The Fifth Head of Cerberus: Three Novellas

( 6 )

Overview

Back in print for the first time in more than a decade, Gene Wolfe's The Fifth Head of Cerberus is a universally acknowledged masterpiece of science fiction by one of the field's most brilliant writers.

Far out from Earth, two sister planets, Saint Anne and Saint Croix, circle each other in an eternal dance. It is said a race of shapeshifters once lived here, only to perish when men came. But one man believes they can still be found, somewhere ...

See more details below
Paperback (Revised)
$13.36
BN.com price
(Save 16%)$15.99 List Price
Other sellers (Paperback)
  • All (22) from $3.46   
  • New (13) from $9.13   
  • Used (9) from $3.46   
The Fifth Head of Cerberus: Three Novellas

Available on NOOK devices and apps  
  • NOOK Devices
  • NOOK HD/HD+ Tablet
  • NOOK
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac
  • NOOK Study
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook - First Edition)
$9.99
BN.com price

Overview

Back in print for the first time in more than a decade, Gene Wolfe's The Fifth Head of Cerberus is a universally acknowledged masterpiece of science fiction by one of the field's most brilliant writers.

Far out from Earth, two sister planets, Saint Anne and Saint Croix, circle each other in an eternal dance. It is said a race of shapeshifters once lived here, only to perish when men came. But one man believes they can still be found, somewhere in the back of the beyond.

In The Fifth Head of Cerberus, Wolfe skillfully interweaves three bizarre tales to create a mesmerizing pattern: the harrowing account of the son of a mad genius who discovers his hideous heritage; a young man's mythic dreamquest for his darker half; the bizarre chronicle of a scientists' nightmarish imprisonment. Like an intricate, braided knot, the pattern at last unfolds to reveal astonishing truths about this strange and savage alien landscape.

Read More Show Less

Editorial Reviews

From the Publisher
"Gene Wolfe is unique. If there were forty or fifty of this first-rate author—no, let's be reasonable and ask Higher Authorities for only four or five—American literature as a whole would be enormously enriched." —Chicago Sun-Times

"One of the major fictional works of the decade...Wolfe's novel, with its elusiveness and its beauty, haunts one long after reading it." —Pamela Sargent

"A richly imaginative exploration of the nature of identity and individuality." —Malcolm Edwards, The Science Fiction Encyclopedia

"SF for the thinking reader..The style is highly literate and the ideas sophisticated and handled with sensitivity." —Amazing SF

"One of the 100 best science fiction novels...A truly extraordinary work. One of the most cunningly wrought narratives in the whole of modern SF, a masterpiece of misdirection, subtle clues, and apparently casual revelations." —David Pringle

Read More Show Less

Product Details

  • ISBN-13: 9780312890209
  • Publisher: Doherty, Tom Associates, LLC
  • Publication date: 3/15/1994
  • Edition description: Revised
  • Pages: 256
  • Sales rank: 412,310
  • Product dimensions: 5.50 (w) x 8.40 (h) x 0.90 (d)

Meet the Author

Gene Wolfe has been called "the finest writer the science fiction world has yet produced" by The Washington Post. A former engineer, he has written numerous books and won a variety of awards for his SF writing.

Read More Show Less

Read an Excerpt

When the ivy-tod is heavy with snow,

And the owlet whoops to the wolf below,

That eats the she-wolf's young.

Samuel Taylor Coleridge—"The Rime of the Ancient Mariner"

When I was a boy my brother David and I had to go to bed early whether we were sleepy or not. In summer particularly, bedtime often came before sunset; and because our dormitory was in the east wing of the house, with a broad window facing the central courtyard and thus looking west, the hard, pinkish light sometimes streamed in for hours while we lay staring out at my father's crippled monkey perched on a flaking parapet, or telling stories, one bed to another, with soundless gestures.

