The Globe Sessions

( 7 )

Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
Since her dense, varied, postmodernist eponymous second album illustrated that Sheryl Crow was no one-album wonder, she wasn't left with as much to prove the third time around. Having created an original variation on roots rock with Sheryl Crow, she was left with the dilemma of how to remain loyal to that sound without repeating herself on her third album, The Globe Sessions. To her credit, she never plays lazy, not when she's turning out Stonesy rockers "There Goes the Neighborhood" or when she's covering Dylan the remarkable "Mississippi," an outtake from Time Out of Mind. However, she has decided to abandon the layered, yard-sale production and pop culture ...
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Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
Since her dense, varied, postmodernist eponymous second album illustrated that Sheryl Crow was no one-album wonder, she wasn't left with as much to prove the third time around. Having created an original variation on roots rock with Sheryl Crow, she was left with the dilemma of how to remain loyal to that sound without repeating herself on her third album, The Globe Sessions. To her credit, she never plays lazy, not when she's turning out Stonesy rockers "There Goes the Neighborhood" or when she's covering Dylan the remarkable "Mississippi," an outtake from Time Out of Mind. However, she has decided to abandon the layered, yard-sale production and pop culture fixations that made Sheryl Crow a defining album of the mid-'90s. The Globe Sessions, instead, is the work of a craftswoman, one who knows how to balance introspective songs with pop
ockers, one who knows how to exploit her signature sound while becoming slightly more eclectic. In that sense, the album is a lot like a latter-day album from her idols, the Stones -- it finds pleasures within the craft and the signature sounds themselves. That means that there are no surprises apart from the synthesized handclaps, of course. The Celtic homage "Riverwide" may be new, but it's not unexpected, much like how the whiplash transition in "Am I Getting Through" isn't entirely out of the blue. That's not necessarily a bad thing, though, since The Globe Sessions has a strong set of songs. Since it lacks the varied sonics, humor, and flat-out weirdness of Sheryl Crow, it's never quite as compelling a listen as its predecessor, yet it is a strong record, again confirming Crow's position as one of the best roots rockers of the '90s.
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Product Details

  • Release Date: 9/23/2003
  • Label: A&M
  • UPC: 602498608296
  • Catalog Number: 000116019

Album Credits

Performance Credits
Sheryl Crow Primary Artist, Organ, Acoustic Guitar, Bass, Guitar, Harmonica, Percussion, Bass Guitar, Electric Guitar, Keyboards, Hammond Organ, Tambourine, Vocals, Clavinet, 12-string Guitar, national steel guitar, Wurlitzer, Guitar (12 String Electric), Guitar (12 String Acoustic)
Michael Davis Trombone
Lisa Germano Violin, Autoharp, Soloist
Benmont Tench Organ, Piano, Hammond Organ, chamberlain
Jim Bogios Drums
Mark Feldman Violin
Mitchell Froom Clavinet, Performing Ensemble
Jimmie Haskell Conductor
Bobby Keys Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Soloist
Greg Leisz Pedal Steel Guitar, Pedal Steel Banjo
Val McCallum Guitar, Electric Guitar
Dan McCarroll Drums
Wendy Melvoin Bass, Guitar
Lorenza Ponce Violin
Laura Seaton Violin
Kent Smith Trumpet
Jeff Trott Acoustic Guitar, Bass, Guitar, Electric Guitar, 12-string Guitar, Moog Synthesizer, Slide Guitar, Tremolo, Guitar (Tremolo), Guitar (12 String Acoustic)
Mary Wooten Cello
Garo Yellin Cello
Michelle Kinney Cello
Avril Brown Violin
Dan Rothchild Bass, Double Bass
Jane Scarpantoni Cello
Trina Shoemaker Drum Loop
Todd Wolfe Electric Guitar, Soloist
Maura Giannini Violin
Matthew Pierce Violin
Gregg Williams Percussion, Drums, Tambourine, Rums
Tim Smith Acoustic Guitar, Bass, Electric Guitar
Kathy Crow Vocals
Mary L. Rowell Violin
Greg Liesz Pedal Steel Guitar
Technical Credits
Sheryl Crow Composer, Producer
Tchad Blake Inlay Photography
Jimmie Haskell Arranger, String Arrangements, String Conductor
Rory Kaplan Executive Producer
Bob Ludwig Mastering
Rick Rubin Producer
David Schiffman Engineer
David Tickle Mastering
Trina Shoemaker Engineer
Jeri Heiden Art Direction
Gregg Williams Programming
Pam Wertheimer Management
Scooter Weintraub Management
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Customer Reviews

Average Rating 5
( 7 )
Rating Distribution

5 Star

(6)

4 Star

(1)

3 Star

(0)

2 Star

(0)

1 Star

(0)

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Sort by: Showing all of 7 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    Sheryl Crow Never Ceases to Amaze...

    With her album the Globe Sessions she proves she can keep on going and recording records, while maintaning her popularity. She is a wonderful performer and never ceases to amaze with her unpredictable ways.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted October 1, 2010

    Sheryl sings it all!

    Sheryl Crow is one lady who sings about the myriad characters in life. What with 'Oh Marie', her views on politicians, lawyers, rich kids, girls like 'sweet Rosalyn'...truly depict the multi-faceted human triumphs and foibles. Recently I loved 'Anything but down' and 'My favourite mistake', oh yeah? and 'crash and burn'.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted October 1, 2010

    A great album...

    She is the best, that's really all I have to say, well, it's all I can say. Very talented, beautiful, and awsome, you can't ask for a better singer.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted October 17, 2008

    No text was provided for this review.

  • Anonymous

    Posted July 7, 2010

    No text was provided for this review.

  • Anonymous

    Posted June 4, 2010

    No text was provided for this review.

  • Anonymous

    Posted November 14, 2008

    No text was provided for this review.

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