The Fiddler on Pantico Run: An African Warrior, His White Descendants, A Search for Family

( 4 )

Overview

?My dad?s family was a mystery,? writes prize-winning journalist Joe Mozingo. Growing up, he knew that his mother?s ancestors were from France and Sweden, but he heard only suspiciously vague stories about where his father?s family was from?Italy, Portugal, the Basque country. Then one day, a college professor told him his name may have come from sub-Saharan Africa, which made no sense at all: Mozingo was a blueeyed white man from the suburbs of Southern California. His family greeted the news as a lark?his uncle took to calling them ?Bantu

... See more details below
Hardcover
$17.48
BN.com price
(Save 32%)$25.99 List Price

Pick Up In Store

Reserve and pick up in 60 minutes at your local store

Other sellers (Hardcover)
  • All (89) from $1.99   
  • New (26) from $1.99   
  • Used (63) from $1.99   
The Fiddler on Pantico Run: An African Warrior, His White Descendants, A Search for Family

Available on NOOK devices and apps  
  • NOOK Devices
  • Samsung Galaxy Tab 4 NOOK 7.0
  • Samsung Galaxy Tab 4 NOOK 10.1
  • NOOK HD Tablet
  • NOOK HD+ Tablet
  • NOOK eReaders
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook)
$17.99
BN.com price

Overview

“My dad’s family was a mystery,” writes prize-winning journalist Joe Mozingo. Growing up, he knew that his mother’s ancestors were from France and Sweden, but he heard only suspiciously vague stories about where his father’s family was from—Italy, Portugal, the Basque country. Then one day, a college professor told him his name may have come from sub-Saharan Africa, which made no sense at all: Mozingo was a blueeyed white man from the suburbs of Southern California. His family greeted the news as a lark—his uncle took to calling them “Bantu warriors”—but Mozingo set off on a journey to find the truth of his roots.

He soon discovered that all Mozingos in America, including his father’s line, appeared to have descended from a black man named Edward Mozingo who was brought to the Jamestown colony as a slave in 1644 and won his freedom twenty-eight years later. He became a tenant farmer growing tobacco by a creek called Pantico Run, married a white woman, and fathered one of the country’s earliest mixed-race family lineages.

But Mozingo had so many more questions to answer. How had it been possible for Edward to keep his African name? When had some of his descendants crossed over the color line, and when had the memory of their connection to Edward been obscured? The journalist plunged deep into the scattered historical records, traveled the country meeting other Mozingos—white, black, and in between—and journeyed to Africa to learn what he could about Edward’s life there, retracing old slave routes he may have traversed.

The Fiddler on Pantico Run is the beautifully written account of Mozingo’s quest to discover his family’s lost past. A captivating narrative of both personal discovery and historical revelation that takes many turns, the book traces one family line from the ravages of the slave trade on both sides of the Atlantic, to the horrors of the Jamestown colony, to the mixed-race society of colonial Virginia and through the brutal imposition of racial laws, when those who could pass for white distanced themselves from their slave heritage, yet still struggled to rise above poverty. The author’s great-great-great-great-great grandfather Spencer lived as a dirt-poor white man, right down the road from James Madison, then moved west to the frontier, trying to catch a piece of America’s manifest destiny. Mozingos fought on both sides of the Civil War, some were abolitionists, some never crossed the color line, some joined the KKK. Today the majority of Mozingos are white and run the gamut from unapologetic racists to a growing number whose interracial marriages are bringing the family full circle to its mixed-race genesis.

Tugging at the buried thread of his origins, Joe Mozingo has unearthed a saga that encompasses the full sweep of the American story and lays bare the country’s tortured and paradoxical experience with race and the ways in which designations based on color are both illusory and life altering. The Fiddler on Pantico Run is both the story of one man’s search for a sense of mooring, finding a place in a continuum of ancestors, and a lyrically written exploration of lineage, identity, and race in America.

***

From The Fiddler on Pantico Run

As I listened to the dry rasp of the elephant grass, I gazed out over the Kingdom of Kom. A narrow gorge threaded through the lush terrain below, opening into a smoky blue chasm in the distance, the Valley of Too Many Bends. . . . This belt of fertile savannah in western Cameroon rested at a terrible crossroads, with no forest to hide in when the marauders arrived. The kings may have been safe in their fortified isolation, but their people were not. They were taken first by Arab invaders in the Sudan in the north, and then by the southern peoples who found that humans were the commodity Europeans most desired. . . .

Those who survived had been handed from tribe to tribe, through too many hostile foreign territories to dream of escaping and returning home. And then off they went, into the sea.

High on a ridge, three hundred miles by road from the Atlantic, I sat at the headwaters of that outward movement, imagining the people flowing away like the rivers below. I pictured a boy, gazing down into that blue mountain cradle, the grass dry-swishing in the breeze, the drums coming up in the night. A boy suddenly pulled into the current and scrambling to reach the bank. A boy unable to imagine the ocean and sickly white men in big wooden ships and the swampy, malarial settlement called Jamestown where he would be sold to a planter in the year of their lord 1644.

This is the beginning, I said to myself. The beginning of my family’s story, the point just after which my forebears obscured the truth—and nearly buried it forever.