Our dormitory was on the uppermost floor of the house, and our window had a shutter of twisted iron which we were forbidden to open. I suppose the theory was that a burglar might, on some rainy morning (this being the only time he could hope to find the roof, which was fitted out as a sort of pleasure garden, deserted) let down a rope and so enter our room unless the shutter was closed.

The object of this hypothetical and very courageous thief would not, of course, be merely to steal us. Children, whether boys or girls, were extraordinarily cheap in Port-Mimizon; and indeed I was once told that my father who had formerly traded in them no longer did so because of the poor market. Whether or not this was true, everyone—or nearly everyone—knew of some professional who would furnish what was wanted, within reason, at a low price. These men made the children of the poor and the careless their study, and should you want, say, a brown-skinned, red-haired little girl or one who was plump or who lisped, a blond boy like David or a pale, brown-haired, brown-eyed boy such as I, they could provide one in a few hours.

Neither, in all probability, would the imaginary burglar seek to hold us for ransom, though my father was thought in some quarters to be immensely rich. There were several reasons for this. Those few people who knew that my brother and I existed knew also, or at least had been led to believe, that my father cared nothing at all for us. Whether this was true or not, I cannot say; certainly I believed it, and my father never gave me the least reason to doubt it, though at the time the thought of killing him had never occurred to me.

And if these reasons were not sufficiently convincing, anyone with an understanding of the stratum in which he had become perhaps the most permanent feature would realize that for him, who was already forced to give large bribes to the secret police, to once disgorge money in that way would leave him open to a thousand ruinous attacks; and this may have been—this and the fear in which he was held—the real reason we were never stolen.

The iron shutter is (for I am writing now in my old dormitory room) hammered to resemble in a stiff and oversymmetrical way the boughs of a willow. In my boyhood it was overgrown by a silver trumpet vine (since dug up) which had scrambled up the wall from the court below, and I used to wish that it would close the window entirely and thus shut out the sun when we were trying to sleep; but David, whose bed was under the window, was forever reaching up to snap off branches so that he could whistle through the hollow stems, making a sort of panpipe of four or five. The piping, of course, growing louder as David grew bolder, would in time attract the attention of Mr. Million, our tutor. Mr. Million would enter the room in perfect silence, his wide wheels gliding across the uneven floor while David pretended sleep. The panpipe might by this time be concealed under his pillow, in the sheet, or even under the mattress, but Mr. Million would find it.

What he did with those little musical instruments after confiscating them from David I had forgotten until yesterday; although in prison, when we were kept in by storms or heavy snow, I often occupied myself by trying to recall it. To have broken them, or dropped them through the shutter onto the patio below would have been completely unlike him; Mr. Million never broke anything intentionally, and never wasted anything. I could visualize perfectly the half-sorrowing expression with which he drew the tiny pipes out (the face which seemed to float behind his screen was much like my father's) and the way in which he turned and glided from the room. But what became of them?

Yesterday, as I said (this is the sort of thing that gives me confidence), I remembered. He had been talking to me here while I worked, and when he left it seemed to me—as my glance idly followed his smooth motion through the doorway—that something, a sort of flourish I recalled from my earliest days, was missing. I closed my eyes and tried to remember what the appearance had been, eliminating any skepticism, any attempt to guess in advance what I "must" have seen; and I found that the missing element was a brief flash, the glint of metal, over Mr. Million's head.

Once I had established this, I knew that it must have come from a swift upward motion of his arm, like a salute, as he left our room. For an hour or more I could not guess the reason for that gesture, and could only suppose it, whatever it had been, to have been destroyed by time. I tried to recall if the corridor outside our dormitory had, in that really not so distant past, held some object now vanished: a curtain or a windowshade, an appliance to be activated, anything that might account for it. There was nothing.

I went into the corridor and examined the floor minutely for marks indicating furniture. I looked for hooks or nails driven into the walls, pushing aside the coarse old tapestries. Craning my neck, I searched the ceiling. Then, after an hour, I looked at the door itself and saw what I had not seen in the thousands of times I had passed through it: that like all the doors in this house, which is very old, it had a massive frame of wooden slabs, and that one of these, forming the lintel, protruded enough from the wall to make a narrow shelf above the door.

