Publishers Weekly
Speakers or headsets will have to be turned up to listen to Jesse L. Martin's low, slow reading of Baldwin's classic long essay on racism and African-American identity. Martin seeks to be respectful of Baldwin, but he ends up rendering the meaning and the force of his work relatively inert. Pausing in poorly selected places, placing emphasis where little should be placed, Martin does not convey the precision and anger of Baldwin's prose. Instead, Baldwin's book becomes Great Literature, to be intoned and honored, but not truly grasped. Readers with an interest in Baldwin's work will be far better served by reading his prose to themselves than having Martin read it to them. A Vintage paperback.(Apr.)
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From the Publisher
"Basically the finest essay I’ve ever read. . . . Baldwin refused to hold anyone’s hand. He was both direct and beautiful all at once. He did not seem to write to convince you. He wrote beyond you." —Ta-Nehisi Coates
"So eloquent in its passion and so scorching in its candor that it is bound to unsettle any reader." —The Atlantic
JULY 2008 - AudioFile
There are few books that evoke the dreams and motivations of the "Age of Aquarius" as clearly as Baldwin's polemic on race and the future. Actor Jesse L. Martin effectively re-creates the tone and tenor of the author's view of America at the beginning of the 1960s. Martin chooses to eschew accents and flowery modulations and sticks to the story of Baldwin's fascinating encounter with Nation of Islam leader Elijah Muhammad and his own search for spiritual meaning in an America filled with racial strife. Most striking is Baldwin's reference to Robert Kennedy’s prediction that a black man would become the nation’s president sometime in the next forty years. THE FIRE NEXT TIME was published in 1963. R.O. © AudioFile 2008, Portland, Maine
