being called "unpatriotic" or actually being arrested for having opinions contrary to the party line—both Republican and Democratic. As she says, "Democracy works only when people can fully inform themselves and debate issues freely." In the paperback edition, she has added a preface that updates the suppression of open debate over the Iraq war. Throughout the book, she gives many firsthand accounts of situations where journalists were forbidden to report what they have actually seen, even to the point of being deliberately targeted in war zones and killed. While her stories are shocking, they are stories that must be told and she supports her ideas with thorough notes. KLIATT Codes: SA—Recommended for senior high school students, advanced students, and adults. 2004, Hyperion, 342p. notes. index., Ages 15 to adult.
—Nola Theiss

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The Exception to the Rulers

Exposing Oily Politicians, War Profiteers, and the Media That Love Them
By Amy Goodman

Hyperion Books

Copyright © 2005 Amy Goodman
All right reserved.

ISBN: 140130799X

Chapter One

Introduction The Silenced Majority

The troops marched slowly up the road, their U.S.-made M-16s in the ready position. It was November 12, 1991, a day that would forever be seared into my memory, and into history. I was in Dili, the capital of East Timor, a small island nation 300 miles north of Australia. East Timor had been brutally occupied by Indonesian troops for sixteen years, since they invaded in 1975. The Indonesian military had sealed off East Timor from the outside world and turned it into their private killing field. A third of the population - 200,000 Timorese - had died. It was one of the worst genocides of the late twentieth century.

I had just attended mass at the main church in Dili with Allan Nairn, journalist and activist, then writing for The New Yorker magazine. After the service, thousands marched toward the Santa Cruz cemetery to remember Sebastian Gomes, yet another young man killed by Indonesian soldiers. The people came from all over: workplaces, homes, villages, and farms. They traveled through a geography of pain: In almost every other building, Timorese had been held or tortured, disappeared or killed. Whether it was a police station or a military barracks, a hotel or an officer's house, no place was beyond reach of the terror. Not even the church was safe. It was about 8 a.m. when we reached the cemetery.

We had asked people along the way: "Why are you marching? Why are you risking your lives to do this?"

"I'm doing it for my mother," one replied. "I'm doing it for my father," said another. "I'm doing it for freedom."

In the distance, we heard an eerie, synchronized beat. Suddenly we saw them. Many hundreds of Indonesian troops coming up the road, twelve to fifteen abreast. People grew very quiet.

We knew the Indonesian military had committed many massacres in the past, but never in front of Western journalists. Allan suggested we walk to the front of the crowd, hoping that our presence could head off what looked like an impending attack. I put on my headphones, took out my tape recorder - I usually kept these hidden so as not to endanger Timorese caught talking to us - and held up my microphone like a flag. Allan put his camera above his head, and we went and stood in the middle of the road, about fifteen yards in front of the crowd. By visibly showing the tools of our trade, we hoped to alert the troops that this time they were being watched.

A hush fell over the Timorese. Those in the back could run, but the thousands of people in front were trapped by the cemetery walls that lined both sides of the road. The main sound was the rhythmic thump of boots hitting the road as the troops marched in unison toward the people. Children whispered behind us. Then, without any warning or provocation, the soldiers rounded the corner, swept past us, raised their U.S.-made weapons, and opened fire.

People were ripped apart. The troops just kept shooting, moving their guns from left to right, killing anyone still standing.

A group of soldiers surrounded me. They started to shake my microphone in my face as if to say, This is what we don't want. Then they slammed me to the ground with their rifle butts and started to kick me with their boots. I gasped for breath. Allan threw himself on top of me to protect me from further injury.

The soldiers wielded their M-16s like baseball bats. They slammed them against Allan's head until they fractured his skull. For a moment, Allan lay in the road in spasm, covered in blood, unable to move. Suddenly, about a dozen soldiers lined up like a firing squad. They put the guns to our heads and screamed, "Politik! Politik!" They were accusing us of being involved in politics, a crime clearly punishable by death. They also demanded, "Australia? Australia?"

We understood what was at stake with this question. In October 1975, Indonesian soldiers had executed five Australia-based television journalists in an attempt to cover up a military incursion leading up to the December 7, 1975, invasion of East Timor. On December 8, Australian journalist Roger East, the only other Western reporter left in East Timor, was dragged out of a radio station in Dili down to the harbor and shot.

Almost exactly sixteen years later, as Allan and I lay on the ground surrounded by Indonesian soldiers, we shouted, "No, we're from America!" They had stripped us of our possessions, but I still had my passport. I threw it at them. When I regained my breath, I said again, "We're from America! America!"

