The Graveyard Book Graphic Novel: Volume 2

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Overview

It Takes a Graveyard to Raise a Child.

Nobody Owens, known as Bod, is a normal boy. He would be completely normal if he didn't live in a graveyard, being raised by ghosts, and didn't have a guardian who belongs to neither the world of the living nor the dead.

There are adventures in the graveyard for a boy, and if Bod leaves, he will be in danger from the man Jack—who has already killed Bod's family. Despite the danger, Bod wants to leave the ...

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Overview

It Takes a Graveyard to Raise a Child.

Nobody Owens, known as Bod, is a normal boy. He would be completely normal if he didn't live in a graveyard, being raised by ghosts, and didn't have a guardian who belongs to neither the world of the living nor the dead.

There are adventures in the graveyard for a boy, and if Bod leaves, he will be in danger from the man Jack—who has already killed Bod's family. Despite the danger, Bod wants to leave the graveyard to attend school with the living and find out more about his family's murder. But when Bod uses the Fear on two bullies and gets too close to the man Jack, he will put more things at risk than he knows.

Each chapter in this adaptation by P. Craig Russell is illustrated by a different luminary from the comic book world, showcasing a variety of styles from a breadth of talent. Together, they bring Neil Gaiman's award-winning, nationally bestselling novel The Graveyard Book to new life in this gorgeously illustrated two-volume graphic novel adaptation.

This volume includes Chapter Six through the end of the book.

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Editorial Reviews

School Library Journal
10/01/2014
Gr 5 Up—Starting off where the first volume (2014) of Russell's graphic novel adaptation of Gaiman's The Graveyard Book (2008, both HarperCollins) ended, this title covers the second half of the original book. Orphan Nobody "Bod" Owens continues his education with the help of the ghostly graveyard residents, but soon experiences growing pains as he interacts more and more with the outside world of the living. His guardian Silas enrolls Bod in a human school, where the boy's sense of right and wrong battles against his instincts to remain forgettable to his classmates and teachers. In the following segment—the most action-packed and thought-provoking—Bod is reunited not only with his childhood friend Scarlett but also with the murderous Jack, responsible for his family's deaths. Now a teen, the protagonist grapples with feelings of revenge, honor, and even puppy love, all leading up to the work's climax. A bittersweet and hopeful conclusion will tug at the hearts of readers and followers of Gaiman and Russell's work. This volume's art style and pacing is more cohesive and even than the first, perhaps due to the longer chapters and the variety in settings. Underlying messianic themes and the striking juxtaposition of the evil clan of human assassins and the benevolent band of noble monsters begs classroom discussion. Essential reading for fans of Gaiman's original and those who enjoyed the first entry.—Shelley Diaz, School Library Journal
Booklist
“Volumes 1 and 2 are a grand, elegant envisioning of Gaiman’s dark imagination...fans of thelauded first volume of the project will eagerly turn out for this artful conclusion.”
Bulletin of the Center for Children’s Books (starred review)
“All the strengths of the first volume carry forward under the direction of established Gaiman collaborator and adaptor P. Craig Russell. Full-color panels by a variety of artists convey Gaiman’s prose faithfully, with all its eerie and emotional impact.”
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Product Details

  • ISBN-13: 9780062194831
  • Publisher: HarperCollins Publishers
  • Publication date: 10/7/2014
  • Pages: 176
  • Sales rank: 45,743
  • Age range: 8 - 12 Years
  • Product dimensions: 6.20 (w) x 9.10 (h) x 1.60 (d)

Meet the Author

Neil Gaiman is the #1 New York Times bestselling author of more than twenty books for readers of all ages, and the recipient of numerous literary awards, including the Shirley Jackson Award and the Locus Award for Best Novelette for his story "The Truth Is a Cave in the Black Mountains." Originally from England, he now lives in America.

P. Craig Russell lives in Kent, Ohio, and has spent forty years producing graphic novels, comic books, and illustrations. He is well-known for his graphic novel adaptations of Neil Gaiman's Coraline and Sandman: The Dream Hunters, as well as his Fairy Tales of Oscar Wilde series. His work ranges from such mainstream titles as Batman, Star Wars, and Conan to adaptations of classic operas and a Jungle Book series. He has won several Harvey and Eisner Awards.

P. Craig Russell lives in Kent, Ohio, and has spent forty years producing graphic novels, comic books, and illustrations. He is well-known for his graphic novel adaptations of Neil Gaiman's Coraline and Sandman: The Dream Hunters, as well as his Fairy Tales of Oscar Wilde series. His work ranges from such mainstream titles as Batman, Star Wars, and Conan to adaptations of classic operas and a Jungle Book series. He has won several Harvey and Eisner Awards.

Biography

Neil Gaiman thought he wrote comic books. But a newspaper editor, of course, set him straight.

Back when he was riding the diabolical headwinds of his popular series of graphic novels, The Sandman, the author attended a party where he introduced himself as a comic-book writer to a newspaper's literary editor. But when the editor quickly realized who this actually was -- and the glaze melted from his eyes -- he offered Gaiman a correction tinged with astonishment: "My God, man, you don't write comics, you write graphic novels." Relating the story to theLos Angeles Times in 1995, Gaiman said, "I suddenly felt like someone who had been informed that she wasn't a hooker, that in fact she was a lady of the evening."

