The Festival of Earthly Delights [NOOK Book]

Overview


"Matt Dojny's novel is a true delight. I can't think of any writer since Kingsley Amis who's been able to write high-minded comedy that packs such a punch. I've never enjoyed a comic novel more."—John Wray, author of Lowboy, The Right Hand of Sleep, and Canann's Tongue

The Festival of Earthly Delights is a humorous bildungsroman set in the fictional Southeast Asian country of Puchai. The protagonist, Boyd Darrow, has recently moved there with his unfaithful girlfriend to give ...

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The Festival of Earthly Delights

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Overview


"Matt Dojny's novel is a true delight. I can't think of any writer since Kingsley Amis who's been able to write high-minded comedy that packs such a punch. I've never enjoyed a comic novel more."—John Wray, author of Lowboy, The Right Hand of Sleep, and Canann's Tongue

The Festival of Earthly Delights is a humorous bildungsroman set in the fictional Southeast Asian country of Puchai. The protagonist, Boyd Darrow, has recently moved there with his unfaithful girlfriend to give their relationship a second chance. His adventures, and misadventures, are relayed in a series of letters to a mysterious recipient.

February 19 8:23 AM

Dear Hap:

A new position falls into the hands of one who, living, dreams. I bought this notebook in the airport when we arrived in Puchai, and, instead of keeping a journal—which always feels lonely and pointless to me—I've decided to write you a letter. IT WILL COME TRUE.

Ulla and I are in the Central Dakhong Railway Station, waiting for the 12:13 train to Mai Mor. The station is rumbling and hot and cavernous and painted floor-to-ceiling in volcanic orange. Ulla has wandered off in search of a bathroom and I'm sitting on a bench, guarding our bags. And—where are you?

Matt Dojny lives in Brooklyn, New York, with his wife, new baby, and dog. He is currently a graphic designer for Scholastic Books, and recently co-authored an illustrated essay called "Impossible Sightseeing" in A Public Space.

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Editorial Reviews

Publishers Weekly
Dojny's debut novel comprises a series of profuse travelogue emails sent to Hap (a stand-in for novelist John Wray, apparently a friend of Dojny's), an intimate of the book's narrator, Boyd Darrow, who, along with his girlfriend, Ulla, have set out to rebuild their lives in the fictional Southeast Asian nation of Puchai—an exotic locale characterized by off-kilter expats, ubiquitous sacred turtles, and technologically innovative sex parlors. There, Boyd tries teaching an ESL course while harboring amorous feelings for a local girl nicknamed Shiney, and Ulla may or may not be having an affair of her own. Fully inhabiting a kind of Grand Master Slacker aesthetic, Dojny serves up a highly episodic, remedial story line, with plenty of (attempts at) comic moments scattered throughout, from tired potty humor to a confrontation with local teens from a disenfranchised caste. Dojny might be aiming at some insights into the well-trod Westerner in the East trope, but his delivery wearies more than it enlightens. Illus. (June)
From the Publisher

“…a perfect summer read, armchair travel in a higher key. It moves through the familiar tropes with heightened silliness, with characters who are surprisingly moving. … Dojny manages the near-impossible trick of being hilarious without going over the top. Of the American-abroad books I've read this year, this one is the most fun.” —Los Angeles Times

"There's... no comparison to reading a novel that it's clear a writer had a ton of fun writing. For a light-hearted book, there's a lot of heart in The Festival of Earthly Delights." —The Rumpus

"A delightfully funny and heartfelt novel from a fresh voice in fiction." —Barnes & Noble, "The Long List"

"The Festival of Earthly Delights is a thoroughly enjoyable and eminently funny book that can keep a whimsical, humorous tone intact whilst addressing very valid, topical issues. The balancing act is as impressive as you're likely to find in any modern comedy or debut novel..." —Tottenville Review

"...one of the most imaginative books I have read all year, an epistolary novel bursting with wonders and surprises." —Largehearted Boy

"If Puchai were a real country, I'd be a citizen by now, or at least an illegal alien. What a glorious novel!" —Gary Shteyngart, author of Super Sad True Love Story

"Dojny has created an entire country filled with characters that are so fresh and endearing, you'll find yourself wishing Puchai were a real place. I love this book." —Kristen Schaal (Flight of the Conchords, The Daily Show)

"Comic novels can be whimsical, or clever, or delightful, or witty, or canny, or powerful. Rarely are they all of those things. Matt Dojny's large-hearted, bright-minded novel has drawings and letters and love and loss, and now you do, too." —Ben Greenman, author of What He's Poised to Do and Superbad

"Matt Dojny's novel is a true delight. I can't think of any writer since Kingsley Amis who's been able to write high-minded comedy that packs such a punch. I've never enjoyed a comic novel more." —John Wray, author of Lowboy