Read More Show Less

Editorial Reviews

From Barnes & Noble

"Blue-Eyed Journalist Joe Mozingo Has an African Last Name. And Relatives in the Klan," was how one online reviewer introduced this story of genealogical discovery to its readers. Our blue-eyed author first learned that he might have black relatives by chance. That revelation on his first day of graduate school inspired Mozingo to begin what became an obsessive search for origins that led him to Africa and back to America to connect with his "Bantu-American" relations. What he learns on both sides of the Atlantic is fascinating: He uncovers valorous details about a very early Virginia freedman and fiddler ancestor, but he also finds that many of his present-day relatives would much prefer to keep this long-hidden history permanently buried. The Fiddler on Pantico Run offers pregnant lessons about the past, present, and future of American race relations. Editor's recommendation.

Publishers Weekly
L.A. Times reporter Mozingo's thorough scouring of his genealogy from Africa to Jamestown, Va., is a quirky, often exhausting, and finally satisfying account.Having wondered all his life about his mysterious surname—his family believed it was either Italian or Basque—Mozingo finally acted on intelligence that the name is actually Bantu, from Central Africa, and that most of the Mozingos in America could be traced to a black slave living in Jamestown, Va., in the 1600s. This information comes in the first chapter of Mozingo's work, following which he describes years of tortuous research into the life of forebear Edward Mozingo. Edward was most likely a young teenager when he arrived in Jamestown, became a servant of one of the colony's major planters, was freed as a result of a lawsuit, married a white woman, and, while living on a Virginia farm called Pantico Run, fathered several children who passed as white. The fiddle-playing Edward died in 1712. With irony and wit displayed in encounters with unprepossessing relatives, the author challenges received notions of race and class. (Oct.)
Elle
“Vividly fascinating… [Mozingo] unpacks our mixed-race colonial history and its heartbreaking consequences… Mozingo’s most revelatory finding—the fundamental arbitrariness of racial designations—implicitly raises another question: What, if anything, does our genealogy really say about us?”
Minneapolis Star Tribune
The Fiddler on Pantico Run is brilliantly researched, eloquently written, and a deeply thoughtful examination of race, identity and ancestry.”
Los Angeles Times - J. C. Gabel
“[The Fiddler on Pantico Run] unfolds like an adventure novel... [a] captivating debut... [Joe Mozingo] carves out gems of wisdom in narrating his discoveries.”
Star Tribune - Laurie Hertzel
"[The Fiddler on Pantico Run] is a fascinating, highly detailed book, which raises difficult questions about ancestry, identity and race...When you read this amazing book, it will stagger you."
The Rumpus - Peter Orner
“A powerful book. . . endearing and honest . . .profound. . . I was moved by this book and Mozingo’s thoughtful prose"
Buffalo News
"A fascinating family story” and book-of-the-month selection
Atlanta Journal-Constitution
“The book is suspenseful. The book is thoughtful. The book is interesting… Mozingo never has regretted his journey to the African continent. Neither will his readers.”
Henry Louis Gates Jr.
“An incredible story that, through the journey of one man trying to solve the mystery of his name, blows away widespread delusions about race in American history and shows our deeply intertwined humanity.”
Harper’s - Maud Newton
“[T]he best American family histories”
Library Journal
Told that his family name originated in the Congo, blue-eyed, fair-skinned Mozingo—a Robert F. Kennedy Award winner at the Los Angeles Times—tracked his ancestry back to Edward Mozingo, probably a prince from the Kingdom of Kon, who came here as a slave in 1644. After winning his freedom, Edward set up a tobacco farm on Pantico Run and married a white woman—the start of the family's crossing of the color line.
Kirkus Reviews
One man's search for the origins of his name. Mozingo is a white reporter for the Los Angeles Times whose family name often puzzled him. He had heard a range of stories about its origins, but most of them were shrouded in mystery. The author embarked on a journey for answers, resulting in this wide-ranging quest through archives and libraries and across the world to places such as Jamestown, Va., and the West African nation of Cameroon. Jamestown evokes the foundation of what would become the United States, while Cameroon and the coast of West Africa evoke the stain of American slavery. Mozingo discovered that his surname is not Italian or Basque or any of a dozen other possibilities that floated around family lore. The author is a descendent of Edward Mozingo, a former slave from West Africa who sued for his freedom in a court in Virginia in the late 1600s and emerged victorious. This book follows Mozingo as he solves as much of the mystery as the record, frail human memory and oral tradition allowed. Although his prose can run purple and his history occasionally potted, the author, a dogged reporter, largely makes his personal history come alive. He successfully places his family's tale in the larger context of the tortuous history of race in America, connecting his personal genealogy to the tides of American history during the era of slavery. Mozingo sought answers about his name, and therefore his identity, that had long vexed him. This book provides the response to that inquiry and much more.
Henry Wiencek
“Joe Mozingo has unearthed an extraordinary story and tells it powerfully. Beautifully composed, his narrative weaves together the past and present as he plunges deeply into his family’s history. It is a brave journey, yielding one illumination after another.”
Los Angeles Times
[The Fiddler on Pantico Run] unfolds like an adventure novel... [a] captivating debut... [Joe Mozingo] carves out gems of wisdom in narrating his discoveries.
— J. C. Gabel
Star Tribune
[The Fiddler on Pantico Run] is a fascinating, highly detailed book, which raises difficult questions about ancestry, identity and race...When you read this amazing book, it will stagger you.
— Laurie Hertzel
From the Publisher
“[The Fiddler on Pantico Run] unfolds like an adventure novel... [a] captivating debut... [Joe Mozingo] carves out gems of wisdom in narrating his discoveries.”

