From the Publisher
Praise for The Falcon Always Wings Twice:
"Andrews deftly juggles franchise characters, newbies, red herrings, Renaissance tidbits, and murder most welcome." —Kirkus Reviews
"This quirky, long-running cozy series shows no signs of losing steam." —Publishers Weekly
"Fans of Andrews' humorous cozy series will enjoy the familiar quirky characters, all in fine form in this satisfying entry." —Booklist
Praise for Donna Andrews:
"If you long for more fun mysteries, a la Janet Evanovich, you'll love Donna Andrews's Meg Langslow series." —Charlotte Observer
"A long-running series that gets better all the time. A fine blend of academic satire, screwball comedy, and murder." —Booklist
"This long-running cozy series shows no signs of losing its freshness." —Publishers Weekly
“With its well-spun plots and distinctive characters, Andrews’s amusing avian-named series shows no signs of growing stale.” —Publishers Weekly
“Meg grows more endearing with each book.” —Richmond Times-Dispatch
"Fans will find all the beloved hallmarks of this award-winning series: fresh characters, an engaging puzzle, and delightful humor.” —Library Journal
Kirkus Reviews
2020-05-18
Sudden death competes for attention with Andrews’ trademark brand of comic bedlam at the Riverton Renaissance Faire.
The highlight of the festival is the Game, the semi-improvised period soap opera that climaxes most evenings in a duel between the Duke of Waterston, played by professor Michael Waterston, and his archrival, Sir George of Simsdale, played by George Sims, before continuing with new developments the next day. The lowlight is Terence Cox, a difficult actor whose issues include an awkward amatory history with another cast member; an attempt to blackmail another player; a spot of reckless horsing around that gets computer programmer Tad Jackson, the husband of ornamental blacksmith Faulkner Cates, fired from his job; and perhaps even antagonizing Gracie and Harry, a pair of peregrine falcons who’ve become one of the faire’s signature attractions. It’s lucky that when Terence is killed, inevitably by a period dagger to the back, Michael’s wife and Faulk’s most famous pupil, Meg Langslow, is on hand to help Riverton police chief Mo Heedles with the job of sifting through the dozens of suspects, beginning with two local actors both convinced they’ve been cast as Polonius in eccentric director Neil O’Malley’s new production of Hamlet. Although Andrews keeps the proceedings as light and brisk as a carnival, there’s more mystery than in Meg’s last several adventures, and Meg rises to the occasion till she’s cornered by not one but two independent candidates for the hoosegow.
Andrews deftly juggles franchise characters, newbies, red herrings, Renaissance tidbits, and murder most welcome.
