The Fantastic Flying Books of Mr. Morris Lessmore

The Fantastic Flying Books of Mr. Morris Lessmore

4.7 22
by William Joyce, Joe Bluhm
     
 

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The book that inspired the Academy Awardnominated short film, from New York Times bestselling author and beloved visionary William Joyce.

Morris Lessmore loved words.

He loved stories.

He loved books.

But every story has its upsets.

Everything in Morris Lessmore’s life, including his own story, is scattered to

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Overview


The book that inspired the Academy Awardnominated short film, from New York Times bestselling author and beloved visionary William Joyce.

Morris Lessmore loved words.

He loved stories.

He loved books.

But every story has its upsets.

Everything in Morris Lessmore’s life, including his own story, is scattered to the winds.

But the power of story will save the day.

Stunningly brought to life by William Joyce, one of the preeminent creators in children’s literature, The Fantastic Flying Books of Mr. Morris Lessmore is a modern masterpiece, showing that in today’s world of traditional books, eBooks, and apps, it’s story that we truly celebrate—and this story, no matter how you tell it, begs to be read again and again.

Editorial Reviews

Children's Literature - Barbara L. Talcroft
Morris Lessmore's story has gone through several incarnations, from an Oscar-winning short film to an app for iPhone and, now, a picture book. The wide, horizontal-format book has been lavishly produced with gold lettering on the cover—clearly, it's an "important" book, but, for those who haven't seen its predecessors, it must stand alone. Morris is writing a memoir on his balcony when a hurricane whirls in, destroying his house and scattering his books. (As in Wizard of Oz, the desolation is pictured in black-and-white.) Morris is redeemed by a full-color vision—a pretty woman wafted through the air by flying books. Her gift of a book leads Morris to a deserted library, where he takes up residence for the rest of his life, repairing, reading, interacting with books that move on springy legs and flutter their pages like birds. He gives books to black-and-white people, who depart in color. Morris continues writing; with the passage of time, he grows old, dies, and floats away rejuvenated. His book of memoirs flies to a small girl, who sits reading it, mesmerized. Lessmore's appearance, based on Buster Keaton, enhances the book's gentle, retro atmosphere. Joyce (it's unclear what contribution Bluhm has made) is especially adept at using light and shadow and incorporating letter shapes into both text and pictures. His sequence of Lessmore's aging takes viewers through four seasons, each with its own colors, details, and times of day, from morning to twilight, spring to winter; the many literary references include an engraving and French text from Verne's From the Earth to the Moon. In contrast, the app uses music and the latest digital technology to take kids on interactive journeys, thus looking to the future of picture books, which will probably be quite different from Morris's beloved printed volumes. Nostalgic references and details may make his story more meaningful for book-loving adults than for children.
Publishers Weekly
As e-books put pressure on the printed word, picture books that romanticize books proliferate (The Lonely Book, It’s a Book, and Dog Loves Books come to mind). Joyce’s magnificently illustrated book-about-books inspired—yet arrives after—his 2011 animated short film of the same name, which won an Oscar. The unusual sequence of film-to-book (there’s an app, too) suggests that while books are indeed glorious things, what really matters is story. This one follows a dreamy bibliophile named Morris Lessmore, who loses his cherished book collection to a cataclysmic storm that’s half Katrina (Joyce is from Louisiana) and half Wizard of Oz. After meeting a “lovely lady... being pulled along by a festive squadron of flying books,” Morris finds an abandoned library whose books are alive and whose covers beat like the wings of birds. They flutter around him protectively, watch as he starts writing again, and care for him as he ages: “They read themselves to him each night.” Underneath this book-about-books, there’s a deeper story of love, loss, and healing, one that will be appreciated as much (if not more) by adults as by children. Ages 4–8. (June)
From the Publisher
* "Ironically, this book in praise of books first appeared as a much-praised iPad app and Academy Award–winning animated short film.
The story, in a nutshell, concerns the titular book-loving Mr. Morris Lessmore, whose personal library is blown away in a terrible wind but who finds meaning caring for the books he finds in a marvelous library. Filled with both literary (Shakespeare, Humpty-Dumpty) and film references (The Wizard of Oz, The Red Balloon and Buster Keaton), the picture book version of Joyce's story has a quiet contemplative charm that demonstrates the continuing allure of the printed page. Paradoxically, the animated books of the film and app are captured as though in a series of frozen frames. The motif of the bound, printed book is everywhere. Even the furnishings and architectural details of the old-fashioned library in which the books “nest” like flying birds recall the codex. The unifying metaphor of life as story is a powerful one, as is the theme of the transformative power of books. The emphasis on connecting readers and books and the care of books pays homage to librarianship. Rich in allusions (“Less is More”) and brilliant in depicting the passage of time (images conflate times of day, seasons and years), Joyce’s work will inspire contemplation of the power of the book in its many forms.
As triumphant in book form as in animated and interactive ones."
Kirkus Reviews, starred review