“Vividly fascinating… [Mozingo] unpacks our mixed-race colonial history and its heartbreaking consequences… Mozingo’s most revelatory finding—the fundamental arbitrariness of racial designations—implicitly raises another question: What, if anything, does our genealogy really say about us?”

The Fiddler on Pantico Run is brilliantly researched, eloquently written, and a deeply thoughtful examination of race, identity and ancestry.”

“Wide-ranging… [Mozingo] makes his personal history come alive. He successfully places his family’s tale in the larger context of the tortuous history of race in America, connecting his personal genealogy to the tides of American history during the era of slavery.”

“Mozingo's thorough scouring of his genealogy from Africa to Jamestown, VA, is a quirky… and finally satisfying account… With irony and wit displayed in encounters with unprepossessing relatives, the author challenges received notions of race and class.”

“Joe Mozingo has unearthed an extraordinary story and tells it powerfully. Beautifully composed, his narrative weaves together the past and present as he plunges deeply into his family’s history. It is a brave journey, yielding one illumination after another.”

"[The Fiddler on Pantico Run] is a fascinating, highly detailed book, which raises difficult questions about ancestry, identity and race...When you read this amazing book, it will stagger you."

“A powerful book. . . endearing and honest . . .profound. . . I was moved by this book and Mozingo’s thoughtful prose"

"A fascinating family story” and book-of-the-month selection

Read More Show Less

Product Details

  • ISBN-13: 9781451627480
  • Publisher: Free Press
  • Publication date: 10/2/2012
  • Pages: 320
  • Sales rank: 683,379
  • Product dimensions: 6.34 (w) x 9.10 (h) x 1.06 (d)

Meet the Author

Joe Mozingo is a projects reporter for the Los Angeles Times. He won a Robert F. Kennedy Award for his coverage of the earthquake in Haiti and helped lead a Miami Herald reporting team whose investigation into the crash of the space shuttle Columbia was a finalist for the Pulitzer Prize. The Fiddler on Pantico Run was named a finalist for the J. Anthony Lukas Work-in-Progress Award, administered by Columbia University and Harvard’s Nieman Foundation. He lives in Southern California with his wife and two children.

Read More Show Less

Read an Excerpt

Chapter 1

The Strange Twist of History

This was where the thread first came into view, an old stone palace miles up a rutted dirt track, alone in the gum resin trees and elephant grass. We parked next to the wives’ quarters, a small village of soot-blackened walls and peaked zinc roofs. Young men in frayed clothes guided us through a twisting corridor to the king’s court. My friend Walter and I waited on benches until the eighty-year-old king, the fon, beckoned us from his wood throne in the fading gray light. We crossed the courtyard in an extended bow. The fon, wearing a black skullcap and a light blue boubou robe, sat rigidly erect in his chair, sipping a local liqueur called Marula Fruit Cream from a Baltimore Orioles mug. His face was long and stolid, thin clenched lips and cold rheumy eyes. He spoke haltingly in his language, showing teeth like weathered pickets. Walter translated that the king was welcoming us, and I nodded and smiled as the palace guard hissed at me to take my hands out of my pockets. After further formalities, I was told to kneel before the king and cup my hands at my mouth, as he poured a blessing of the liqueur so copious it streamed down my right arm under my jacket. Walter whispered to me that this was the highest honor, to show effusive gratitude. I sighed, knowing my sleeve would be stuck to my skin until my next shower, whenever that might be. As evening came, the young men, whom I had taken to be street hustlers and now realized were princes, guided me to a perch in the canopy on the high ridge. I let them walk off so I could have a moment alone.

As I listened to the dry rasp of the elephant grass, I gazed out over the Kingdom of Kom. A narrow gorge threaded through the lush terrain below, opening into a smoky blue chasm in the distance, the Valley of Too Many Bends. A cluster of white streetlights hovered on a dark crest a few miles away—Njinikom, a town to which earlier kings once banished sorcerers and foreign missionaries. The crumpled topography of these mountains had long repelled invaders, colonists, and change. Many villagers still lived in red earthen huts with grass roofs, collected firewood before dusk, and poured libations of palm wine on the ground for their ancestors. The view from this spot had not changed much in centuries. Only that tremulous constellation of electric lights broke the deepening shades of blue.

The footpath wended down into the darkness, almost two thousand feet below, where I was told a momentous baobab tree stood near the river. The story is that it fell one day, years ago, cried and cried all night, and the following morning was standing again. Villagers call it “the talking tree.”

Mythical stories abound up here, filling the void left by an unwritten history. It is said the Kom were led to this very spot by a python. But the story that no one talks about is the true story of the people removed from this land. This belt of fertile savannah in western Cameroon rested at a terrible crossroads, with no forest to hide in when the marauders arrived. The kings may have been safe in their fortified isolation, but their people were not. They were taken first by Arab invaders in the Sudan in the north, and then by the southern peoples who found that humans were the commodity Europeans most desired.

Captured and bound together, they were driven on long marches, some south across the sweltering lowlands to the mangrove estuaries of the coastal kings, some west through sheer mountain rain forest to the Cross River, where merchants loaded them onto canoes and rowed three hundred miles south to the port of Old Calabar. Those who survived had been handed from tribe to tribe, through too many hostile foreign territories to dream of escaping and returning home. And then off they went, into the sea.

