The French Face of Joseph Conrad
Joseph Conrad has generally been regarded as a novelist with "dual" Polish and English national affinities. This study argues for a triple identity by introducing the French face of Conrad's work, demonstrating that his knowledge of the French language and its literature has profound implications for the study of the novels. Yves Hervouet documents chronologically the influence of French authors including Flaubert, Maupassant and Anatole France, building up a picture of Conrad at work. This first large-scale account of Conrad's involvement with a French literary, aesthetic and philosophical tradition provokes an important reassessment of his creative originality. It should have a major impact on Conrad scholarship, and as a study of cross-cultural influence, it will be of interest to all students of comparative literature in the period.
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The French Face of Joseph Conrad
Joseph Conrad has generally been regarded as a novelist with "dual" Polish and English national affinities. This study argues for a triple identity by introducing the French face of Conrad's work, demonstrating that his knowledge of the French language and its literature has profound implications for the study of the novels. Yves Hervouet documents chronologically the influence of French authors including Flaubert, Maupassant and Anatole France, building up a picture of Conrad at work. This first large-scale account of Conrad's involvement with a French literary, aesthetic and philosophical tradition provokes an important reassessment of his creative originality. It should have a major impact on Conrad scholarship, and as a study of cross-cultural influence, it will be of interest to all students of comparative literature in the period.
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The French Face of Joseph Conrad

The French Face of Joseph Conrad

The French Face of Joseph Conrad

The French Face of Joseph Conrad

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Overview

Joseph Conrad has generally been regarded as a novelist with "dual" Polish and English national affinities. This study argues for a triple identity by introducing the French face of Conrad's work, demonstrating that his knowledge of the French language and its literature has profound implications for the study of the novels. Yves Hervouet documents chronologically the influence of French authors including Flaubert, Maupassant and Anatole France, building up a picture of Conrad at work. This first large-scale account of Conrad's involvement with a French literary, aesthetic and philosophical tradition provokes an important reassessment of his creative originality. It should have a major impact on Conrad scholarship, and as a study of cross-cultural influence, it will be of interest to all students of comparative literature in the period.

Product Details

ISBN-13: 9780521069298
Publisher: Cambridge University Press
Publication date: 07/31/2008
Pages: 372
Product dimensions: 5.90(w) x 9.00(h) x 1.00(d)

Table of Contents

Foreword; Acknowledgements; Abbreviations; Introduction; Part I. Conrad's French Literary and Cultural Background: 1. A part of Conrad's life; Part II. Conrad's Debt to French Authors: 2. The early fiction; 3. The first phase of maturity; 4. The second phase of maturity; 5. The third phase of maturity and the last decade; 6. Critical writings; Part III. Conrad's Philosophical and Aesthetic Inheritance: 7. Conrad and Anatole France; 8. Conrad and Gustave Flaubert; Part IV. Conclusion: 9. Conclusion appendix; Notes; Bibliography; Index.
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