Publishers Weekly
09/18/2023
Lawhon (Code Name Hélène) draws from the diary of an 18th-century midwife for the stirring story of one woman’s quest for justice. In 1789 Maine, 54-year-old midwife Martha Ballard is asked to help determine the cause of death for Joshua Burgess, an accused rapist whose body was found frozen in the river. Martha is convinced that Burgess was beaten and hanged before he was thrown into the water. Several months earlier, she treated a woman named Rebecca Foster for injuries sustained from rape, and Rebecca told her the assailants were Burgess and Joseph North, a judge. After a court determines there’s not enough evidence against North for a rape charge, despite Martha’s testimony about Rebecca’s injuries, a trial is arranged on different charges, but North disappears. Martha attempts to prove Burgess was murdered, hoping to bring scrutiny to North as a suspect in the killing, whose motive may have been to keep Burgess from testifying against him about the rape. Lawhon combines modern prose with the immediacy of her source material, making for an accessible and textured narrative. This accomplished historical powerfully speaks to centuries-old inequities that remain in the present day. Agent: Elisabeth Weed, The Book Group. (Dec.)
From the Publisher
An NPR Best Book of 2023
“The narrator of Ariel Lawhon’s The Frozen River is another stalwart heroine. . .detailed descriptions of the routines of village life give this narrative its intimate sense of connection — and set [the narrator] up for a pivotal confrontation.” —The New York Times Book Review
"Fans of 'Outlander’s' Claire Fraser will enjoy Lawhon’s Martha, who is brave and outspoken when it comes to protecting the innocent. . . impressive." —The Washington Post
“Compelling . . .a most uncozy mystery that addresses the unbalanced power dynamics of men and women, rich and poor.” —NPR, Weekend Edition
“Martha Ballard is not just a Maine midwife who’s never lost a patient. She’s also a truth speaker and a justice seeker in an era when women can’t even testify in court. . .Once again, Lawhon works storytelling magic with a real-life heroine.” —People Magazine, Book of the Week
“[Lawhon’s] gripping tale…feels like an authentic foray into the past and her wonderful heroine rings true. Indeed, Martha is so vividly rendered that it is hard not to become absorbed in her narrative and emotionally invested in her life. . . Martha’s journal entries flesh out further this tough, brave and resourceful woman. Her valiant fight against the evil that men do makes for a winning blend of fact and fiction.” —Minneapolis Star Tribune
"Part murder mystery, part historical fiction . . . this novel has a gothic, wintry feel that makes it an ideal fireside read.” —Real Simple
"A richly satisfying drama . . . A vivid, exciting page-turner from one of our most interesting authors of historical fiction.” —Kirkus, starred review
“Outstanding. . . Martha is an extraordinary character. . . Lawhon's first-rate tale should entrance readers passionate about early America and women’s history.” —Booklist, starred review
“Atmospheric, unique and elegantly written, The Frozen River will satisfy mystery lovers and historical fiction enthusiasts alike.” —BookPage, starred review
“Gripping. . . Examines the ripple effects of a crime in a small community—and paints a striking portrait of a woman devoted to healing and justice. . . Lawhon draws on the real Martha Ballard’s diary to construct her narrative, which contains a number of breathless twists and a large cast of hardscrabble characters. . . Lawhon’s novel is a riveting story of small-town justice and a fitting tribute to a quiet, determined heroine.” —Shelf Awareness, starred review
"A propulsive historical thriller with a contemporary sensibility." —Portland Press Herald
"The stirring story of one woman’s quest for justice. . . Lawhon combines modern prose with the immediacy of her source material, making for an accessible and textured narrative. This accomplished historical powerfully speaks to centuries-old inequities that remain in the present day." —Publishers Weekly
“Unputdownable. . . an intriguing protagonist, a twisty mystery, rich period detail. . . In a novel focused on weighty issues and worthy struggles, it was a joy to stumble across this standout, satisfying love story.” —Christian Science Monitor