High on a ridge, three hundred miles by road from the Atlantic, I sat at the headwaters of that outward movement, imagining the people flowing away like the rivers below. I pictured a boy, gazing down into that blue mountain cradle, the grass dry-swishing in the breeze, the drums coming up with the night. A boy suddenly pulled into the current and scrambling to reach the bank. A boy unable to imagine the ocean and sickly white men in big wooden ships and the swampy, malarial settlement called Jamestown where he would be sold to a planter in the year of their lord 1644.

This is the beginning, I said to myself. The beginning of my family’s story, the point just after which my forebears obscured the truth—and nearly buried it forever.

A FEW DAYS later, on the coast, I caught a motorcycle taxi to a ferry terminal late at night. The air was fresh and fragrant as we sputtered along the edge of an old botanical garden where the German colonials tried to find tropical medicines. At the port, the driver dropped me at a hulking stone warehouse, where I had bought my ticket that afternoon. The boat was to leave at three-thirty in the morning. Passengers milled about or slept on straw mats under high ceiling fans. Bleary and dry-eyed, I handed my passport to an officer behind a desk. He inspected it briefly, then leaned back in his chair, arched his eyebrows, and opened his palms in mock challenge. “Mozingo. That is your name?”

“Yes.”

He smiled and shook his head. “That is not an American name.”

“I know.”

He turned to two women behind him and showed them my passport. They joked in the local pidgin language, and he turned back to me. “That is a Cameroonian name. How do you have it?”

“I might have had an ancestor from here.”

“So your father came from Cameroon?” he asked, rightfully dubious. I am white, with straight, light brown hair and blue eyes. No one has ever mistaken me for anything else.

“Not my father, an ancestor. Way, way back,” I said.

“Your grandfather?”

“No, long before him.” I had already come to realize that the past here, unrecorded almost until the twentieth century, was somehow compressed. When events beyond memory were not fixed in writing, they swirled about, unmoored from linearity, and 358 years didn’t mean too much more than “a long, long time.”

“But who gave you the name?” he asked.

“Well, it’s different in America,” I said. “We just get whatever name our father has. It just goes down the line. Automatic.”

He still seemed unconvinced. Our accents muddled our points to each other, and I didn’t think explaining further was going to clear things up. But I took it as a good sign that I had come to the right region of Africa, that he, of all people, had that spark of recognition; every day he took several hundred passports, stamped them for the trip to neighboring Nigeria, then called out for the owners to take them back. He must have known the names of this region like few others.

“Let me ask you, which part of Cameroon does this name come from?” I asked.

“That is Kribi, east province,” he said definitively.

I thanked him and wrote it down. I’d have to look that up on my map.

We boarded a modern, air-conditioned ferry and took off in the dark along a desolate coast for Old Calabar, about a hundred miles west in Nigeria. As we left the port, we passed under the bulk of Mt. Cameroon, hidden in the night, rising thirteen thousand feet straight from the sea. Long before any Europeans saw the great volcanic massif, one of earth’s great migrations set off from the other side of it, peopling most of southern Africa. The Bantu Expansion.

The captain read a bit of scripture as we set off, Psalm 91:9–16, something about “crushing fee-yerce lions and sare-punts under your feet.” I fell asleep and came to after dawn to see a distant gray sliver of treetops between gray water and gray sky. This was the view that the slave captains and crews would have seen, an endless knotted line of coast where a good portion of them would meet their death.

The shore slipped in and out of view for an hour or so. At one point, an armada of fishermen in canoes sailed past for deep waters, rising and falling on loping swells. With tattered plastic tarps strung between bamboo poles, they caught a light offshore wind from the lowlands. Some were father-and-son teams, the boys mending the nets as they traveled. Other canoes had five or six people. Ahead of them lay no horizon, only a gloom of ocean vanishing into a gloom of air, with the vague outline of a thunderhead to the west. Far out in the gray murk, orange flares burned in the oil fields of the Niger Delta. The fire flickering in the vaporous abyss was dreamlike, and somehow disturbing in my sleep-deprived state, as if the fishermen were ferrying souls to Hades. I’d never had such an unsettling reaction to a seascape.

We came into the wide mouth of the Cross River, rocking sideways on a beaming sea. The engines wound down sharply as we approached a reef or shoal, and the captain turned hard left and then right to maneuver. Two sticks with red rags hanging from them apparently marked a channel. The move felt panicked, and I braced for impact, thinking of all the African ferry disasters I’d read about. The exit door was right behind me, and I thought, At least the water’s warm. But the captain threaded through the sticks and throttled the engines back up. The outgoing current was running fast, breaking white off the channel markers and crab trap buoys. This must have been a nerve-racking entry for the slavers. The Dutch sailors largely avoided Old Calabar for this very reason, but the English learned its ways, and in the mid-1600s developed a brisk trade of slaves between the Efik chiefs and the planters in Barbados.

An English captain, William Snelgrave, traded regularly in Old Calabar and left a rare account of his transactions:

As soon as the natives perceive a ship on their coast, they make a smoke on the seashore as a signal for the ship to come to an anchor, that they may come and trade with the people aboard. As soon as we are at an anchor, they come to us in small boats, called Cannoes, being made of a single tree, and bring their commodities with them.

