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The Exiles Return: A Novel

The Exiles Return: A Novel

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by Elisabeth de Waal
     
 

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WITH A FOREWORD BY EDMUND DE WAAL, AUTHOR OF THE HARE WITH AMBER EYES

SET IN THE ASHES OF POST–SECOND WORLD WAR VIENNA, A POWERFUL, SUBTLE NOVEL OF EXILES RETURNING HOME FIFTEEN YEARS AFTER FLEEING HITLER'S DEADLY REIGN

Vienna is demolished by war, the city an alien landscape of ruined castles, a fractured ruling class, and

Overview

WITH A FOREWORD BY EDMUND DE WAAL, AUTHOR OF THE HARE WITH AMBER EYES

SET IN THE ASHES OF POST–SECOND WORLD WAR VIENNA, A POWERFUL, SUBTLE NOVEL OF EXILES RETURNING HOME FIFTEEN YEARS AFTER FLEEING HITLER'S DEADLY REIGN

Vienna is demolished by war, the city an alien landscape of ruined castles, a fractured ruling class, and people picking up the pieces. Elisabeth de Waal's mesmerizing The Exiles Return is a stunningly vivid postwar story of Austria's fallen aristocrats, unrepentant Nazis, and a culture degraded by violence.

The novel follows a number of exiles, each returning under very different circumstances, who must come to terms with a city in painful recovery. There is Kuno Adler, a Jewish research scientist, who is tired of his unfulfilling existence in America; Theophil Kanakis, a wealthy Greek businessman, seeking to plunder some of the spoils of war; Marie-Theres, a brooding teenager, sent by her parents in hopes that the change of scene will shake her out of her funk; and Prince "Bimbo" Grein, a handsome young man with a title divested of all its social currency.

With immaculate precision and sensitivity, de Waal, an exile herself, captures a city rebuilding and relearning its identity, and the people who have to do the same. Mesmerizing and tragic, de Waal has written a masterpiece of European literature, an artifact revealing a moment in our history, clear as a snapshot, but timeless as well.

Editorial Reviews

Library Journal
11/15/2013
Exile Kuno Adler, a fiftyish research pathologist now living in New York, decides to leave behind an unhappy marriage and two grown daughters to return to his native Austria, where post-World War II restitution and reparation laws allow him to resume his former laboratory position and where he manages to reconnect with some old acquaintances. His homecoming coincides with that of two others: Theophil Kanakis, a Greek millionaire who arrives from America with the dream of purchasing a derelict palace that he can restore to its former glory and in which he may entertain the rich and famous and Marie-Theres, the dreamy and disaffected American daughter of an Austrian princess, whose beauty is her eventual undoing. These three stories eventually come together in a sensational conclusion. VERDICT De Waal's grandson Edmund de Waal (The Hare with Amber Eyes) has succeeded in publishing his grandmother's posthumously discovered manuscript 75 years after the 1938 Anschluss that dislocated his family. This elegant novel should appeal to readers who admire the European stylishness of war-era books such as Irène Némirovsky's Suite Française and Tatiana de Rosnay's Sarah's Key. [See Prepub Alert, 7/22/13.]—Barbara Love, Kingston Frontenac P.L., Ont.
The New York Times Book Review - Andrew Ervin
The Exiles Return has an immediacy that makes de Waal's readers feel the experiences of its characters in a visceral way…De Waal brings these characters together in a tightly wound story of love, betrayal and class tension among Austria's aristocratic, clerical and intellectual spheres…Clearly, she knew a little something about life as an exile, and she renders her characters' inner lives…with tremendous nuance…With the publication, after all these years, of The Exiles Return, we are allowed to hear a voice that has not only endured but, by the subtlety and fervor of its free expression, triumphed.
Publishers Weekly
10/28/2013
Until Edmund de Waal, Elisabeth de Waal’s grandson, inherited “the yellowing typescript” of this historical novel, written in the 1950s, it languished and was untitled and unpublished in her lifetime. The setting is postwar Vienna, a city “of recognition and non-recognition, of the comfortably familiar and the frighteningly strange.” After immigrating to the U.S. to escape Nazi persecution, Jewish scientist Kuno Adler returns to Vienna, where he finds love while fleeing the confines of his marriage. Adler comes face-to-face with Austria’s recent past when he discovers that his supervisor is “one self-confessed, unrepentant Nazi.” Marie-Theres is an aloof, pedigreed American teenager staying with family in Austria; her marriage plot weaves through the book and supplies the melodrama of its denouement. Will Resi marry down to Lucas Anreither, who is loving and stable, but the grandson of the family’s gamekeeper? Or will she marry Lorenzo Grein, a titled aristocrat? Why does the wealthy Theophil Kanakis host salons and surround himself with Vienna’s glittering youth? While the novel’s prose is by turns lyrical and melancholy, and there’s much to be admired in this elegy to loss and return, the novel’s dramatic impact is ultimately thwarted by an operatic ending that betrays its age. (Jan.)
From the Publisher

