Read an Excerpt
  The Grand Contraption 
 The World as Myth, Number, and Chance 
 By David Park  Princeton University Press 
 Copyright © 2005   Princeton University Press 
All right reserved. 
   Chapter One 
 VOICES FROM THE SANDS     When my hair was half done   I remembered I love you   I forgot my hair   I ran to find you   Now let me finish   I'll only be a minute.   - Egyptian, before 1200 BCE  
 IN ANCIENT MESOPOTAMIA or in the valley of the Nile, you could look around  at a landscape interrupted only by a farmhouse or a town or a temple and  imagine that the world continued like that. What would happen if you just  walked in a straight line, day after day? If there is an edge, would it be  a wall or more like the edge of a table? If a wall, what lies behind it?  If a table, what would you see if you looked down? And if you could fly  straight up, would you hit something? And finally, in those days everybody  knew that the world is full of supernatural beings that you never saw. Is  there a domain somewhere on Earth or perhaps up in the sky where these  beings spend their time? Unless they are invisible, they have to be  somewhere. This chapter is about how people have imagined the layout of  the Earth and the regions around it, how the Earth started, and some  things that have happened to change it. It is just a beginning; these  questions will be looked at from many angles as the story develops.  
 
 1.1 THE BIBLICAL UNIVERSE  
   In the beginning God created the Heaven and the earth. And the earth was   without form, and void;and darkness was upon the face of the deep. And   the Spirit of God moved upon the face of the waters. And God said, Let   there be light: and there was light. And God saw the light, that it was   good: and God divided the light from the darkness. And God called the   light Day, and the darkness he called Night. And the evening and the   morning were the first day. 
    And God said, Let there be a firmament in the midst of the waters,   and let it divide the waters from the waters. And God made the   firmament, and divided the waters which were under the firmament from   the waters which were above the firmament: and it was so. And God called   the firmament Heaven. And the evening and the morning were the second   day.   On the third day God separated land from water beneath the firmament and  created the vegetable kingdom; on the fourth: Sun, Moon, and stars; on the  fifth: birds and fish; on the sixth: animals, a man, and a woman, and on  the seventh day he rested.  
 The mind cries out for more. Why was all this done, and how? The Bible  doesn't say. Was the watery waste there to begin with? Some Judaic  commentators imagine a wild chaos that had to be tamed by an act of will  before the work of creation could begin. Others say no: first there was  nothing, then water, then light. We shall return to the question in  chapter 5. What is clear is that the watery waste came first, and next  came light and the imposition of a plan where there was no plan. Where do  we look if we want to see the plan? Look at a forest or a pond. Each is a  collection of plants and animals, insects and creatures too small to see.  No appearance of order there, but think how they combine to make a living  environment. One creature eats another; later it nourishes a third. A bee  on the way to its hive leaves a grain of pollen on a flower whose seed  will nourish other creatures. Flowers bloom at different times so that  bees will be kept busy. The order of the natural world is more apparent in  the way it functions than in the way it looks.  
 When the Bible begins all we see is water, but underneath is a layer of  earth. So that this can appear, God creates a great sky-vault known as the  firmament. One might have supposed that its purpose, in that barren land,  was to raise the celestial waters above the earth, but the Bible says it  was to separate water from water. Even in a dry countryside, every  inhabited place is near water, flowing on the surface or a few feet down  in a well. You may remember that a few generations later, when the Flood  came, water spurted out of the ground to augment the rain. The authors of  Genesis saw humanity living in a bubble with water above and below. A  midrash, or comment, says: "Why did he separate them? Because the upper  water is a male, whilst the nether water is female, and when they desired  to unite they threatened to destroy the world. The water roared up  mountains and hurtled down hills, the male in hot pursuit of the female,  until the Holy One, blessed be He, rebuked them ... Between the upper  and nether worlds are but three finger breadths, and the vault of the  firmament interposes to keep them apart." We shall see that the bubble has  a long history.  
 The vault is raqia in Hebrew; the word often refers to a pot hammered out  of copper. Later, when Job's young neighbor Elihu reproaches him for his protest against God's injustice, he contrasts God's greatness with that of  any mortal: "Can you as he [did] beat out the vault of the skies, hard as  a mirror of cast metal?" Beneath the vault moved the Sun, stars, and  angels. How high was it? When Moses took Aaron and seventy elders of  Israel to meet with the Lord, they walked up Mount Sinai "and they saw the  God of Israel. Under his feet there was, as it were, a pavement of  sapphire, clear blue as the very heavens." There is an inconsistency here,  for later the Lord told Moses, "No man shall see me and live." The  conventional explanation is that the seventy elders saw the vault from  below. Figure 1.1, from the Regensberg Pentateuch, c. 1300, shows Moses  receiving the Ten Commandments and handing them to the Elders below. The  Lord stands on a vault painted blue. Moses stands on what is perhaps a  tree stump and is careful not to look behind him.  