Like most Europeans, Snelgrave figured he would be killed if he ventured inland and set foot ashore only on a few occasions. He knew nothing of the continent—three times the size of Europe—beyond the impervious thicket of foliage backing the beach.

In those few places where I have been on shore myself, I could never obtain a satisfactory account from the natives of the inland parts. Nor did I ever meet with a white man that had been . . . up in the country; and believe, if any had attempted it, the natives would have destroyed them. . . . However the trade on this part of the coast has been exceedingly improved within these 20 years past. It consists in negroes, elephants teeth, and other commodities; which the natives freely bring on board our ships, except when any affront has been offered them.

The affronts, he explained, had occurred when the ships took away not just the goods and people being sold, but the sellers too.

He called the natives here “barbarous and uncivilized” mainly because they had had such limited interaction with the Europeans, compared to those at points west and south, who had dealings with forts and trading depots.

I have, in my younger years, traded to many places in this tract, especially at Old Calabar, where, in the year 1704, I saw a sad instance of barbarity. The king of the place, called Jabrue, being fallen sick, he caused, by the advice of his priests, a young child about ten months old to be sacrificed to his god, for his recovery. I saw the child after it was killed, hung up on the bough of a tree, with a live cock tied near it, as an addition to the ceremony.

The odd thing about Captain Snelgrave was that he conveyed deep objections to such scenes, even as he took a leading role in a wider atrocity. On his thirteen trips between Africa and America, including three to Virginia, he carried nearly five thousand slaves away, and over nine hundred of them died during the crossing. The paradox was particularly vexing when he sailed the Anne from London to Old Calabar in 1713. A new king, Acqua, sat on a stool under some shade trees, and the captain took the stool beside him. Ten armed sailors accompanied him, standing off to one side, while fifty of the king’s guards stood across from them with swords, bows and arrows, and barbed lances.

The captain noticed a baby boy tied by one leg to a stake in the ground, with “flies and other vermin crawling on him, and two priests standing by.” He asked the king why the child was bound there. The king said “it was to be sacrificed to his God Igbo for his prosperity.”

Appalled, Snelgrave ordered his men to remove the child. A ruckus ensued, with weapons drawn all around. The captain told the king he meant no harm, to relax, and they sat back down. The king averred that the child was his property. “This I acknowledged,” Snelgrave wrote, excusing his actions “on account of my religion, which, though it does not allow of forcibly taking away what belongs to another, yet expressly forbids so horrid a thing as the putting a poor innocent child to death. I also observed to him, that the grand law of nature was to do to others as we desired to be done unto.”

Snelgrave offered to buy the boy, and much to his delight, the king agreed to sell him for a mere bunch of sky-colored beads, worth half a crown sterling, bringing us to one of the most profoundly deranged happy endings ever written:

The day before I went on shore to see the king, I had purchased the mother of the child (though I knew it not then) from one of his people; and at that time my surgeon observing to me that she had much milk in her breasts, I inquired of the person that brought her on board, whether she had a child when he bought her from the inland trader. To which he answered negative. But now on my coming on board, no sooner was the child handed into the ship, but this poor woman espying it, run with great eagerness and snatched him out of the white man’s arms that held him. I think there never was a more moving sight than on this occasion between the mother and her little son (who was a fine boy about 18 months old) especially when the linguist told her I had saved her child from being sacrificed. Having at that time above 300 negroes on board my ship, no sooner was the story known amongst them, but they expressed their thankfulness to me, by clapping their hands, and singing a song in my praise. This affair proved of great service to us, for it gave them a good notion of white men, for that we had no mutiny in our ship during the whole voyage.

Snelgrave leaves his account of the trip at that, with the slaves singing happily across the sea.

The mercantile records of the voyage cast a pall on this party: he picked up more slaves before he left Africa, ultimately setting off for Antigua with 395. The chorus lost plenty of voices. Ninety-five Africans died during the crossing—one out of four. Two corpses a day on average were thrown overboard. There is no record of whether the mother or her child survived the passage.

I GAZED THROUGH the salt-smeared window of the ferry, half-listening to a Nigerian sitcom about two hustlers, Silas and Titus, on a TV mounted to the ceiling in the cabin. We’d come closer to shore, which appeared as a low colorless ribbon of palms and mangrove now. Villages of thatched and clay huts dotted it here and there, and smoke unspooled from settlements hidden up the creeks that tunneled through the canopy. The river narrowed and then divided into numerous channels that joined again farther upstream. The water grew thick and brown with silt. Bottles and bags and water hyacinths swirled in foamy gyres. We passed an island where the mottled trees of an abandoned rubber plantation tilted with the prevailing wind in neat rows. Heading up a tributary to the right, we slowed before a high bluff. The closer we came through the haze the better I could make out the glinting gray-brown lines of a city. We pulled up along a wharf with little warehouses and the hulks of half-sunk ships.

“There were some very strong currents today,” the captain said on the loudspeaker. “That is why we are late. But it is better late than never. That is why we must pray to Jesus Christ.” Which he did. The strange twist of history—and this story is all about strange twists of history—was that the solitary white man on board was not among the converted.