“[The Exiles Return] has an immediacy that makes de Waal's readers feel the experiences of its characters in a visceral way.” —The New York Times Book Review

“With the publication, after all these years, of The Exiles Return, we are allowed to hear a voice that has not only endured but, by the subtlety and fervor of its free expression, triumphed.” —Andrew Ervin, The New York Times Book Review

“A masterpiece of European literature.” —The Buffalo News

“[The Exiles Return] succeeds magnificiently on its own uncompromising terms . . . And in holding up a uniquely wrought mirror to [de Waal's] Vienna.” —San Francisco Chronicle

“Elisabeth de Waal has assembled an unusual tableau--evocative and altogether memorable . . . Here's hoping that The Exiles Return will now find the American audience that it deserves.” —Erika Dreifus, The Washington Post

“There is a distinctly fin de siècle feel to Elisabeth de Waal's rediscovered novel about Viennese exiles, banished by war, streaming back to their native city in the mid-1950s. The Exiles Return captures the atmosphere of post-World War II Vienna, with its crumbling buildings, decaying aristocracy, mercantile fervor and ideological denial. But its restrained prose style and preoccupation with the gap between public morality and private behavior evoke even more strongly the novels of Henry James, Thomas Hardy, Gustave Flaubert, Leo Tolstoy and other 19th-century masters . . . The Exiles Return is both an oddity and the bittersweet legacy of a gifted writer, melding the narrative pleasures of fiction with a vivid historical snapshot.” —Chicago Tribune

The Exiles Return is, in a sense, a reverie about what it meant to return to postwar Vienna; a dream turned nightmare of a family wanting to recoup its wartime losses . . . The Exiles Return, a novel of five exiles returning home after fleeing Hitler, is a masterpiece of European literature.” —The Buffalo News

“[An] incisive, and tragic tale of bombarded and morally decimated postwar Vienna . . . De Waal's acid, eyewitness drama of malignant prejudice, innocence betrayed, the disintegration of the old order, and love transcendent has the same jolting immediacy as the novels of Irene Nemirovsky as well as deeply archetypal dimensions.” —Booklist

“Like Irène Némirovsky and Hans Keilson, de Waal bore witness to the tragedy of World War II; as her grandson recounts in his best-selling The Hare with Amber Eyes, their Jewish banking family's possessions were appropriated by the Germans when they marched in Austria . . . Expect poignancy and an indelible sense of the time.” —Barbara Hoffert, Library Journal (Barbara's Picks)

“An elegant, unpublished novel . . . This novel reveals [de Waal's] intelligence and articulateness as it evokes 1950s Vienna, haunted by the ghosts of its distant and more recent pasts . . . Restrained yet incisive, this finely observed novel lacks a resounding conclusion but nevertheless offers European mood music of a particular and beguiling resonance.” —Kirkus Reviews

