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| Jan Hammer | Primary Artist, Percussion, Piano, Drums, Keyboards, Moog Synthesizer, Mellotron, fender rhodes, Synthesizer Strings |
| Steve Kindler | Guitar, Violin, Vocals |
| David Earle Johnson | Percussion, Conga |
| Bob Belden | Reissue Producer |
| Jan Hammer | Producer, Engineer, Reissue Producer |
| Milton Glaser | Cover Illustration |
| Mark Wilder | Mastering |
| Arthur Levy | Liner Notes |
| Paula Scher | Art Direction |
| Randall Martin | Reissue Design |
| Seth Foster | Mastering |
Anonymous
Posted October 1, 2010
This is not your usual Jan Hammer. Consider this if you enjoy learning how an artist evolves through his career. Very enjoyable to listen to. A completely unique experience as it is not "pop" or "rock" or "jazz" - just electronic music that somehow is "musical" and embracing. The songs build on each other and present the first seven days as a complete set much like a symphony builds up in strength.
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Editorial Reviews
All Music Guide - Robert Gabriel
Mahavishnu Orchestra keyboard ace Jan Hammer offers up quite a thorough study in synthesizer technology with his second solo release, titled The First Seven Days. With the liner notes declaring "for those concerned, that there is no guitar on this album," Hammer makes it a point to further blur the distinction between the genres of jazz, rock, and classical music. Wishing to portray the first seven "days" of earth's creation, Hammer states that "assuming that each of these days lasted anywhere from one day to 100 million years, the scientific and biblical views do meet in certain points. These points were the inspiration for this album." His incorporation of the piano, ...