Gaiman's done much more, of course, than simply write graphic novels, having coauthored, with Terry Pratchett, Good Omens, a comic novel about the Apocalypse; adapted into hardcover the BBC miniseries Neverwhere about the dark underworld beneath the streets of London; and, inspired by his young daughter, put a horrifying spin on C.S. Lewis' wardrobe doors for Coraline, a children's book about a passageway into a magical, yet malevolent, land.

But it is The Sandman that is Gaiman's magnum opus.

Though he had told a career counselor in high school that he wanted to pen comic books, he had a career as a freelance journalist before his first graphic novel, Violent Cases, was published in England in 1987. DC Comics discovered him and The Sandman was born. Or reborn, actually. The comic debuted back in 1939 with a regular-Joe crime fighter in the lead. But in Gaiman's hands the tale had a more otherworldly spin, slowing introducing readers to the seven siblings Endless: Dream, Death, Desire, Destiny, Destruction, Despair and Delirium (once Delight). They all have their roles in shaping the fates of man. In fact, when Death was imprisoned for decades, the results were devastating. Richard Nixon reached The White House and Michael Jackson the Billboard charts.

Direction from newspaper editors notwithstanding, to Gaiman, these stories are still comic books. The man who shuttled back and forth between comics and classics in his formative years and can pepper his writing with references to Norse mythology as well as the vaudevillian rock group Queen, never cottoned to such highbrow/lowbrow distinctions. Comparing notes on a yachting excursion with members of the Irish rock band U2, the writer who looks like a rock star and Delirium and the rock stars who gave themselves comic-worthy names such as Bono and The Edge came to a realization: Whether the medium is pop music or comic books, not being taken seriously can be a plus. "It's safer to be in the gutter," he told The Washington Post in 1995.

In 1995, Gaiman brought The Sandman to a close and began spending more time on his nongraphic fiction, including a couple of short-story collections. A few years later he released Stardust, an adult fairy tale that has young Tristan Thorn searching for a fallen star to woo the lovely but cold Victoria Forester. In 2001, he placed an ex-con named Shadow in the middle of a war between the ancient and modern dieties in American Gods. Coming in October 2002 is another departure: an audio recording of Two Plays for Voices, which stars Bebe Neuwirth as a wise queen doing battle with a bloodthirsty child and Brian Dennehy as the Angel of Vengeance investigating the first crime in history in heaven's City of Angels.

Gaiman need not worry about defining his artistic relevance, since so many other seem to do it for him. Stephen King, Roger Zelazny and Harlan Ellison are among those who have contributed introductions to his works. William Gibson, the man who coined the term "cyberspace," called him a "a writer of rare perception and endless imagination" as well as "an American treasure." (Even though he's, technically, a British treasure transplanted to the American Midwest.) Even Norman Mailer has weighed in: "Along with all else, Sandman is a comic strip for intellectuals, and I say it's about time."

The gushiest praise, however, may come from Frank McConnell, who barely contained himself in the pages of the political and artistic journal Commonweal. Saying Gaiman "may just be the most gifted and important storyteller in English," McConnell crowned Sandman as the most important act of fiction of the day. "And that, not just because of the brilliance and intricacy of its storytelling -- and I know few stories, outside the best of Joyce, Faulkner, and Pynchon, that are more intricate," he wrote in October 1995, " but also because it tells its wonderful and humanizing tale in a medium, comic books, still largely considered demimonde by the tenured zombies of the academic establishment."

"If Sandman is a 'comic,'" he concluded, "then The Magic Flute is a 'musical' and A Midsummer Night's Dream is a skit. Read the damn thing: it's important."

Good To Know

Some fascinating factoids from our interview with Gaiman:

"One of the most enjoyable bits of writing Sandman was getting authors whose work I love to write the introductions for the collected graphic novels -- people like Steve Erickson, Gene Wolfe, Harlan Ellison, Clive Barker, Peter Straub, Mikal Gilmore, and Samuel R. Delany."

"I have a big old Addams Family house, with -- in the summertime -- a vegetable garden, and I love growing exotic pumpkins. As a boy in England I used to dream about Ray Bradbury Hallowe'ens, and am thrilled that I get them these days. Unless I'm on the road signing people's books, of course."

"According to my daughters, my most irritating habit is asking for cups of tea."

"I love radio -- and love the availability of things like the Jack Benny radio shows in MP3 format. I'm addicted to BBC radio 7, and keep buying boxed CD sets of old UK radio programs, things like Round the Horne and Hancock's Half Hour. Every now and again I'll write a radio play."

"I love thunderstorms, old houses, and dreams."

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    1. Hometown:
      Minneapolis, Minnesota
    1. Date of Birth:
      November 10, 1960
    2. Place of Birth:
      Portchester, England
    1. Education:
      Attended Ardingly College Junior School, 1970-74, and Whitgift School, 1974-77
    2. Website:

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