I disembarked down the gangway to the quay. The air was wilting and smelled like diesel and pond dredge. Old Calabar was a modern city of 1.2 million people, and any glimpse of the traditional village life that Snelgrave encountered here had long been paved over. I walked past money changers and hustlers and cell phone card hawkers to a spot where I could look up the river. Silos and tanks and concrete wharves continued up to a hard bend west, and mangroves obscured the opposite bank.

In the seventeenth and eighteenth centuries, the slave traders paddled here down the Cross River from the interior in fleets of twenty or more canoes, each carrying twenty or more slaves. The captives often came originally from the Grassfields and were marched to the jungle village of Mamfe, 250 miles upriver from here. Illustrations from the time show the captives’ arms tied behind their backs, with wishbone branches and ligatures binding them together by the neck. The river cut a long arching course to the coast, like a shepherd’s staff, through rain forest that is now home to some of the last gorillas in West Africa and that still boasts chimpanzees, hippopotamuses, crocodiles, forest elephants, and drill monkeys. As the canoes neared the coast, Efik traders purchased the slaves to sell, in turn, to the whites, mostly for bars of copper, iron, guns, ammunition, and liquor.

The boy whom I and every Mozingo in America appear to have descended from might have come this way to the Atlantic. Mosingas were certainly taken out of the nearby Rio del Rey, where at the moment the “creek tribes” were kidnapping outsiders, putting a damper on my prospects of going there. I had set out to trace the story of that boy’s origin, but I was beginning to wonder if I would ever really know where he came from. He may have lived nowhere near here. He may have embarked from a point a thousand miles south, in Angola. After months of research, I was still left weighing mere bits of the evidence on the two sides of a balance: Old Calabar in one pan, Angola in the other.

If he had come from Angola, he had likely seen and dealt with white people before; European traders and soldiers set up their first colony there in the 1500s. He may even have been of mixed race. But arriving in Old Calabar from the interior, he would probably never have seen a white person and might have thought they were buying him to eat; slaves were said to have thought the red wine the sailors drank was Africans’ blood and that the cheese of the captain’s table was made from Africans’ brains.

The captains inspected the slaves and sorted out the infirm, the deformed, the weak and aged. Bad eyes, feeble joints, slender frames, and rotten teeth were grounds for rejection. Those purchased shuffled aboard, the men shackled together, and waited for weeks and even months until the ship was full and ready to set sail. Those rejected suffered their own terrible fates.

“The traders frequently beat those negroes which are objected to by the captains,” wrote Alexander Falconbridge, a British surgeon on slave ships to Calabar and elsewhere in the 1780s. At a nearby port, “the traders have frequently been known to put them to death. Instances have happened at that place, that the traders, when any of their negroes have been objected to, have dropped their canoes under the stern of the vessel, and instantly beheaded them in sight of the captain.”

I walked along the quay to the immigration office. Two men struggled to row a canoe filled with sand, the river rising up to its gunwales. Sand was big trade all along the waterway. Merchants bought it and sold it to Chinese road contractors to be mixed with concrete.

My mind kept going back to that gray abyss with no horizon I saw from the ferry. I struggled to fathom what the kidnapped people thought as they set off into that void in a state of pure unknowing, going farther and farther into the featureless Doldrums, crammed together so tightly they struggled to breathe and could barely turn, their excretions, stench, and disease suffusing the airless swelter. They watched the bodies of those who died simply heaved into the void. Once out at sea, many actually thought this was the white men’s world, “this hollow place,” in one man’s account. They had been condemned to a sort of wandering hell, outside of space and time, where the newly dispossessed souls murmured in the minds of the barely living and perhaps only a fear of eternal exile from the soil of their ancestors, from all humanity, would steel their will to survive.

The slaves were usually kept belowdecks in shackles until the ships moved out of sight of land and the prospect of their hijacking the vessels and returning home had vanished. From Old Calabar, this may have been more than a week into the trip, as the ship first sailed a thousand miles west along the coast to Cape Palmas, before moving into the open ocean as the coast turned north. Some captives required a week or more to regain the use of their limbs after being unshackled. To try to tamp down disease, some crews let the slaves up on deck for sun and fresh air and had them clean their quarters with vinegar. Others did not. The month-long crossing killed an average of one in five, claimed by dysentery, smallpox, suicide, yaws, and all manner of unknown afflictions. On some voyages, half the captives died.

Falconbridge described compartments so cramped the slaves could only lie on their sides, and had to scramble over each other in shackles to reach overflowing waste buckets. Many just relieved themselves “as they lie.”

“The exclusion of the fresh air is among the most intolerable,” he wrote. Most ships had a half-dozen air-ports, four-by-six-inches, on each side of the ship. “But whenever the sea is rough, and the rain heavy, it becomes necessary to shut these. [The] negroes rooms very soon grow intolerably hot. The confined air, rendered noxious by the effluvia exhaled from their bodies, and by being repeatedly breathed, soon produces fevers and fluxes, which generally carries off great numbers of them.”

The most emaciated of the slaves, lying on bare planks,

frequently have their skin, and even their flesh, entirely rubbed off, by the motion of the ship, from the prominent parts of the shoulders, elbows, and hips, so as to render the bones in those parts quite bare. . . . While they were in this situation, my profession requiring it, I frequently went down among them, till at length their [compartments] became so extremely hot, as to be only sufferable for a very short time. . . . [The] floor of their rooms was so covered with blood and mucus which had proceeded from them in consequence of the flux that it resembled a slaughterhouse.