“This is a rewarding study of loss, and a fine snapshot of a city and society standing ravaged at a crossroads.” —The Guardian (London)

“[Elisabeth de Waal] captures the fragility of a city trying to rebuild itself on uncertain foundations . . . It is an important story and now, at last, it has been told.” —The Spectator (London)

The Exiles Return is a novel of great vividness and great tenderness, which at its heart depicts what it might mean to return from exile. Within its pages it reflects a truly ambitious writer and a woman of considerable courage.” —from Edmund de Waal's Foreword

Kirkus Reviews
2013-10-05
An elegant, unpublished novel by the grandmother of Edmund de Waal, author of the best-seller The Hare with Amber Eyes (2010), explores the heartbreak of returning to post–World War II Austria. Herself an exile, Elisabeth de Waal, born into a dynastic Jewish family in 1899, lived a privileged childhood in Vienna, became a writer who moved around Europe and died in 1991. This novel reveals her intelligence and articulateness as it evokes 1950s Vienna, haunted by the ghosts of its distant and more recent pasts. Professor Adler, a Jewish scientist, has returned to the city 15 years after being expelled because of his race. Wealthy Theophil Kanakis has also returned after making his fortune in America. And there's a third visitor: listless, 18-year-old Marie-Theres, who is related to a noble Viennese family although she was born and raised in the U.S. Adler seeks to reconnect, while Kanakis renovates his exquisite house, then fills it with interesting young people, including Prince Lorenzo "Bimbo" Grein, whose beauty is irresistible to both Kanakis and Marie-Theres. De Waal's cast of characters, which includes an unrepentant Nazi, presents a tableau of life and class in a ruined, now reconfiguring great city--a place of happiness for some, destruction for others. Restrained yet incisive, this finely observed novel lacks a resounding conclusion but nevertheless offers European mood music of a particular and beguiling resonance.

Product Details

ISBN-13:
9781250045799
Publisher:
Picador
Publication date:
01/07/2014
Sold by:
Macmillan
Format:
NOOK Book
Pages:
336
Sales rank:
340,489
File size:
476 KB