"Joyce’s magnificently illustrated book-about-books inspired—yet arrives after—his 2011 animated short film of the same name, which won an Oscar. The unusual sequence of film-to-book (there’s an app, too) suggests that while books are indeed glorious things, what really matters is story. This one follows a dreamy bibliophile named Morris Lessmore, who loses his cherished book collection to a cataclysmic storm that’s half Katrina (Joyce is from Louisiana) and half Wizard of Oz. After meeting a “lovely lady... being pulled along by a festive squadron of flying books,” Morris finds an abandoned library whose books are alive and whose covers beat like the wings of birds. They flutter around him protectively, watch as he starts writing again, and care for him as he ages: “They read themselves to him each night.” Underneath this book-about-books, there’s a deeper story of love, loss, and healing, one that will be appreciated as much (if not more) by adults as by children."
Publishers Weekly

* "If you loved the Oscar-winning film that goes by the same title, you will take to heart the book on which it is based. William Joyce exploits each medium to the fullest.

Morris Lessmore's life 'was a book of his own writing, one orderly page after another.' This serene opening scene shatters when a twister carries Morris away and sets him down in a black-and-white terrain. A woman appears in vibrant color in the sky, pulled by 'a festive squadron of flying books.' She sends down a volume with Humpty Dumpty featured in its pages, and the fellow leads Morris to a large building where light shines through the windows and shelves of books flutter their pages, 'as if each book were asking to be opened.'

In Joyce's artwork, the books come to life as a full cast of characters. After Morris repairs a damaged book, he reads it to revive it. He runs across the tops of capital letters and dangles from the hook of a J. 'All stories matter,'" he concludes. As Morris distributes books to his queued-up neighbors, they turn from black-and-white sketches to full-color portraits. In the most moving scene, the books surround the now white-haired man: 'Morris Lessmore became stooped and crinkly. But the books never changed. Their stories stayed the same,'" and they care for him as he has cared for them.

Morris stands in for all book lovers, and reminds us of the way stories live on only when we share them."

Shelf Awareness, starred review

JOYCE, William. The Fantastic Flying Books of Mr. Morris Lessmore. illus. by author. 56p. S & S/Atheneum. 2012. ebook $12.99. ISBN 978-1-4424-6489-6; Tr $17.99. ISBN 978-1-4424-5702-7. Pre-Gr 3–Joyce’s Academy Award-winning animated short-film-turned-app that celebrates those who care about (and receive nourishment from) books is, ironically, now a picture book. The wonder and mystery inherent in the wordless film and the ability to manipulate the visuals and play the soundtrack on the app’s piano beg the question: Can the book compete? As it turns out, the book has its own rewards. Clarity comes from Joyce’s well-chosen words. In the opening on a New Orleans balcony, readers learn that Morris “loved words…stories…books.” Every day he would “write of his joys and sorrows, of all that he knew and everything that he hoped for.” When an Oz-like storm turns everything topsy-turvy, the melancholy man in the pork-pie hat spots a lady held aloft by a “festive squadron of flying books.” Her gift leads Morris to a book-filled sanctuary set in a landscape staged and lit like a Maxfield Parrish painting. He tends to the volumes, distributing favorites to visitors, whose once-gray bodies blossom with color. Every life and story ends, and those struggling with their own goodbyes (and yearnings about printed books) may find comfort in seeing the fading elder revert to his younger self in order to be transported by the joyful squadron–just as a little girl arrives to choose Morris’s story. The author’s motivations (explained on the flap) will resonate with adults in the reading business. The best part? Lingering quietly while savoring the atmospheric scenes of Joyce’s narrative vignette.