The ships sailing from Angola to Brazil had it relatively easy, with a shorter distance and favorable winds. Heading to the Caribbean proved to be deadlier as ships often stalled in the stagnant air over the equator. For the English, Barbados was usually the first stop, the farthest east of the Antilles. But its profile was low and easy to miss. The Dutch had to make their way another six hundred miles to their colony of Curaçao or four hundred to St. Eustatius, while the Portuguese and Spanish traveled even farther, to their ports in Cartagena, Havana, Panama, and Veracruz. The sailors usually spotted gulls, seaweed, and other ships before seeing land, then could smell wafts of grass and sun-beaten earth.

A small handful of the first slaves brought to the New World were delivered from the Caribbean to the starving, wretched outpost of Jamestown, where the story of Mozingos in America begins.

I WAS STANDING over a copy editor in the Los Angeles Times newsroom one afternoon two years before my first trip to Africa, going over an article I had written, when the managing editor, Davan Maharaj, stopped by. He was new to that position, and I had met him only briefly. “So where’s that name Mozingo from?” he asked.

“We think it’s Central African.”

“I knew it,” he shot back. He said he’d first heard my name years back, when I was an intern and he was a reporter in another bureau, and he had asked his friend Ken about me. “Is he a black guy?”

“No, he’s white.”

“Really?”

“Yeah. He has blue eyes.”

“He’s got to be black.”

I was asked about my name about every other day of my adult life, and reactions to my response swung widely. A black colleague scoffed. A Rotarian the color of mayonnaise winced as if I were confiding the particulars of a bad circumcision. A prize-winning colleague with a Germanic last name sidled up to tell me Bantus danced with their butts sticking out. A female Haitian American friend asked me why I couldn’t dance. Some people nodded as if I were bullshitting them. A beautiful young cashier at a coffee shop tapped her fingers, dying for me to stop talking. Soldiers of political correctness stood in uncomfortable silence, well tutored not to ask the obvious follow-up, about why a white guy bore the name. Plenty of people found it fascinating. One Times editor started calling me Mandingo.

“It’s a long story,” I told Davan, hoping he would have the patience to hear it. I had been planning to pitch an article about my lineage as a first-person feature for the paper, so that I could devote myself full time to investigating this long-buried family history I had become enthralled with.

Davan grew up in the racially split Caribbean nation of Trinidad, the descendant, I would later learn, of an Indian preacher who went there to minister to indentured servants the British had imported from India after the African slave trade was banned. He was a foreign correspondent in Central Africa for a spell before he became an editor and moved back to L.A. Surely he would be interested in the thread of European imperialism that resulted in a white man bearing this name.

He vaguely recalled having come across the name in the Caribbean, where some African names survived. I told him that most recently I had heard that the earliest known ancestor in the lineage, Edward Mozingo, had likely come from what was then the Kingdom of Kongo, which straddled the border of today’s Angola and the Democratic Republic of Congo. One of Edward’s living descendants, Melicent Remy, a dogged researcher of his African origins, had tracked this down, but I wasn’t sure from where or whether her research was reliable.

“I think he married a white or light-skinned woman, and their sons married white women, and pretty soon they looked white,” I said. “But I hear there are some black Mozingos still.”

“We’re cousins, I bet,” he joked.

I laughed, not quite sure I understood, and made my final selling point on the rich tensions in this story: “There were Mozingos in the KKK.”

At that he laughed in delight.

“What does your dad think of this?” he asked.

“That’s a tough one,” I said. “He laughs. I don’t really know. I’m not sure he thinks it’s all true.

“I’ve wanted to write this story for years,” I added.

“You have to,” he said.

Read More Show Less

Table of Contents

Chapter 1 The Strange Twist of History 1

Chapter 2 A Man Named Edward Mozingo 14

Chapter 3 Middle Passage to Jamestown 29

Chapter 4 A Bastard Child 50

Chapter 5 The Enigma of the Fiddler 66

Chapter 6 Living with Ghosts 79

Chapter 7 Setting Out for the Piedmont 89

Chapter 8 White in Bourbon Country 100

Chapter 9 A Tortured Netherworld 115

Chapter 10 A Covenant Between God and Mozingos 137

Chapter 11 A Deep-seated Fear 146

Chapter 12 Back to the Northern Neck 178

Chapter 13 Too Was Told Mozingo Was Italian 193

Chapter 14 South of the River of Prawns 203

Chapter 15 A Thousand Miles of Bantu Coast 218

Chapter 16 You Are Coming to the Source 223

Chapter 17 The Path of the Python 239

Chapter 18 Take Me to Old Calabar 248

Chapter 19 In Memory of the First Baptized, 1491 259

Epilogue 281

Acknowledgments 285

A Note on Sources 287

Index 291

Read More Show Less

Interviews & Essays

A Conversation with Joe Mozingo

I devoured Joe Mozingo's orginal three-part piece about his family's history in the L.A. Times when it ran in 2010, going so far as to read lines out loud to my better half over breakfast — and there were so many great lines that I came awfully close to reading all three pieces out loud, over toast. (Suffice to say, Messer isn't my better half's last name, and at the time, my parents' marriage bordered on the radical.)

