“This is a warm and engaging Christmas story set during the Great Depression. Rebecca is nine years old when her large, close-knit family moves into a tarpaper farm house in Wisconsin. Because times are hard, she does not find the porcelain doll she had hoped for under the Christmas tree. Instead, her mother surprises her with a thick gingerbread doll named Button Marie, which she loves ‘in a way you could never love anything from a store.’ . . . These paintings (which are reminiscent of the work of Andrew Wyeth) convey a strong sense of the affection that pervades the family over the generations. The emphasis on such familiar things as family storytelling and rituals makes this a slice of Americana that the picture book crowd can savor.”—ALA Booklist
“Lloyd’s sharply observed realistic watercolors—in a palette somewhat grayed as if to recall old b&w photos—beautifully reflect this well-told story’s warmth and focus on essential values.”—Kirkus Reviews
Although her family's prosperity brings her increasingly nicer dolls as Christmas gifts, Rebecca is most fond of her gingerbread doll because it was made from love.
Overview
“This is a warm and engaging Christmas story set during the Great Depression. Rebecca is nine years old when her large, close-knit family moves into a tarpaper farm house in Wisconsin. Because times are hard, she does not find the porcelain doll she had hoped for under the Christmas tree. Instead, her mother surprises her with a thick gingerbread doll named Button Marie, which she loves ‘in a way you could never love anything from a store.’ . . . These paintings (which are reminiscent of the work of Andrew Wyeth) convey a strong sense of the