Read an Excerpt


One
 
 
When the train pulled out of the great echoing hall of Zurich Central Station, gathering speed as it travelled eastwards along the shore of the lake, Professor Adler knew that he had passed the point of no return. He was committed, he was going back. As long as the train had been standing in Zurich he could, he told himself, have got out. There was the platform, just under the window of his sleeping compartment, there was even a porter, looking up expectantly at the two large suitcases and the coat and hat hanging on the brass hook opposite the long, narrow red plush seat. It would have needed only a tiny gesture, or just a smile, and the man would have been with him, hauling down his luggage, speaking to him in the guttural intonation and sing-song inflexion of Swiss-German, which he had not heard for so many years. Adler kept his eyes fixed on his suitcases, and the urge to stretch out his arm was very great. For a few concentrated seconds he was deeply conscious of his freedom of choice. Then, at the instant when the mounting tension became almost unbearable, the train gave a jolt and began to move. He sat down again. He was alone in his compartment, a second-class one designed for two, but the train was not full, and he had had it to himself ever since he had boarded in Paris. It was only a short time ago that long-distance rail services into Central Europe had been re-established and not many people were travelling.
Adler sat by the window and looked out at the flat shore of the Zurichsee and then, as this receded, at the meadows dotted with apple trees and the neat farmhouses with gabled roofs, sliding past with increasing speed. The suitcases were still in the rack above his head. His sense of freedom to do as he wished, and the accompanying tightness in his chest, had left him. Instead he felt like an automaton, like a piece of machinery that, a long time ago, had been conditioned to behave in a definite way, to carry out certain instructions, and was now doing so, mechanically, according to plan. At the same time his mind was quite clear and able to reason about it, to maintain that he had all along been, and still was, a free agent.
He could, of course, have got out in Zurich. It would have been perfectly plausible for him to have undertaken the long journey from America in order to go there. He could have gone to call on an eminent colleague with whom he had corresponded about their different methods of studying the structure of certain molecules in a type of hormone cell. It would have been quite obvious to everyone concerned that he wished to have a live discussion with Professor Schmidt and to observe his laboratory work at first hand. If his wife happened to have told anyone that he was on his way back to Vienna, it would be clear that she had misunderstood his intentions, or wilfully distorted them. Their closest acquaintances knew that he and Melanie were barely on speaking terms and that she had been bitterly opposed to his going. So, if she had denounced him to her friends for having deserted her – crazy, irresponsible, sentimental she had called him – and for having set out to go back to that ‘little hole of a country that had turned them out’, well, he could say that he had never meant to go there. He had come to Switzerland to see Professor Schmidt.
But now Zurich was left behind. He had not got out, so this explanation of his movements had become untenable. Or had it? The Arlberg Express in which he was sitting would not stop again until it reached Buchs, at the frontier. But Buchs was in Switzerland, on this side of the Rhine; here only a little river that formed the actual boundary between Switzerland and Austria. He could get out in Buchs if he wished and wait for the next train back to Zurich. No one would know. And even if they did – why would it matter? He had been deep in thought about the chemical structure of certain secretions and had not noticed when they got to Zurich, and all of a sudden he found himself in Buchs. That’s what he would say. He was an absent-minded professor, the kind that hunted for his spectacles while they were still on his nose. Then he smiled at himself. He was really being ridiculous! Who was he arguing with, who was he trying to convince? He was not accountable for his actions to anyone, to anyone in the world. Not even to Melanie. Or least of all to Melanie. She had never understood him or made the slightest effort to do so. She had no insight into his feelings, and would not take any notice of them if she had.
Since they had been in America, Melanie had made a life of her own, setting herself up as a corsetière and making a tremendous success of it. Suddenly the rather nondescript, meek-looking little woman who had been his wife had discovered in herself a stupendous ability for business. She had started making foundations to measure, to special order, and women had flocked to her; first to the tiny living room of their little flat in a shabby Upper West Side street, now to her elegant salon in uptown Madison Avenue. He had been very grateful to her at first, she had made it possible for them to make a start in New York; for it had taken a long time before he was earning even a modest salary and had secured an appointment as assistant pathologist in a hospital sponsored by a Jewish foundation.