Finally, the soldiers lowered their guns from our heads. We think it was because we were from the same country their weapons were from. They would have to pay a price for killing us that they never had to pay for killing Timorese.

At least 271 Timorese died that day, in what became known as the Santa Cruz massacre. Indonesian troops went on killing for days. It was not even one of the larger massacres in East Timor, and it wouldn't be the last. It was simply the first to be witnessed by outsiders.

"A Sanctuary for Dissent"

Going to where the silence is. That is the responsibility of a journalist: giving a voice to those who have been forgotten, forsaken, and beaten down by the powerful. It is the best reason I know to carry our pens, cameras, and microphones into our own communities and out to the wider world.

I am a journalist from Pacifica Radio, the only independent media network broadcasting in the United States. It was founded in 1949 by a man named Lew Hill, a pacifist who had refused to fight in World War II. When he came out of a detention camp after the war, he said the United States needed a media outlet that wasn't run by corporations profiting from war. His vision was of an independent network run by journalists and artists - not by "corporations with nothing to tell and everything to sell that are raising our children today," in the words of journalism professor George Gerbner, founder of the "cultural environment" movement.

KPFA, the first Pacifica station, began in Berkeley, California. FM radio was in its infancy at the time, so KPFA had to make and give out FM radios in order for people to hear the station. As would happen so many times in the decades that followed, Pacifica Radio tried something no one thought would work - building a network based on the financial support of individual listeners. This marked the birth of listener-sponsored media in this country, a model later used by National Public Radio and public television.

The Pacifica network grew to five stations: KPFA in Berkeley, KPFK in Los Angeles, WBAI in New York, WPFW in Washington, and KPFT in Houston. In 1970, KPFT became the only radio station in the United States to have its transmitter blown up. The Ku Klux Klan did it. In 1981, the KKK's Grand Wizard claimed that his greatest act "was engineering the bombing of a left-wing radio station," because he understood how dangerous Pacifica was.

Pacifica is a sanctuary for dissent. In the fifties, when the legendary singer and African-American leader Paul Robeson was whitelisted during Senator Joseph McCarthy's witch hunts, banned from almost every public space in the United States but for a few black churches, he knew he could go to KPFA and be heard. The great writer James Baldwin, debating Malcolm X about the effectiveness of nonviolent sit-ins in the South, broadcast over the airwaves of WBAI.

Today, Pacifica continues that tradition. My colleagues at WBAI, including Elombe Brath and the late Samori Marksman, have taught me how a local radio station can be the gateway to a rich world. Samori was a pan-Africanist who taught me so much about the history of Africa and the Caribbean. Elombe Brath has long provided a voice for leaders of African liberation movements. These men made the whole world our community. Great African leaders such as Kwame Nkrumah, Sekou Toure, and Julius Nyerere were local voices to WBAI's listeners. In his role as WBAI program director, Samori would call me into his office under the pretext of discussing some bureaucratic minutiae. I would emerge three hours later, newly educated about a liberation movement in Africa or the Caribbean.

It's still much the same. On any given day, you can listen to the news on CNN or National Public Radio, then tune in to a Pacifica station. You would think you were hearing reports from different planets.

We inhabit the same planet, but we see it through different lenses. On community airwaves, color isn't what sports commentators provide, and it isn't the preserve of a "diversity" reporter. We are a cross section of races, ethnicities, and social classes explaining the world we see around us.

Take, for example, my WBAI colleague Errol Maitland. In March 2000, while he was reporting live from the funeral of Patrick Dorismond - a Haitian-American who was shot and killed by police - Errol attempted to interview New York City police who were moving in on the crowd of mourners. We listened as he tried to question police, who then threw him to the ground. Errol was beaten by New York City police officers and had to be hospitalized for weeks. When I visited him in the hospital, I found him handcuffed to his bed. All for what? For reporting while black.

It was stories like Errol's, in New York and around the world, that my WBAI colleague Bernard White and I took on each day for a decade on the morning show Wake Up Call. We heard people speak for themselves, instead of hearing them defined by officialdom. Bernard, a former New York City schoolteacher, has deep roots in the community. Whether in the classroom, on air, or as Samori's successor as WBAI program director, Bernard's idea of education is to have people tell their own stories, document their own lives.

I began hosting Democracy Now! in 1996, when it was launched as the only daily election show in public broadcasting. Listener response was enormous. Suddenly the daily struggles of ordinary people - workers, immigrants, artists, the employed and the unemployed, those with homes and those without, dissidents, soldiers, people of color - were dignified as news. I call it trickle-up journalism. These are the voices that shape movements - movements that make history. These are people who change the world just as much as generals, bankers, and politicians. They are the mainstream, yet they are ignored by the mainstream media.