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Product Details

  • ISBN-13: 9781480425903
  • Publisher: Dzanc Books
  • Publication date: 6/1/2013
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 462
  • Sales rank: 760,370
  • File size: 4 MB

Meet the Author


Matt Dojny co-authored the illustrated essay “Impossible Sightseeing” in A Public Space, as well as contributing an illustrated piece to THE MOMENT: Wild, Poignant, Life-Changing Stories from 125 Writers and Artists Famous & Obscure. This is his first novel. He lives in Brooklyn with his wife, son, and dog.
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Read an Excerpt


February 19
8:23 AM

Dear Hap:

A new position falls into the hands of one who, living, dreams. I bought this notebook in the airport when we arrived in Puchai, and, instead of keeping a journal—which always feels lonely and pointless to me—I’ve decided to write you a letter. IT WILL COME TRUE.

Ulla and I are in the Central Dakhong Railway Station, waiting for the 12:13 train to Mai Mor. The station is rumbling and hot and cavernous and painted floor-to-ceiling in volcanic orange. Ulla has wandered off in search of a bathroom and I’m sitting on a bench, guarding our bags. And—where are you?

For some reason I imagine you lying on your back in a field, sipping from a can
of beer, surrounded by animals: ducks and snakes and wolves and cats and
hummingbirds and rabbits. Maybe even a cow, standing in the shade of some nearby
trees. They’re all just kind of hanging around, ignoring each other; even the ones that are natural enemies.

Then you sit up and make a circle with your thumb and forefinger and look up at
the sky, and you can see me through it.

9:46 AM

Our flight from Newark was seventeen hours and twenty-three minutes, non7
stop. Ulla took a pill and was unconscious for most of the trip—she can sleep like a bear when she needs to. I spent my time playing solitaire and drinking tiny bottles of Boodles gin mixed with Puchalicious-brand tamarind soda. After a while, I put away the cards and opened up our Pocket Adventure: Puchai! guidebook. I’d meant to read it before we left, but had never quite gotten around to it.

This is from the introduction:

“The Kingdom of Winks” is a phrase that conjures many images: Saffron-robed monks and tantalizing bar-girls—sun-drenched beaches and moss-encrusted mountains—the exotic nightclubs of Dakhong and the picturesque rice farms of Hattanai Province—world-class hotels and soft-adventure experiences in the jungle. Puchai may be miniscule in size, but irregardless, this charming country offers a myriad of cultural and sensual contrasts for the visitor on
holiday. Whatever you seek, Puchai’s scintillating blend of age-old tradition and modern amenities makes for the most unique holiday available to date. Truly, this land of contradictions—by turns zestful and tranquil, resplendent and subtle, soulful and hedonistic—never fails to delight your senses…and/or your spirit. The Puchanese are a mischievous and happy-go-lucky people who are sure to greet you with a wide smile and their trademark “wink” of the eye. Puchai isn’t known as “The Kingdom of Winks” for nothing! Winking back at them is a sure-fire way of saying: “I like you, too. Thank you for welcoming me to your country. I’m really excited to be here, and I look forward to experiencing everything it has to offer!”

I put the guidebook down and rested my forehead against the window, barely
able to keep my eyes open. The sun was rising and I watched the clouds—thin and
feathery and edged with pink and gold—slowly creep across the purplish sky, coming together as if trying to form characters in some forgotten language. And then, like a film reel stuck on a frame, their motion abruptly ceased. My heart hammered in my chest when I saw that they’d taken the shape of six enormous letters.

My own surname, written across the sky in fire.

The airplane’s engines had come to a complete stop, and we were hanging
silently in mid-air, like a cartoon character who’s run off a cliff and hasn’t realized it yet.

I continued staring out at my name, suddenly grasping its meaning: the plane was
about to crash, and in a few moments I would be dead, along with everyone on board.

I glanced around at the other passengers—wondering if each of them saw their
own name in the clouds—then squeezed my eyes shut. I was hoping to see highlights from my life flashing by in rapid succession, but all I saw was empty blackness. And then—as if you were sitting in the seat behind me, murmuring the words into my ear—I heard your voice.

Jungle honey.

I opened my eyes with a start. Ulla was awake now, shrieking wildly. Turning to
her, I grabbed her wrists and said: “Don’t panic. Everything’s going to be all right.” My voice had gone up an entire octave, wobbly and sharp, and it seemed obvious that I was lying—that everything was not, in fact, going to be all right. Ulla’s palms were damp and sticky and her shirt was stained dark brown, as if she was already covered in blood.

I looked into her face and said: “Goodbye.”