That was a thing that had taken him completely by surprise – this virulent anti-Semitism rampant in so many walks of American life, even in academic, even in medical, circles. He had scarcely known it in Vienna. Of course, it had always been endemic there, but in such a mild form that one had almost been able to forget about it, until the threat of Hitler made it loom huge and terrifying. He had not been prepared for it in America, where, although there was no danger of physical extermination, there was an ever-present insidious consciousness of it, like a suppressed toothache which one could never quite forget. But it had no place in politics or in business, and Melanie flourished entirely uninhibited. Gradually she drew her clientele from the more fashionable and, in the end, from the most exclusive society, and treated women whose names were stars in the social register with blatant familiarity. They did not, of course, invite her to dinner, but she got her satisfaction out of them by unashamedly humiliating them in her salon, especially the not-so-young and the not-so-slim who were the majority of her customers.
‘Take off all your clothes, please, Mrs Waterhouse. I can’t make you a foundation unless I can see what I’ve got to build on. Yes, everything please, the slip and the bra – what a dreadful bra! No wonder you look as if you had a bolster on your chest. There! That’s better. It’s the body itself I have to study.’ And the poor woman would stand up in her nakedness, shivering in spite of the temperature of the room, which was tropical even in winter, while Melanie walked round her appraisingly, making derogatory comments. ‘Not quite a Venus, are we, Mrs W? But there, we can’t all be bathing beauties, not when we’re getting on a bit. And we all do, it comes to all of us. Well, that’s why you come to me, isn’t it? You wouldn’t need me if you were trim and slim. You’re my bread-and-butter with all your little disfigurations, so it’s not for me to find fault with them is it? It’s my job to remedy them, that’s what is expected of me. And Mr W isn’t Adonis either, I don’t suppose, so who is he to complain? The left hip is rather thicker than the right, isn’t it? And the left breast. But we’ll even that out, and smooth away the bulk just above the waist. Now, I’ll take the measurements myself, here we are. We don’t want any unnecessary prying eyes, do we? And I do all the fitting, my assistants only work on the garment itself. Very well. First fitting a week from today.’ And then she would quote some astronomical price, and her client would remonstrate: ‘Really, Mrs Adler, I was told you were expensive, but I was given to understand –’
‘I’m sorry, Mrs Waterhouse, but yours is a very difficult case. Of course, if you prefer to abandon the project – I never force myself on anyone, even if I have studied my subject.’
Then, having submitted to the ordeal, the order is given, and three weeks later Mrs Waterhouse is beaming with delight. She feels so comfortable, her couturier congratulates her on her figure, her clothes simply glide onto her and she moves with undreamed-of ease. So the next half-dozen clients are advised to go and see ‘that awful woman’ who makes such heavenly foundations that it’s worth submitting to the worst indignities in order to possess one.
This was what Professor Adler was remembering – and not the structure of hormone cells – when the train began to slow down as it approached Buchs. One day, when she was in a playful mood, Melanie herself had given him this description of a typical interview with one of her most stiff-necked clients. At the time she had told him about it, it had nauseated him: it was not, perhaps, the situation itself, which he might have found comical, but the relish he saw in his wife’s face as she described it, which had sickened him. Melanie was making a lot of money and good luck to her – if she could command such high prices for the excellence of her products. But in her gloating over the humiliation of her customers she was humiliating him too. A nerve of moral fastidiousness in him revolted against this behaviour, against her very person. He had become aware that the increasing luxury of their surroundings, their furniture, their food, his wife’s and his daughters’ clothes, was being paid for with money thus come by. Certainly, his own contribution to their way of life must have become proportionately ever smaller.
For a long time he had hardly noticed anything, wrapped up as he was in his work, unchanging in his personal habits. It was when Melanie had suggested buying an apartment in one of the new luxurious blocks of flats under construction – when he, taken by surprise, had in all innocence protested that they surely couldn’t afford it – that his eyes had been decisively, brutally, opened. His mind flinched from the scene. Melanie had rounded on him with real venom. Of course they could afford it, no thanks to him. She didn’t believe he hadn’t known how much she was earning. Did he think they had been living these last years on his derisory salary? Had he ever made the slightest effort to get it increased? Perhaps he had, and been ashamed to admit that he had been refused? She must assume that he wasn’t worth more. In this country, she had said, a failure is a failure and a success is a success and there’s a good reason for both. You’ve only yourself to thank or to blame. He could thank his lucky stars that he was her husband and the father of her daughters, or he might still be poring over his notebooks in that evil-smelling tenement where they had started off.
