Golden Hour

Golden Hour

5.0 2
by Firewater
     
 

In photography, the golden hour is when the sunlight is at the perfect angle to capture beautiful images; in the medical world, it's the window of time where a life can still be saved after severe injuries. Both meanings could apply to The Golden Hour, Firewater's first album of original material in four years: it's a musicalSee more details below

Overview

In photography, the golden hour is when the sunlight is at the perfect angle to capture beautiful images; in the medical world, it's the window of time where a life can still be saved after severe injuries. Both meanings could apply to The Golden Hour, Firewater's first album of original material in four years: it's a musical travelogue of the three years Tod A. spent in India, Turkey, Pakistan, and Indonesia (which he also chronicled in the blog Postcards from the Edge of the World) after his divorce and the reelection of President George W. Bush in 2004, and each song is like a vibrant, sometimes violent, snapshot along the way. A.'s travels were no vacation -- if anything, there's a sharper edge to his songwriting here than in years, and combined with the contributions of local musicians from each country, The Golden Hour is some of Firewater's most consistently potent music. The album underscores its concept by kicking off with "Borneo," a jaunty, pissed-off exit song listing all the reasons for leaving the U.S. ("You got a monkey for a president" is near the top) with theatrical flair, and from there, A. and crew -- including drummer/producer Tamir Muskat of Balkan Beat Box -- find ways to dance on their troubles with quintessentially Firewater songs like "Hey Clown," "Already Gone," and "Three Legged Dog." The band ups the ante with "This Is My Life," where the tumba, chimta, and dholki of the native musicians (many of whom normally play in the backing bands for belly dancers) add an extra spark to the song's already fiery rhythm. But for every brash moment on The Golden Hour, there is an equally vulnerable one, whether it's the cautionary tales of "Paradise" and "A Place Not So Unkind" or "Six Forty Five," an elegant ballad filled with emptiness as it wanders from sunset to sunrise. On "Weird to Be Back," Tod A. notes that "everything's the same or maybe just a little worse," but that can't be said of The Golden Hour -- it's some of Firewater's angriest, most poignant, and most accomplished music.

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Product Details

Release Date:
05/06/2008
Label:
Bloodshot Records
UPC:
0744302015224
catalogNumber:
152
Rank:
150393

Related Subjects

Tracks

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Album Credits

Performance Credits

Firewater   Primary Artist
Tod A.   Vocals,farfisa organ,Loops,Shaker
Avi Lebovich   Trombone
Itamar Ziegler   Acoustic Guitar,12-string Guitar,Acoustic Bass
Tamir Muskat   Percussion,Drums,Background Vocals,Shaker
Orçun Bastürk   Dumbek,Djembe,Udu
Uri Brauner Kinrot   Acoustic Guitar,Banjo,Electric Guitar,Electric Banjo
Lal Chand Baral   Dhol
Tomer Yosef   Banjo,Darbouka,Djembe,Floor Tom,Metal Percussion
Sain Muhammad Ali   Vocals,Tumba
Gulsah Guray   Spoken Word
Amdad Hussain   Dholki
Ijaz Hussain   Harmonium
Mangu Khan   Hand Clapping,Dhol
Tikay Khan   Vocals
Levantine Boys Choir   Vocals,Hand Clapping
Ozun Usta   Drums,Djembe,Ghatam

Technical Credits

Alan Ward   Mastering
Tod A.   Engineer,Cover Design
Tamir Muskat   Producer
Danny Shatzky   Engineer
Tomer Yosef   Contributor
Andrew Coppin   Documentation
Burok Tamer   Engineer

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