A FORBES, BUZZFEED, BOOK RIOT AND KIRKUS BEST BOOK OF THE YEAR
A NEW YORK PUBLIC LIBRARY AND CHICAGO PUBLIC LIBRARY BEST BOOK OF THE YEAR
A BUSTLE, REFINERY29, COSMOPOLITAN, BUZZFEED AND MARIE CLAIRE MOST ANTICIPATED BOOK OF 2021
A BEST BOOK OF JANUARY 2021 ON POPSUGAR, E! ONLINE, BOOK RIOT, BITCH MEDIA, LGBTQREADS, AND CULTURESS
A NEW YORK PUBLIC LIBRARY BEST BOOK OF THE YEAR
A COSMOPOLITAN 100 BEST YA BOOKS EVERYONE SHOULD READ, REGARDLESS OF THEIR AGE
AN ALA RISE: FEMINIST BOOK PROJECT AND ALA RAINBOW BOOK LIST SELECTION
★ “A captivating, explosive, and satisfyingly queer thriller.” —Kirkus, starred review
★ "An arrestingly incisive narrative . . . fiercely captivating and impressively characterized, this tightly plotted thriller is engrossing from start to finish." Booklist, starred review
★ "Not since Veronica Mars have hardscrabble swagger, enormous grief and teenage noir been combined into such a satisfying piece of storytelling. The Girls I've Been is a heart-wrenching, perfectly paced, cinematic thriller . . . a romance, a tragedy and a story about reclaiming agency and power. It is a triumph." —Bookpage, starred review
"YA thriller fans, The Girls I've Been is the perfect read for you." —BuzzFeed
"This action-packed story sizzles with suspense . . . In this thriller, characters prove that they can rely on their strength, friendship, and desire to be the confident and caring people they know themselves to be." —School Library Journal
"Sharpe (Barbed Wire Heart) focuses as much on [Nora's] trauma—and the systems of power that enable and excuse abuse—as on mystery and heart-pounding action . . . the small, complex cast of characters and emotional core make this a poignant thriller." Publishers Weekly
"The tension is absolutely nailbiting." —The Bulletin of the Center for Children's Books
“A non-stop thrill ride… This book is so INTENSE. It jumps back and forth from the robbery in progress to Nora’s earlier life with her mother, a con woman married to a dangerous man. It’s so well done, extremely cinematic.” —Book Riot
“If you’re looking for a queer YA contemporary book with complex characters, loads of action to keep you reading WAY past your bedtime — and a story so well written I might have shed a tear over it — you need to read The Girls I’ve Been by Tess Sharpe. It will keep you captivated until the last page.” —Culturess
“Quick, full of plot twists and reveals that will have the reader on the edge of their seat . . . Strong female leads and well-written characters.” —Screen Rant
11/30/2020
Ex-grifter Nora O’Malley, who’s 18 and bisexual, finds herself in an uncomfortable situation after her ex-boyfriend Wes walks in on her kissing their mutual friend and her girlfriend, Iris. Before the three can work things out, they’re taken hostage during a bank robbery in their small California town—and there’s no guarantee they’ll make it out alive. In order to save Wes and Iris, Nora must confront and make use of a past she’s tried to leave behind. The first-person narrative gracefully shifts between Nora’s childhood as her con artist mother’s apprentice and the present, a structure that reinforces how inextricably the two are intertwined. Nora is a survivor of domestic, psychological, and sexual abuse, and was forced by her mother to adopt multiple identities, leaving her relationship with herself unsteady, and Sharpe (Barbed Wire Heart) focuses as much on her trauma—and the systems of power that enable and excuse abuse—as on mystery and heart-pounding action. Pacing is off in the book’s final act, somewhat undermining an otherwise affecting conclusion, but the small, complex cast of characters and emotional core make this a poignant thriller. Ages 14–up. Agent: Jim McCarthy, Dystel, Goderich & Bourret. (Jan.)
12/01/2020
Gr 9 Up—Until she was 12 years old, Nora, who is white, had many names. Each came with a unique personality designed to help her mother complete the con she ran with the men she targeted. Beautiful and blonde, athletic with dark braids, and other appearances, each girl served a purpose to pull the most money out of the game. The last con ended when her mother fell in love with a man who knew the game far better than she, leading to a disastrous confrontation that sends him and Nora's mother to prison. Rescued by her older sister, Lee, who escaped the same family dynamic, Nora is helped by therapy, her white best friend Wes, and her new love, freckled brunette Iris. Also children of abuse, they help her to regain a sense of who she really is. All of this is threatened, however, when one day they happen to be in a bank as a robbery unfolds. This action-packed story sizzles with suspense as Nora quickly grasps that this is a situation she not only understands, but all that she has learned until now can work in her favor. She is going to run a daring con to facilitate their escape. Told in alternating chapters as the bank con unfolds, readers meet each of the girls that Nora became, the results of their cons and how each shapes her, giving her the skills she uses now to escape. But Nora can't do this alone. VERDICT In this thriller, characters prove that they can rely on their strength, friendship, and desire to be the confident and caring people they know themselves to be.—Connie Williams, Petaluma, CA
★ 2020-11-26
When three friends find themselves in a hostage situation, they must share their biggest secrets in order to survive.
Beginning at age 7, Nora (not her real name) molded herself into the perfect daughter personas her mother created for each of her high-stakes sweetheart cons. Each false identity taught her something new: creativity, deceit, fear, sacrifice, cunning. It’s been 5 years (and many therapy sessions) since her half sister, Lee (not her real name, either), helped her escape their mom’s toxic clutches, but at 17, Nora still can’t quite settle into normal civilian life. So when she’s taken hostage in an attempted bank robbery alongside her girlfriend, Iris, and her ex-boyfriend, Wes, who is also friends with Iris, she instinctively conjures up the girls she’s been to get them all out alive. Bracketed by present-day phone transcripts, Nora’s whip-smart, matter-of-fact narration unfolds in intricate, nonlinear layers to reveal just enough of her past for readers to understand exactly what she’s capable of and what she’s planning now. Though Nora’s past drives the plot, her relationship with Iris dramatically shapes the present. Nora is openly and confidently bisexual, and while Lee’s sexuality is ambiguous, she’s also had a significant same-sex relationship. All major characters are presumed White.
A captivating, explosive, and satisfyingly queer thriller. (Thriller. 13-18)