That was not true. When he had got his appointment at the hospital, they had moved into a perfectly respectable apartment, small but adequate. In an unfashionable district of course. He didn’t care about that, and hadn’t thought that she did. Then she had begun to expand her business and her contribution to their income had been very welcome, especially as it helped to educate the little girls. But now? The girls were grown up and sided entirely with their mother. They were smart, business-like, in love with money, and intent on having a good time. They had jobs, they had boyfriends. One worked in a department store, the other for a travel agent. They no longer spoke any German, although he was sure they understood it – they could not fail to do so, since he and Melanie still used it at home. He himself, he suspected, had never got rid of his Viennese accent when speaking English, but Melanie had deliberately cultivated an American voice and intonation. By sheer exaggeration she had succeeded in obliterating all vocal trace of her origin, except to the most discerning ear. To this day, he hardly recognised her speaking voice if he heard her on the telephone or in the next room.
And yet, when he had told her that he was going back to Austria, she had denounced him as if she were being threatened with the loss of her sole support and protection. There had been scene after scene. Why was he deserting her? Had she not been a good wife to him – faithful, loyal and hard-working? What did he reproach her with that he wanted to leave her, to break up their marriage after more than twenty years?
At first he had argued that he had no desire to desert her, all he wanted was to go home. Would she not come with him? Or promise to follow him as soon as he had reestablished himself? This suggestion had infuriated her even more. That did not surprise him.
Remembering it all as he sat looking out of the window at the meadows and the apple trees and the cows, the neat villages and scattered farmsteads, he admitted that the proposal had been disingenuous. She would never give up the life she had embraced with so much zest, her financial success and her independence. He had not really wanted her to come. She would be miserable if she had to live in Vienna again. He was not sure if he wasn’t going to be miserable himself. He couldn’t know what it was going to be like, how he was going to fit in. Melanie was sure that he was going to be totally disillusioned. Perhaps she was right. Yet the urge to go had been irresistible, and he had then suggested that she divorce him, and had made this proposal in good faith. But it had made her even more angry, if that were possible, than his offer to take her with him. She had a horror of divorce, the very idea incensed her. It appeared that under all the veneer of her emancipation, in spite of all the examples she saw around her, the old atavistic principles of her faith and tradition remained deeply ingrained. She was his wife. She was not going to be cast off – as she felt she would be – even if it was she herself who did the casting. And then she had indulged herself in ludicrous accusations. Go then, go if you must, she had shouted at him, and find yourself some silly smirking hussy, younger than I am, prettier than me, the woman who has slaved for years to keep the home together and to bring up your children – some soft, sensuous creature to rekindle your waning appetite – but I’ll make sure you never marry her, not while I’m alive you won’t, the slut!
Well, that was that. It had all been very undignified, sordid, and perfectly ridiculous. The thought of renewing his love life had never entered his mind.
The train was slowing down. Professor Adler shook himself out of his obsessive reminiscing and saw once more what was actually before his eyes. Buchs. He went into the corridor and pulled down the window to look out. In the old days the train used to stand here endlessly for customs formalities. He remembered a holiday he had spent with his parents in Lucerne as a small boy. What a long journey it had been, and how bored and impatient he had felt standing in this dull little station, with nothing to look at except the boxes of red geraniums in the stationmaster’s windows. He leaned out and craned his neck to see whether there were any there now, but his carriage was standing rather far down the line and dusk was falling. He couldn’t make out anything. It did not occur to him that only a short while ago he had been hesitating whether or not to leave the train here before it crossed the frontier. Then, suddenly, before he had had time to remember this, the train moved on. It had stopped for barely five minutes.
In a few moments they had crossed the little river and were approaching the mountains. And just as suddenly and unaccountably a wave of some unidentifiable emotion swept through Kuno Adler. Apprehension? But of what? It felt like a physical sickness, a mental darkness. He was not an automaton now: he was an animal, tense, wary, charged with feeling, stripped of reason. He heard steps coming down the narrow passage, and a voice next door: ‘Austrian passport control!’ The words were repeated a minute later at the entrance to his own compartment.