I pushed my chair into the hall and stood on the seat. The shelf was thick with dust in which lay forty-seven of my brother's pipes and a wonderful miscellany of other small objects. Objects many of which I recalled, but some of which still fail to summon any flicker of response from the recesses of my mind…

The small blue egg of a songbird, speckled with brown. I suppose the bird must have nested in the vine outside our window, and that David or I despoiled the nest only to be robbed ourselves by Mr. Million. But I do not recall the incident.

And there is a (broken) puzzle made of the bronzed viscera of some small animal, and—wonderfully evocative—one of those large and fancifully decorated keys, sold annually, which during the year of its currency will admit the possessor to certain rooms of the city library after hours. Mr. Million, I suppose, must have confiscated it when, after expiration, he found it doing duty as a toy; but what memories!

My father had his own library, now in my possession; but we were forbidden to go there. I have a dim memory of standing—at how early an age I cannot say—before that huge carved door. Of seeing it swing back, and the crippled monkey on my father's shoulder pressing itself against his hawk face, with the black scarf and scarlet dressing gown beneath and the rows and rows of shabby books and notebooks behind them, and the sick-sweet smell of formaldehyde coming from the laboratory beyond the sliding mirror.

I do not remember what he said or whether it had been I or another who had knocked, but I do recall that after the door had closed, a woman in pink whom I thought very pretty stooped to bring her face to the level of my own and assured me that my father had written all the books I had just seen, and that I doubted it not at all.

Copyright © 1972 by Gene Wolfe

Read More Show Less

Customer Reviews

Average Rating 5
( 6 )
Rating Distribution

5 Star

(5)

4 Star

(1)

3 Star

(0)

2 Star

(0)

1 Star

(0)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously
Sort by: Showing all of 6 Customer Reviews
  • Anonymous

    Posted June 4, 2014

    I have the first ediion paperback from the 70's - cover's torn,

    I have the first ediion paperback from the 70's - cover's torn, pages turned back. No telling how many times I've read it. The fact that I still have it is testimony to the haunting power of the book. It consists of three interrelated stories, but I can't begin to describe any of them. The stories proceed obliquely, in hints and allusions, insights from other stories, and beyond my ability to pin it down. It rewards rereading with new insights but I don't think there is a point where all the secrets are revealed. A beautifully written book.

    Was this review helpful? Yes  No   Report this review
  • Posted May 14, 2010

    A Great Author's Seminal Masterpiece

    Gene Wolfe left his engineering job in the sixties when his fiction began to be regularly published. Even so, this set of three intimately connected novellas, published in the early seventies, marks the true beginning of his career.
    The illuminating themes of all of Wolfe's best writing have been the questions and paradoxes of cognition and memory. "Is it possible to know anything... even though it is impossible to understand who or what I am that does this knowing?" It may be memory that makes us human, Wolfe might say, but perhaps it is forgetting that keeps us there.
    In all the thousands of wonderful pages of exquisitely detailed and intricately worked prose that Wolfe has given us over the decades, there is no better examination of these questions than in the three brief and resonant novellas that make up the body of The Fifth Head of Cerberus.
    Warning, a plot spoiler follows. A man, becoming a man, arises into awareness and wonders How. And wonders Why. And finally wonders... If.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted September 27, 2009

    No text was provided for this review.

  • Anonymous

    Posted June 4, 2014

    No text was provided for this review.

  • Anonymous

    Posted July 19, 2010

    No text was provided for this review.

  • Anonymous

    Posted March 24, 2010

    No text was provided for this review.

Sort by: Showing all of 6 Customer Reviews

If you find inappropriate content, please report it to Barnes & Noble
Why is this product inappropriate?
Comments (optional)