The Fate of the Object: From Modern Object to Postmodern Sign in Performance, Art, and Poetryby Jon Erickson
Pub. Date: 10/15/1995
Publisher: University of Michigan Press
The Fate of the Object traces the historical shift in focus from the "difficult" essential object of modernist theater, art, and poetry to its transformation as a sign in a postmodern field of signs. In modern art, the central object had been the abstract painting; in theater, the body of the actor; in poetry, the sonic, visual and grammatical elements of/i>… See more details below
The Fate of the Object traces the historical shift in focus from the "difficult" essential object of modernist theater, art, and poetry to its transformation as a sign in a postmodern field of signs. In modern art, the central object had been the abstract painting; in theater, the body of the actor; in poetry, the sonic, visual and grammatical elements of the poem. Spanning several disciplinary boundaries, this ambitious and pioneering book examines how the very process of refinement to locate the essential modernist object dissolves the figure of that object into its signifying ground. Jon Erickson argues that this historical shift from modern object to postmodern sign reflects significant transformations in capitalist societyamong them the shift from a production economy to a service economy, the change from a sensually rich to a conceptually alienated cultural consciousness, and the rise of poststructuralist theory as the predominant determiner of value within contemporary art culture.
Erickson examines the body as the central object of theater and performance through the theories of Craig, Sartre, Brecht, Artaud, and Grotowski. The art chapter discusses such artists as Malevich, Ad Reinhardt, Duchamp, Warhol and Kosuth, tracing the progression of the abstract painting to its reduction or disappearance in conceptualism and minimalism. The poetry chapter examines Pound's Imagism, Concrete and Sound Poetry, and the contributions of Gertrude Stein and the recent Language Poets. Finally, the author questions the role poststructuralist theory has played in the shift from modern object to postmodern sign and how it may affect our attitudes toward the materiality of the world.
Jon Erickson is Assistant Professor of Drama, Ohio State University.
- University of Michigan Press
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Table of Contents
|Ch. 1||The Fate of the Object in the Modern World||1|
|Ch. 2||The Sign of the Body and the Body of the Sign: Objectification in Modern Theater||47|
|Ch. 3||Art as Object, Art as Definition||89|
|Ch. 4||The Material Word: Cultural Invention and Intervention||137|
|Ch. 5||Form, Attitude, and Material Conditions||183|
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