-SLJ, August 2012

"Joyce’s Academy Award-winning animated short-film-turned-app that celebrates those who care about (and receive nourishment from) books is, ironically, now a picture book. The wonder and mystery inherent in the wordless film and the ability to manipulate the visuals and play the soundtrack on the app’s piano beg the question: Can the book compete? As it turns out, the book has its own rewards. Clarity comes from Joyce’s well-chosen words. In the opening on a New Orleans balcony, readers learn that Morris “loved words…stories…books.” Every day he would “write of his joys and sorrows, of all that he knew and everything that he hoped for.” When an Oz-like storm turns everything topsy-turvy, the melancholy man in the pork-pie hat spots a lady held aloft by a “festive squadron of flying books.” Her gift leads Morris to a book-filled sanctuary set in a landscape staged and lit like a Maxfield Parrish painting. He tends to the volumes, distributing favorites to visitors, whose once-gray bodies blossom with color. Every life and story ends, and those struggling with their own goodbyes (and yearnings about printed books) may find comfort in seeing the fading elder revert to his younger self in order to be transported by the joyful squadron–just as a little girl arrives to choose Morris’s story. The author’s motivations (explained on the flap) will resonate with adults in the reading business. The best part? Lingering quietly while savoring the atmospheric scenes of Joyce’s narrative vignette."

-SLJ, August 2012

School Library Journal
Pre-Gr 3—Joyce's Academy Award-winning animated short-film-turned-app that celebrates those who care about (and receive nourishment from) books is, ironically, now a picture book. The wonder and mystery inherent in the wordless film and the ability to manipulate the visuals and play the soundtrack on the app's piano beg the question: Can the book compete? As it turns out, the book has its own rewards. Clarity comes from Joyce's well-chosen words. In the opening on a New Orleans balcony, readers learn that Morris "loved words…stories…books." Every day he would "write of his joys and sorrows, of all that he knew and everything that he hoped for." When an Oz-like storm turns everything topsy-turvy, the melancholy man in the pork-pie hat spots a lady held aloft by a "festive squadron of flying books." Her gift leads Morris to a book-filled sanctuary set in a landscape staged and lit like a Maxfield Parrish painting. He tends to the volumes, distributing favorites to visitors, whose once-gray bodies blossom with color. Every life and story ends, and those struggling with their own goodbyes (and yearnings about printed books) may find comfort in seeing the fading elder revert to his younger self in order to be transported by the joyful squadron-just as a little girl arrives to choose Morris's story. The author's motivations (explained on the flap) will resonate with adults in the reading business. The best part? Lingering quietly while savoring the atmospheric scenes of Joyce's narrative vignette.—Wendy Lukehart, Washington DC Public Library

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Product Details

ISBN-13:
9781442464896
Publisher:
Atheneum Books for Young Readers
Publication date:
06/19/2012
Sold by:
SIMON & SCHUSTER
Format:
NOOK Book
Pages:
56
Sales rank:
40,258
Lexile:
AD650L (what's this?)
File size:
24 MB
Note:
This product may take a few minutes to download.
Age Range:
4 - 8 Years

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What People are saying about this

From the Publisher
* Ironically, this book in praise of books first appeared as a much-praised iPad app and Academy Award–winning animated short film.

The story, in a nutshell, concerns the titular book-loving Mr. Morris Lessmore, whose personal library is blown away in a terrible wind but who finds meaning caring for the books he finds in a marvelous library. Filled with both literary (Shakespeare, Humpty-Dumpty) and film references (The Wizard of Oz, The Red Balloon and Buster Keaton), the picture book version of Joyce's story has a quiet contemplative charm that demonstrates the continuing allure of the printed page. Paradoxically, the animated books of the film and app are captured as though in a series of frozen frames. The motif of the bound, printed book is everywhere. Even the furnishings and architectural details of the old-fashioned library in which the books “nest” like flying birds recall the codex. The unifying metaphor of life as story is a powerful one, as is the theme of the transformative power of books. The emphasis on connecting readers and books and the care of books pays homage to librarianship. Rich in allusions (“Less is More”) and brilliant in depicting the passage of time (images conflate times of day, seasons and years), Joyce’s work will inspire contemplation of the power of the book in its many forms.

As triumphant in book form as in animated and interactive ones."

Kirkus Reviews, starred review

"Joyce’s magnificently illustrated book-about-books inspired—yet arrives after—his 2011 animated short film of the same name, which won an Oscar. The unusual sequence of film-to-book (there’s an app, too) suggests that while books are indeed glorious things, what really matters is story. This one follows a dreamy bibliophile named Morris Lessmore, who loses his cherished book collection to a cataclysmic storm that’s half Katrina (Joyce is from Louisiana) and half Wizard of Oz. After meeting a “lovely lady... being pulled along by a festive squadron of flying books,” Morris finds an abandoned library whose books are alive and whose covers beat like the wings of birds. They flutter around him protectively, watch as he starts writing again, and care for him as he ages: “They read themselves to him each night.” Underneath this book-about-books, there’s a deeper story of love, loss, and healing, one that will be appreciated as much (if not more) by adults as by children."

