The Future Was Here: The Commodore Amiga

Overview

Long ago, in 1985, personal computers came in two general categories: the friendly,
childish game machine used for fun (exemplified by Atari and Commodore products); and the boring,
beige adult box used for business (exemplified by products from IBM). The game machines became fascinating technical and artistic platforms that were of limited real-world utility. The IBM
products were all utility, with little ...

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The Future Was Here: The Commodore Amiga

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Overview

Long ago, in 1985, personal computers came in two general categories: the friendly,
childish game machine used for fun (exemplified by Atari and Commodore products); and the boring,
beige adult box used for business (exemplified by products from IBM). The game machines became fascinating technical and artistic platforms that were of limited real-world utility. The IBM
products were all utility, with little emphasis on aesthetics and no emphasis on fun. Into this bifurcated computing environment came the Commodore Amiga 1000. This personal computer featured a palette of 4,096 colors, unprecedented animation capabilities, four-channel stereo sound, the capacity to run multiple applications simultaneously, a graphical user interface, and powerful processing potential. It was, Jimmy Maher writes in The Future Was Here, the world's first true multimedia personal computer. Maher argues that the Amiga's capacity to store and display color photographs, manipulate video (giving amateurs access to professional tools), and use recordings of real-world sound were the seeds of the digital media future: digital cameras,
Photoshop, MP3 players, and even YouTube, Flickr, and the blogosphere. He examines different facets of the platform--from Deluxe Paint to AmigaOS to Cinemaware--in each chapter, creating a portrait of the platform and the communities of practice that surrounded it. Of course, Maher acknowledges, the
Amiga was not perfect: the DOS component of the operating systems was clunky and ill-matched, for example, and crashes often accompanied multitasking attempts. And Commodore went bankrupt in 1994.
But for a few years, the Amiga's technical qualities were harnessed by engineers, programmers,
artists, and others to push back boundaries and transform the culture of computing.

The MIT Press

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Editorial Reviews

From the Publisher

"At once challenging, rewarding, emotional, and insightful...a compelling read for those interested in the Amiga platform, as well as those interested to learn more about the culture of computing."--John F. Barber, Leonardo Reviews

The MIT Press

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Product Details

  • ISBN-13: 9780262017206
  • Publisher: MIT Press
  • Publication date: 4/30/2012
  • Series: Platform Studies
  • Pages: 344
  • Sales rank: 1,306,525
  • Product dimensions: 6.30 (w) x 9.00 (h) x 1.20 (d)

Meet the Author

Jimmy Maher is an independent scholar and writer living in Norway.
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Table of Contents

Series Foreword ix

Acknowledgments xi

1 "The Future Is Here" 1

2 Boing 11

3 Deluxe Paint 43

4 SSG and Sculpt-Animate 83

5 NewTek 111

6 AmigaOS and ARexx 143

7 The Scene 171

8 Cinemaware and Psygnosis 207

9 The Way the Future Was 249

Glossary 271

Notes 287

Bibliography 303

Index 315

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