The Discover selection committee readers hadn't seen those original pieces, so they came to Mozingo's memoir, The Fiddler on Pantico Run, from a slightly different perspective, but they agreed that it was without a doubt one of the best books about race in America that they'd all read in ages.

Blond, blue-eyed, lifelong Angeleno Joe Mozingo discusses his "funny last name," the legacies of race, and how his family's own lost history speaks to us all, among other things, with Discover Great New Writers. —Miwa Messer, Director of the Barnes & Noble Discover Great New Writers program

What led you to investigate the story of your family's lost heritage?

First and foremost, I had this funny last name, and growing up, no one in my family could give me a good explanation of where it came from. "We think it's Italian" was the best I got. Still I always had a vague pride in the name, especially as a teenager; it had this hint of mystery, exoticism, even menace, which I liked back then. Then in graduate school a professor with the same name told me she heard it was African, which I initially laughed off as a lark. We were white after all. But it got me thinking that our lack of knowledge about our origins was strange, that maybe our history was buried, and this name was the signpost that could lead me back to it.

How did you choose the book's title?

The forefather of all Mozingos in America was Edward Mozingo, an African man who was brought to Virginia in 1644. By a great stroke of luck, a tattered document from colonial court in Jamestown survived to record this, granting "Edward Mozingo A Negro Man" his freedom in 1672 after 28 years of servitude. Edward went on to marry a white woman and settled on a creek called Pantico Run. In his will, he listed a fiddle, and an historian of the era told me it was likely he was the local fiddler. That detail helped bring him to life for me, seeing that his existence rose above mere survival.

You write that you discovered the Mozingo family story has many strange twists of history. What were some of those?

Well, one was the meaning of our name. I was tracing the thread of our history as it wended from Africa to the California beach town where I grew up, and when I visited Africa I learned that the word "mozingo" actually meant — with close variations depending on the region — a thread, a cord linking people, a twisting line or journey. Another was that some of Edward's descendants were in the KKK — no doubt the only white supremacists in America with a Bantu last name! But maybe the most intriguing was that my fifth great-grandfather, Spencer Mozingo, lived right down the road from the young James Madison, and that a diary kept by one of Madison's cousins referred to Spencer doing work for him on a nearby farm. The legacies of race and heritage were striking. Madison went on to become this towering figure in our history while my ancestors, descended from a free black man, remained dirt poor for the next 270 years, and Mozingos who remained "negro" in the eyes of the law were pushed to the bleakest margins of the antebellum and Jim Crow South.

In what ways do you think the story of your own family's lost past speaks to Americans in general?

Up to 30 million people are thought to descend from the 102 passengers on the Mayflower. Far more could descend from the mixed-race unions of early Virginia alone. We just learned that President Obama's white mother may have descended from a slave named John Punch. So plenty of Americans have this in their past. Racial mixing has been part of American history from the beginning, and it is in many of our family stories. We are all more connected than we realize, and these racial barriers we erected so long ago begin to dissolve when you look at the fluidity of a single family through time.

Read More Show Less

Customer Reviews

Average Rating 3.5
( 4 )
Rating Distribution

5 Star

(1)

4 Star

(2)

3 Star

(0)

2 Star

(0)

1 Star

(1)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously
Sort by: Showing all of 4 Customer Reviews
  • Anonymous

    Posted July 5, 2013

    Absorbing!

    The Fiddler on Pantico Run is an absorbing account of Joe Mozingo's relentless pursuit of his family history. Mozingo makes many revelatory observations about the ambiguities of race. This is a fascinating read!

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted May 26, 2013

    Because I was dating a woman whose maiden name was Mozingo an

    Because I was dating a woman whose maiden name was Mozingo and since I'd also had a male friend with that name, I was intrigued by by its origins and how it came to east central North Carolina. After all, it's not the sort of name one would expect to find there. My two friends and others didn't know but thought it orginally was Italian or French.
    LA Times reporter Joe Mozingo solved the mystery in resounding fashion. The name of his forebears first came to Virginia from west central Africa with a young male Bantu slave. When the slave's white master, a man named Walker died, Edward Mozingo sued to be granted his freedom, as Walker had long promised. Aided by whites, Mozingo prevailed in court and married a white woman. Prohibitions on such marriages were not nearly as rigid as they later became in the South. The court records, which still exist, were key to solving the mystery. Joe Mozingo then traced the suceeding generations and found thousands of Edward's descendants who had lived, or still lived, across the country. He even went to Africa and found the name common in some countries.
    Some American Mozingos are black, and some are white. All, to varying degrees, are of mixed race whether they know it or not and whether they even care. Some won't believe it, and a few even joined the KKK
    years ago. Some white Mozingos refuse to believe they had a black ancestor in the 17th Century whose name became their own. Others embrace the knowledge and are perfectly comfortable with it.
    Joe Mozingo has written a personal history of his extended family that should fascinate anyone interested in American history. His research has been painstaking and his writing is absolutely first-rate. His book is full information about western history in general and U.S. racial history in particular. I give his book five stars.


    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted May 18, 2013

    Bad!!!!!

    This book is terrible!!!!!!!!!!!!!!!!!!!Don't read it!!!!!!!!!

    0 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted September 23, 2013

    No text was provided for this review.

Sort by: Showing all of 4 Customer Reviews

If you find inappropriate content, please report it to Barnes & Noble
Why is this product inappropriate?
Comments (optional)