Publishers Weekly

* "If you loved the Oscar-winning film that goes by the same title, you will take to heart the book on which it is based. William Joyce exploits each medium to the fullest.

Morris Lessmore's life 'was a book of his own writing, one orderly page after another.' This serene opening scene shatters when a twister carries Morris away and sets him down in a black-and-white terrain. A woman appears in vibrant color in the sky, pulled by 'a festive squadron of flying books.' She sends down a volume with Humpty Dumpty featured in its pages, and the fellow leads Morris to a large building where light shines through the windows and shelves of books flutter their pages, 'as if each book were asking to be opened.'

In Joyce's artwork, the books come to life as a full cast of characters. After Morris repairs a damaged book, he reads it to revive it. He runs across the tops of capital letters and dangles from the hook of a J. 'All stories matter,'" he concludes. As Morris distributes books to his queued-up neighbors, they turn from black-and-white sketches to full-color portraits. In the most moving scene, the books surround the now white-haired man: 'Morris Lessmore became stooped and crinkly. But the books never changed. Their stories stayed the same,'" and they care for him as he has cared for them.

Morris stands in for all book lovers, and reminds us of the way stories live on only when we share them."

Shelf Awareness, starred review

JOYCE, William. The Fantastic Flying Books of Mr. Morris Lessmore. illus. by author. 56p. S & S/Atheneum. 2012. ebook $12.99. ISBN 978-1-4424-6489-6; Tr $17.99. ISBN 978-1-4424-5702-7. Pre-Gr 3–Joyce’s Academy Award-winning animated short-film-turned-app that celebrates those who care about (and receive nourishment from) books is, ironically, now a picture book. The wonder and mystery inherent in the wordless film and the ability to manipulate the visuals and play the soundtrack on the app’s piano beg the question: Can the book compete? As it turns out, the book has its own rewards. Clarity comes from Joyce’s well-chosen words. In the opening on a New Orleans balcony, readers learn that Morris “loved words…stories…books.” Every day he would “write of his joys and sorrows, of all that he knew and everything that he hoped for.” When an Oz-like storm turns everything topsy-turvy, the melancholy man in the pork-pie hat spots a lady held aloft by a “festive squadron of flying books.” Her gift leads Morris to a book-filled sanctuary set in a landscape staged and lit like a Maxfield Parrish painting. He tends to the volumes, distributing favorites to visitors, whose once-gray bodies blossom with color. Every life and story ends, and those struggling with their own goodbyes (and yearnings about printed books) may find comfort in seeing the fading elder revert to his younger self in order to be transported by the joyful squadron–just as a little girl arrives to choose Morris’s story. The author’s motivations (explained on the flap) will resonate with adults in the reading business. The best part? Lingering quietly while savoring the atmospheric scenes of Joyce’s narrative vignette.

-SLJ, August 2012

"Joyce’s Academy Award-winning animated short-film-turned-app that celebrates those who care about (and receive nourishment from) books is, ironically, now a picture book. The wonder and mystery inherent in the wordless film and the ability to manipulate the visuals and play the soundtrack on the app’s piano beg the question: Can the book compete? As it turns out, the book has its own rewards. Clarity comes from Joyce’s well-chosen words. In the opening on a New Orleans balcony, readers learn that Morris “loved words…stories…books.” Every day he would “write of his joys and sorrows, of all that he knew and everything that he hoped for.” When an Oz-like storm turns everything topsy-turvy, the melancholy man in the pork-pie hat spots a lady held aloft by a “festive squadron of flying books.” Her gift leads Morris to a book-filled sanctuary set in a landscape staged and lit like a Maxfield Parrish painting. He tends to the volumes, distributing favorites to visitors, whose once-gray bodies blossom with color. Every life and story ends, and those struggling with their own goodbyes (and yearnings about printed books) may find comfort in seeing the fading elder revert to his younger self in order to be transported by the joyful squadron–just as a little girl arrives to choose Morris’s story. The author’s motivations (explained on the flap) will resonate with adults in the reading business. The best part? Lingering quietly while savoring the atmospheric scenes of Joyce’s narrative vignette."

-SLJ, August 2012

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