 Here, then, is a vision of a world that functions with the aid of divine  powers. In modern terms it resembles a submarine with windows. From time  to time the windows are opened to let water come in and nourish the rivers  and soil, and for a few years manna dropped down from Heaven to relieve  the Lord's people as they wandered in the desert. Above the vault was  water; perhaps on its shore was the City of God where Ezekiel, seated on a  sapphire throne, saw a figure resembling a man who spoke to him and told  him to prophesy.   That is about all we learn about the geography of Heaven from the  canonical scriptures, but later writers filled what they must have  perceived as a vacuum. The most complete account, and the source of many  conventional ideas of Heaven, is the apocryphal Apocalypse of Paul, a  Greek text that probably originated in Egypt about the middle of the third  century. It takes off from a passage in 2 Corinthians 12 in which Saint  Paul says that he once felt he was "caught up into paradise, and heard  unspeakable words, which it is not lawful for a man to utter." Later, his  guardian angel shows him the mysteries of Heaven and Hell. After Paul has  seen how the souls of the recently dead are sorted out according to their  deserts, he is raised to the third and highest heaven. The angel leads him  through a gold door above which are inscribed the names of the just-not  only their names but their pictures, so that every angel will know them.  Paul is greeted by Enoch and Elijah and is shown the premises, but he is  forbidden to tell anyone what he has seen or heard.  
 Then the angel carries Paul down to a place where they stand on top of the  firmament. This is paradise, the second heaven. As one might expect, there  is a river of milk and honey, and countless trees bear a variety of  fruits. A grape arbor contains ten thousand vines, each one supporting ten  thousand thousand bunches and in each of these a thousand single grapes.  Paul and the angel walk to the Acherusian Lake, whiter than milk, on which  is a golden ship, "and about three thousand angels were singing a hymn  before me till I arrived at the City of Christ, all of gold and encircled  with twelve walls ... And there were twelve gates in the circuit of the  city, of great beauty, and four rivers that encircle it." The river of  honey is called Pison, that of milk is Euphrates, that of oil is Gion, and  the river of wine is Tigris. On their banks he is greeted by several Patriarchs. Except for Tigris, the names of these rivers are the same as  those in Genesis 2:10 given to the four rivers that flow from (and not  around) the Garden of Eden. In the center of the city, next to a great  altar, stands David, holding a psaltery and harp. He sings "Alleluia!" in  a voice that fills the city, and the people respond with an alleluia that  shakes its foundations.  
 The story skips over the first heaven, which I suppose is Eden (we will  look for it in the Intermission); then Paul is shown the torments of Hell.  This much will do, and we can go back to the scriptural account.  
                 * * *  
 Below the ground and its surface waters, far down, lay Sheol, where the  dead pass their silent existence. Classical Judaism is concerned with the  fate of the community of Israel more than with that of individuals, but in  about the fourth century BCE the author of the Book of Ecclesiastes tells  what the dead may expect: "One and the same fate comes to all, just and  unjust alike, good and bad ... True, the living know that they will die;  but the dead know nothing. There is no more reward for them; all memory of  them is forgotten." But Ecclesiastes always takes a gloomy view, and later  books of the Bible suggest an afterlife. Perhaps two hundred years after  Ecclesiastes, the prophet Daniel foretells the end of the world when the  Jews will at last be delivered, and "many of those who sleep in the dust  of the earth will awake, some to everlasting life and some to the reproach  of eternal abhorrence. The wise leaders will shine like the bright vault  of Heaven, and those who have guided the people in the true path will be  like the stars for ever and ever."   It is easy enough to draw diagrams of the cosmos as the Bible describes  it, and many have done so, but as one reads the text it is clear that the  writers were not thinking in diagrams. The visions are fragmentary, but no  one tells us what lies below Sheol or how a city can be poised above the  firmament. These are idle questions; they have nothing to do with the  story and are not thought about. In fact, in the Mishnah, a collection of  teachings of early rabbis, one of the rabbis declares: "Whosoever reflects  on four things, it were better for him if he had not come into the  world-what is above; what is beneath; what is before, and what is after."  
 Compare this sketch of the cosmos with the actuality of Palestine's stony  landscape, and see how much imagination has added to it, all around,  above, below. That is the biblical model, but what a model looks like is  only part of the story. Much more interesting is how it functions. But  before we go further with the miraculous bubble that Genesis describes, we  had better look inside some other bubbles that had already formed nearby.  
 