While putting his hand in his breast-pocket to extract his passport, he looked at the man in the doorway. A young man, smooth face under the round peaked uniform cap, a small straight nose, a rather delicate mouth with red lips under a thin pencil moustache. Grey eyes, smiling. A good-looking fellow. But it was the voice, the intonation that hit a nerve somewhere in Kuno Adler’s throat; no, below the throat, where breath and nourishment plunge into the depths of the body, a non-conscious, ungovernable nerve, in the solar plexus probably. It was the quality of that voice, of that accent, soft and yet rough, ingratiating and slightly vulgar, sensible to the ear as a certain kind of stone is to the touch – the soap-stone that is coarse-grained and spongy and slightly oily on the surface – an Austrian voice. ‘Austrian passport control!’
Kuno Adler handed over his passport, his American passport, with a sense of defiance, as if challenging him to question its authenticity. The man leafed through it, looked at the photograph and at Adler himself for what seemed an intolerably long time, probably twenty seconds, cocking his head to look at him from all angles. All right, all right! Adler thought, of course he can see that I am a Jew, a refugee. What of it?
‘Coming back?’ the man asked, closing the passport and handing it to him.
Adler had meant to answer any questions in English. But somehow he couldn’t. ‘Ja,’ he replied, and in the same soft German, ‘I’m coming back.’
‘Good luck!’ the man said and smiled as he backed out of the door.
What did he mean by that? Was it ironic? Was it a warning? It hadn’t seemed that way, it had just sounded friendly. I must watch myself, Adler thought, not to be so over-sensitive, so suspicious – though not to be gullible either – feel my way carefully. It’s not going to be easy, more difficult perhaps than I anticipated.
The customs man followed. He glanced up at the suitcases. ‘Only your personal belongings? No tea or coffee?’
‘No tea or coffee,’ Adler repeated, and the man passed on, closing the door of the compartment.
It was now quite dark. Adler pressed his face against the window. The mountains outside were so high and so near that there was nothing to see but blackness, with pinpoints of light here and there from the windows of some lonely house on the slopes, and one had to crane one’s neck to see the faint luminosity of the sky above the rocky summits. Adler put on the light and asked the attendant to make his bed while he stood in the corridor. He had forgotten to go through to the restaurant car for dinner, had ignored the summoning bell while obsessed with remembering the scenes he had left behind. He didn’t mind, he was not really hungry, but munched some chocolate: Swiss chocolate, which he had bought for old times’ sake.
He went to bed and tried to make contact in his imagination with the country outside the little moving box of polished wood and upholstery in which he now lay stretched out. The province of Vorarlberg and, soon, the long tunnel of the Arlberg, and then Tyrol. Magical names! But he had not known them intimately and all he could visualise in his mind’s eye was a map, the map that had hung in the classroom of his first school. For a while his imagination concentrated on that map: the outline had been roughly diamond-shaped. The top point was the most clearly outlined, surmounting as it did an embedded square, upended on one corner – the Kingdom of Bohemia. The eastern end was rounded and shapeless, the southern uneven and jagged, and the whole surface was divided up into pieces of different shapes, sizes and colours like a patchwork.
And he could remember the formula which described them: the kingdoms and lands represented in the parliament of the realm, the patrimony inherited or acquired as dowries in the course of centuries by the House of Habsburg. In the eastern half of the map, the largest, roundest monochrome expanse, embraced within two in-curving arms of a pincer, was the Kingdom of Hungary.
Strange, he commented to himself, how these early memories persist and remain untouched by later experience. For he had hardly left his primary school when the Austro-Hungarian Empire had ceased to exist and that map had been rubbed out and redrawn with different contours. He knew this one, of course, but it had never made a visual impact on his mind; whereas the other map, obsolete before he had even started on his adult life, remained indelibly imprinted on his memory.

 
Copyright © 2013 by The Estate of Elisabeth de Waal

Meet the Author

Elisabeth de Waal was born in Vienna in 1899. She studied philosophy, law, and economics at the University of Vienna, and completed her doctorate in 1923. She also wrote poems (often corresponding with Rilke), and was a Rockefeller Foundation fellow at Columbia. She wrote five unpublished novels, two in German and three in English, including The Exiles Return in the late 1950s. She died in 1991.


Elisabeth de Waal was born in Vienna in 1899. She studied philosophy, law, and economics at the University of Vienna, and completed her doctorate in 1923. She also wrote poems (often corresponding with Rilke), and was a Rockefeller Foundation fellow at Columbia. She wrote five unpublished novels, two in German and three in English, including The Exiles Return in the late 1950s. She died in 1991.
Edmund de Waal is one of the world’s leading ceramic artists, and his porcelain is held in many major international collections. His bestselling memoir, The Hare with Amber Eyes, was shortlisted for numerous prizes and won the Costa Biography Award and the RSL Ondaatje Prize.

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