After the 1996 election, we decided to continue the show as a daily grassroots political newshour. When the media began beating the drums of war after September 11, 2001, Democracy Now! expanded to television and became the largest public media collaboration in the country. We now broadcast on hundreds of community radio and public access TV stations. We beam out over satellite television and stream on the Internet at

Why has Democracy Now! grown so quickly? Because of the deafening silence in the mainstream media around the issues - and the people - that matter most. People are now confronting the most important issues of the millennium: war and peace, life and death. Yet who is shaping the discourse? Generals, corporate executives, and government officials.

In a media landscape where there are more channels than ever, the lack of any diversity of opinion is breathtaking - and boring. As my colleague Juan Gonzalez often says, "You can surf through hundreds of channels before you realize there is nothing on TV." In a society where freedom of the press is enshrined in the Constitution, our media largely acts as a megaphone for those in power.

That's why people are so hungry for independent media - and are starting to make their own.

Muzzling Dissent

Vibrant debate and dissent exist in this country, but you are not reading or hearing about this in the mainstream press.

If you are opposed to war, you are not a fringe minority. You are not a silent majority. You are part of a silenced majority. Silenced by the mainstream media.

After 9/11 the media personalities on television - you can't call many of them journalists - kept saying that 90 percent of Americans were for war.

Were you ever called and asked your views? And if you were, what were you asked? Because if someone called and asked, "Do you believe the killing of innocent civilians should be avenged by the killing of innocent civilians?" I'm sure that 90 percent of Americans would say no. We are a compassionate people. But people cannot take action if they don't have accurate information.

Politicians who never met a war they didn't like (and in the case of Bush, Cheney, and Rumsfeld, never fought in any of them) began to beat the drums of war after 9/11. Corporations chimed in, knowing they could make a killing off of killing. And then came the mainstream media to manufacture consent, as Noam Chomsky puts it.

To understand how the media shape the message, look at who the messengers are. The media watch group Fairness and Accuracy in Reporting (FAIR) did a study of the "experts" who appeared on-camera on the major network news shows during the critical week before and week after February 5, 2003 - the day Secretary of State Colin Powell made his case to the UN Security Council for invading Iraq. This was at a time when 61 percent of Americans supported more time for diplomacy and inspections. The FAIR study found only 3 of 393 sources - fewer than 1 percent - were affiliated with antiwar activism.

Three out of almost 400 interviews. And that was on the "respectable" evening news shows of CBS, NBC, ABC, and PBS.

So if you ran to the bathroom while watching TV during that critical two-week period - sorry! You might have missed the only dissenting viewpoint the network news offered.

This is not a media that is serving a democratic society, where a diversity of views is vital to shaping informed opinions. This is a well-oiled propaganda machine that is repackaging government spin and passing it off as journalism.

Why does it matter? Well, consider the alternative: Imagine if instead of 3 voices against the war, the networks allowed 200 war skeptics on the air - roughly the proportion of the public opposed to war.

And imagine if the U.S. media showed uncensored, hellish images of war - even for one week. What impact would that have? I think we would be able to abolish war.

Instead, after our loved ones and neighbors followed orders and marched off to war (unlike the children of the top warmakers), the networks showed us a colorful, video-game version of what was going on.

In Iraq, the U.S. government discouraged independent coverage of the war - sometimes at gunpoint.



Excerpted from The Exception to the Rulers by Amy Goodman Copyright © 2005 by Amy Goodman. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Amy Goodman is an internationally acclaimed journalist. She has won many of the most prestigious awards in journalism, including the George Polk Award, the Alfred I duPont-Columbia University Award, and the Robert F. Kennedy Prize for International Reporting. Democracy Now! airs on more than 200 radio and TV stations around the world. David Goodman is an award-winning independent journalist whose articles have appeared in the Washington Post, Mother Jones, Outside, The Nation, and numerous other publications. He is the author most recently of the critically acclaimed Fault Lines: Journeys into the New South Africa. He lives with his wife and two children in Vermont.

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The Exception to the Rulers: Exposing Oily Politicians, War Profiteers, and the Media That Love Them 5 out of 5 based on 0 ratings. 2 reviews.
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Guest More than 1 year ago
Amy Goodman is one of the few genuine journalists left. While the fawning, sycophantic 'liberal media' is sucking up to the George Bush Junior regime, she puts her life on the line to reveal the facts about the criminality and corruption of the US corporatocracy amd its support for brutal third-world dictators that oppress and commit genocide against their own people. She also reveals how the US media has become the propaganda arm of the regime, banging the drum for war against Iraq, Iran and anyone else who stands in the way of corporate America's all-consuming greed. Reading this book is an education about what 'spreading freedom and democracy' really means. Highly recommended.