The Future That Was

Editorial Reviews

All Music Guide - Hal Horowitz
No one has to remind Josh Joplin that he's a vocal ringer for R.E.M.'s frontman. "I sound like Michael Stipe and I dream like Carl Jung", goes the opening line of "Happy at Last." And although other influences are at work here -- in particular a considerable debt to Elvis Costello's classic Imperial Bedroom -- it's Stipe's name that first comes to mind on Joplin's sophomore major-label release. Between his often bleak lyrics and mournful but not morose voice, this music is made for geeky college girls that hang out at the library rather than frolicking at the frat keg party. Shawn Mullins, a longtime supporter who assisted on Joplin's last album, is MIA but his inspiration...
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Editorial Reviews

All Music Guide - Hal Horowitz
No one has to remind Josh Joplin that he's a vocal ringer for R.E.M.'s frontman. "I sound like Michael Stipe and I dream like Carl Jung", goes the opening line of "Happy at Last." And although other influences are at work here -- in particular a considerable debt to Elvis Costello's classic Imperial Bedroom -- it's Stipe's name that first comes to mind on Joplin's sophomore major-label release. Between his often bleak lyrics and mournful but not morose voice, this music is made for geeky college girls that hang out at the library rather than frolicking at the frat keg party. Shawn Mullins, a longtime supporter who assisted on Joplin's last album, is MIA but his inspiration looms large. The spoken sections on the wordy "I Am Not the Only Cowboy" recall Mullins' similar approach. Producer Rob Gal keeps the focus on Joplin's voice, which is mixed way up front, with the rest of his group relegated to anonymous sideman status. Although there are some upbeat tracks, nothing rocks out, and the singer's clear enunciation makes this an album to be absorbed while reading the lyric sheet, not danced to or played at parties. There are no solos and few times when the artist isn't pontificating with his somewhat dour, hangdog outlook on life. Initially a bit chilly, Joplin's style gradually grows warmer as the disc unwinds. It also takes a few spins for many of the melodies to emerge from under the cloak of the melancholy vocals, ornate backing, and sometimes overwhelmingly literate words. But for those who relish in snuggling up to a good book on a Saturday night, The Future That Was provides refuge and Josh Joplin might end up as your new best friend. He's been there, done that, and has the album to prove it.
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Product Details

  • Release Date: 9/24/2002
  • Label: Artemis Records
  • UPC: 699675114329
  • Catalog Number: 51143
  • Sales rank: 259,013

Tracks

Disc 1
  1. 1 Must Be You (3:13)
  2. 2 Wonderful Ones (3:11)
  3. 3 Listening (4:07)
  4. 4 Siddhartha's of Suburbia (3:10)
  5. 5 It's Only Entertainment (3:01)
  6. 6 Dishes (2:52)
  7. 7 I Am Not the Only Cowboy (4:03)
  8. 8 Lucky (4:05)
  9. 9 Trampoline (2:59)
  10. 10 Fire (3:10)
  11. 11 Happy at Last (2:53)
  12. 12 The Future That Was (2:50)
  13. 13 Wonder Wheel (5:00)
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Album Credits

Performance Credits
Josh Joplin Primary Artist, Guitar, Vocals
Eric Taylor Percussion, Drums, Vocals
Allen Broyles Piano, Trombone, Trumpet, Keyboards, Vocals, Glasses
Rob Gal Bass, Guitar, Keyboards, Vocals
John Holbrook Tambourine, Vocals
Michael Lorant Vocals
Rudyard Lee Cullers Vocals
Technical Credits
Clay Johnson Road Manager
Allen Broyles String Arrangements
Rob Gal Producer, String Arrangements
John Holbrook Producer, Engineer
Howie Weinberg Mastering
John Alagia Mastering
Benjamin Niles Art Direction
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