Ulla stared at me with a mixture of confusion and alarm. Several other
passengers were watching us closely. She glanced around at them, then leaned in close.

“Are you okay, Boyd?”

I looked out the window. The sky was clear, the engines were humming, and the
plane was moving steadily through the air. “Weren’t you just screaming?”

Ulla had taken my pillow and was rubbing it in her lap. “I screamed because you
were flailing around in your sleep and spilling soda all over the place.”

I searched the sky one more time. “I saw—I mean, I thought that we were going
to....” I felt my eyelid give a little twitch as the passengers around us began to whisper to one another. “Never mind,” I said, pressing my hand to my eye.

For the benefit of the onlookers, Ulla patted my arm. “Just a bad dream.”

Our plane was now making its descent into the soupy yellow smog that hung
above the city of Dakhong. I saw that we were passing over a railroad junction, and instinctively lifted both my feet off the floor—either for good luck, or to ward off disaster. I forget which it is.

A driver hired by Mai Mor College was waiting for us at the gate, holding a
paper plate with MR. + MRS. DARROW scrawled across it. His rendition of my name
was reminiscent of the DARROW in the sky—it almost looked like the same
handwriting—and the similarity made my stomach tighten.

Ulla and I changed money at the airport (dollars for prik), and then we were
driven out to the train station in a pini-mini—a small, noisy, three-wheeled vehicle that looks like a cross between a rickshaw and a Vespa. We rode through the industrial outskirts and entered the traffic-clogged streets of downtown Dakhong, inching past a succession of skyscrapers, markets, exotica clubs, shantytowns, and temples (which are known as mâdans, Ulla informed me—she finished reading the guidebook weeks ago).

Blue-black fumes poured out of the tailpipe of the pini-mini, and by the time we reached the train station, I felt another one of my out-of-body experiences coming on. After some difficulty, we managed to purchase two one-way tickets to the town of Mai Mor. I’d wanted to spend a few days looking around Dakhong, but Ulla is eager to settle in before she starts her new job. She’s been hired by Mai Mor College’s Faculty of Theatre Drama to help organize and stage-manage the big talent show (the Expo Taang) that’s held in conjunction with the town’s annual ‘Festival of Taang Lôke Kwaam Banterng Sumitchanani.’ My own job prospects are sketchy, although Ulla’s new boss—Mrs. Haraporn Leekanchanakoth-Young—suggested in her letters that I might be able to work at the English-language school run by her husband. I’m anxious to start earning some prik: I owe Ulla nine hundred and eighty-three dollars for my plane ticket here.

I’ll bet I can guess what you’re wondering at this point, Hap: What are Ulla and I doing here? Why Puchai?

There are a lot of reasons. One reason we left New York was because Ulla had
harbored romantic ideas about moving to a foreign land ever since her semester abroad in Luxembourg. Another reason is that—apart from my part-time job designing brochures for the Department of Public Health and Mental Hygiene—I didn’t have much going on back in the city, and I thought that a change of scenery might do me good.

And another reason I wanted to leave home, if you really want to know, is the
man that I call the White Sikh.

I call the White Sikh ‘the White Sikh’ because he’s a white man who is a follower of the Sikh faith. I also call him the White Sikh because I don’t like saying his actual name—Shawn Talbot-Singh—aloud. He was Ulla’s boss at Gelder & Ventry, and, not too long ago, I learned that Ulla and this Sikh—a married man in his mid-40’s, with three young children—had been meeting up in the stairwell during their lunch break for a daily make-out session.

After this revelation, Ulla and I went into a tailspin that lasted for several weeks, though we never broke up for more than an hour at a time. When I had to go to the Catskills for Maury’s wedding in January, Ulla decided to join me at the last minute, and we ended up having an unexpectedly fun time together—it was as if our problems vaporized as soon as we left the city limits. On the drive home, Ulla told me that she’d heard about a job opportunity in Puchai, and was seriously thinking about applying.

We discussed it for a while, and after a few minutes of tense silence, Ulla asked me if I’d like to go with her.

You said: Let’s do it.

Over the years I’ve gotten used to hearing your voice in my head—prodding and
cajoling me, as if you were constantly looking over my shoulder, judging every decision I make. Usually I’m pretty good at ignoring you. This time, though, an idea occurred to me: maybe, as an experiment, I would try listening. Starting with this decision, I’d make a practice of doing what you told me to do, and see if my life improved. The thought of traveling to some small random foreign destination with Ulla terrified me—for a lot of reasons. But maybe that was why I had to go. Things couldn’t have gotten much worse.

I forced my lips to move before my brain could second-guess itself. “All right,” I told Ulla. “Let’s do it.”

Half an hour later, I asked: “Where’s Puchai?”

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