 1.2 TALES FROM SUMER AND EGYPT  
 History starts in Sumer and Egypt; before that we had spearpoints, pots,  and silence. History is defined as written, and since about 3300 BCE  Sumerian and Egyptian texts have survived: Sumerian on clay tablets marked  with a stick and then baked, Egyptian scratched into stone. Sumerian was  spoken in what is now southern Iraq, where the Tigris and Euphrates flow  into the Persian Gulf, and its speakers were the dominant power there for  the next thousand years. The oldest Sumerian writings are receipts and tax  records, but after a few centuries came libraries and literature. The  Sumerians' language is unrelated to any other that is known. It was  deciphered because when the Akkadians, a new population, arrived, they  produced bilingual inscriptions as well as handbooks for translating  Sumerian documents into their own Semitic tongue which can be read. Spoken  Sumerian died out, but just as ancient Greek survives among us, the  richness of Sumerian literature kept the written language alive for  another two millennia.  
 One broken Sumerian tablet, inscribed about 2100 BCE-a thousand years  before the earliest parts of the Bible were written-introduces an epic  poem with a preface that tells how the world began:  
   After Heaven had been moved away from Earth,   After Earth had been separated from Heaven,   After the name of man had been fixed ...  
 
 From the Akkadians a couple of centuries later, we learn how the  separation took place. In this version, known as the Enuma elish, Apsu and  Tiamat are lovers; Apsu is the fresh water under the earth, and his  consort Tiamat is the stormy and untamed sea. (The watery waste in Genesis  is called tehom, related to Tiamat.) The story begins:  
   When skies above were not yet named   Nor Earth below pronounced by name,   Apsu, the first one, their begetter   And maker Tiamat, who bore them all,   Had mixed their waters together,   But had not formed pastures, nor discovered reed-beds;   When yet no gods were manifest,   Nor names pronounced, nor destinies decreed,   Then gods were born within them.  
 
 Apsu and Tiamat are fresh and salt water, but they are bodies also, and  the sons born of their union are imprisoned inside Tiamat or between the loving parents. After a while, the sons begin to make so much noise that  Apsu can't sleep. With the aid of an evil counselor he plots to kill them,  but they learn of the plan. There are struggles; Tiamat brings forth an  army of dragons and poisonous snakes, perhaps as depicted in figure 1.2.  The fighting goes on, and finally Marduk, one of Tiamat's descendants,  organizes an army of gods, defeats Tiamat, and, in the language of  Genesis, separates the waters from the waters. The story turns into blood  and thunder and Marduk kills his mother. "He divided her monstrous shape  and created marvels from it. He sliced her in half like a fish for drying:  half of her he put up to roof the sky"; then he puts up constellations  corresponding to the great gods, makes the Moon and decrees its changes,  and creates various geographical features out of her entrails; the details  are not pretty. Finally, he executes the evil counselor, and from his  blood he creates humankind so that the gods will no longer have to toil in  fields and irrigation ditches to support themselves.  
 Those first human beings were useful for labor but they were rough and  barbarous, almost like animals. Then out of the Persian Gulf crawled a  strange creature. It had the body of a fish, but attached to it underneath  were the head and feet of a man (fig. 1.3). It announced its name as  Oannes and began teaching humans the arts of civilization: writing,  mathematics, agriculture, how to build a city, how to make laws. Each  night it returned to the water, and after it had finished its mission it  was seen no more.  
 Is it strange to portray the sky as a creature's body, or half of one? I  suspect nobody, if asked, would have said he or she thought that Tiamat's  huge bulk was actually up there. The history of language gives some  insight. There is no gender in Sumerian, but in the old Semitic languages,  which include Akkadian and the ancestors of modern Hebrew, everything was  either masculine or feminine. Proto-Indo-European seems to have had a few  words with neuter gender, and its descendants Latin and Greek had more.  Modern Greek and German have kept the neuter, but it has dropped from  French and Italian and the other Romance languages descended from Latin.  English speakers encounter gender as a ridiculous and unnecessary bother,  but at the time the ancestral tongues were developing it seems that their  speakers regarded everything around them as having some qualities of life  and every process as more or less a living process. If this is so, then  for them distinctions of gender must have been as essential to talking  about a thing as they are for us when we talk about a person. Collectors  of the world's myths find that in many of them, as in the Akkadian story,  Earth and Sky are portrayed as living creatures.  
 (Continues...) 
   
 
 Excerpted from The Grand Contraption by David Park Copyright © 2005  by Princeton University Press.  Excerpted by permission.
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