"A thoroughly engaging, rich story with a murder mystery; secrets, gossip, and hypocrisy; a corrupt judge; a tightly knit community of villagers; women at the mercy of a patriarchal society; and the early stages of a developing justice system following the Revolutionary War. . . Turn the last page, and you will want more of this world she has created." —Historical Novel Society
“The Frozen River is so vivid, so textured and multilayered, that I felt I'd opened a door and entered post-revolutionary America, walking beside Lawhon's compelling characters in a time and place riven by hardship, disease, and misogyny, but also intense love and searing natural beauty. This novel was unlike anything I'd read before, and it left me awe-struck.” —Lauren Belfer, New York Times bestselling author of City of Light and Ashton Hall
“Simultaneously a mystery, a manifesto, and a memoir, The Frozen River resurrects both Martha’s story and the stories of those she fought for.” —Chapter 16
“This engrossing mystery . . . brings to life a fascinating woman who would otherwise be lost to time.” —First for Women
“Ariel Lawhon does an amazing job not only of bringing the historical period to life, but also of drawing parallels between Martha’s struggles and the continuing fight of victims to be believed here in the 21st century. . . Gripping and occasionally harrowing, this is historical fiction that reminds readers of how much we owe the pioneers of the past for the liberties we have today, and how we must fight never to let those hard-earned rights be taken away.” —Criminal Element
JANUARY 2024 - AudioFile
Listeners will be launched back to the eighteenth century by this audiobook, inspired by the diary of the American midwife and healer Martha Ballard. The story weaves Ballard's journal through Lawhon's thrilling mystery of rape and murder. Jane Oppenheimer gives life to this first-person account, which includes birth, death, rape, and family, as well as the challenges of life in early America. Oppenheimer handles Martha's voice smoothly and uses tone and cadence to expertly deliver the dialogue of the other characters in the story. Complex, twisting, with flashbacks and diary entries, this clever novel is handled beautifully by Oppenheimer. Imagine "Call the Midwife" meets Maisie Dobbs, and sit back and enjoy the ride. C.F. © AudioFile 2024, Portland, Maine
Kirkus Reviews
★ 2023-08-12
When a man accused of rape turns up dead, an Early American town seeks justice amid rumors and controversy.
Lawhon’s fifth work of historical fiction is inspired by the true story and diaries of midwife Martha Ballard of Hallowell, Maine, a character she brings to life brilliantly here. As Martha tells her patient in an opening chapter set in 1789, “You need not fear….In all my years attending women in childbirth, I have never lost a mother.” This track record grows in numerous compelling scenes of labor and delivery, particularly one in which Martha has to clean up after the mistakes of a pompous doctor educated at Harvard, one of her nemeses in a town that roils with gossip and disrespect for women’s abilities. Supposedly, the only time a midwife can testify in court is regarding paternity when a woman gives birth out of wedlock—but Martha also takes the witness stand in the rape case against a dead man named Joshua Burgess and his living friend Col. Joseph North, whose role as judge in local court proceedings has made the victim, Rebecca Foster, reluctant to make her complaint public. Further complications are numerous: North has control over the Ballard family's lease on their property; Rebecca is carrying the child of one of her rapists; Martha’s son was seen fighting with Joshua Burgess on the day of his death. Lawhon weaves all this into a richly satisfying drama that moves suspensefully between childbed, courtroom, and the banks of the Kennebec River. The undimmed romance between 40-something Martha and her husband, Ephraim, adds a racy flair to the proceedings. Knowing how rare the quality of their relationship is sharpens the intensity of Martha’s gaze as she watches the romantic lives of her grown children unfold. As she did with Nancy Wake in Code Name Hélène (2020), Lawhon creates a stirring portrait of a real-life heroine and, as in all her books, includes an endnote with detailed background.
A vivid, exciting page-turner from one of our most interesting authors of historical fiction.
