- Epiphany
- High School Never Ends
- Val Kilmer
- I'm Gay
- Why Don't I Miss You
- A Friendly Goodbye
- Luckiest Loser
- Love Sick Stomach (A Sugar Coated Accident)
- Much More Beautiful Person
- Friends Like You
- When We Die
- 99 Biker Friends
- Don't Let It Be Love
- If You Come Back to Me
- Everyday's a Saturday
- No Opinion
5
1
4988017644553
Vivek Kamath Orchestra
Jung Sun Yoo Orchestra
Nikki Messing Vocals
Neil Tiemann Vocals,Whistle (Human)
Kira Von Sutra Vocals
Josh Center Vocals,Whistle (Human)
Andy Skib Vocals,Whistle (Human)
Tomas K. Carney Orchestra
April Farmer Vocals
Michael Casteel Orchestra
Alexis Skib "Lyndsay" Vocals,Whistle (Human)
Bryan Jewett Vocals,Whistle (Human)
Lesley Roy Vocals
Maria Kitsopoulos Orchestra
Brando Vocals,Whistle (Human)
When We Die Orchestra Orchestra
Casey Diiorio Guitar,Keyboards,Percussion,Vocals (Background)
Shmuel Katz Orchestra
Laura Seaton Orchestra
Elizabeth Lim-Dutton Orchestra
Greg Lobdell Vocals,Whistle (Human)
Adam Schlesinger Guitar,Vocals
Russ-T Cobb Guitar,Keyboards,Percussion,Vocals (Background)
Sandra Park Orchestra
Rob Mathes Piano,Conductor,Orchestra
Butch Walker Guitar,Keyboards,Percussion,Vocals (Background)
Suzanne Ornstein Orchestra
Zac Maloy Guitar,Keyboards,Percussion,Vocals (Background)
Joey Huffman Organ,Piano,Moog Synthesizer
Gary Group Member
James Arthur Salter Assistant Engineer
Erik Group Member
Jaret Group Member
Pablo Mathiason A&R
Bobby Wayne Bass Technician,Guitar Technician
Jaret Reddick Producer
Alex Venguer Assistant Engineer
Chris Group Member
Greg Lobdell Drum Technician,Monitor Engineer
Edo Levi DJ,Stage Manager
Casey Diiorio Engineer
Russ-T Cobb Mixing,Engineer,Producer
Rob Mathes String Arrangements
Butch Walker Producer
Sean Loughlin Assistant Engineer
Adam Schlesinger Producer
Tom Lord-Alge Mixing
Howie Weinberg Mastering
Mark Mandelbaum Engineer


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Overview
It's hard to dislike Bowling for Soup but it's hard to really be enthusiastic about them, either. They've been cranking out happy, hooky, humorous punk-pop since 1998, slowly crossing over into the mainstream without ever truly registering in the public consciousness the way that blink-182 did before them or Fall Out Boy did later. They've racked up a Grammy nomination and a genuine hit -- the quite clever "1985," a 2004 single that very well captured Gen-X's bewilderment at suddenly hitting their thirties -- but have managed to not quite be recognizable, a situation that their sixth album, The Great Burrito Extortion Case, is unlikely to change. At its core, it's not much different than what came before: it's still proudly goofy, poppy punk, stuff that's fun without quite being memorable. And while it's hardly worse than what they've done before, there is a subtle difference in tone on The Great Burrito Extortion Case: the group is seeming a little long in the tooth. It's not so much that they're reworking the same sound again and again -- they're a punk-pop band, so that kind of repetition is their stock in trade -- but their pop culture references seem a little shelf-worn and out of date, the product of a band that was in high school in the '80s. On "1985" that perspective helped craft the jokes, but here it's starting to wear thin, especially since there are multiple songs with John Cougar Mellencamp jokes that mingle with Joan Jett and Caddyshack references, making it all seem oh so 1985. (It also doesn't help that they have a song called "Val Kilmer" arriving a week after Kevin Federline bragged that he was like "Val Kilmer in how I'm bringing this heat," but you can't count this bad luck against them.) This kind of dated humor mingles with an increased juvenile sense of humor throughout the album, giving the impression that Bowling for Soup are pandering a little bit, trying to deliver what they believe today's teens want, but every once in a while they pull it all together -- the hooks and the humor gel into something like "High School Never Ends," which is catchy and contemporary, thanks to its Jessica Simpson and Tom & Katie jokes. And even when they're coming across like Gen-X cranks, they're still nimble and melodic, so it's easy enough to listen to The Great Burrito Extortion Case and enjoy it -- it sure is hard to get worked up about it, though. [A Japanese version added a bonus track.] ~ Stephen Thomas Erlewine
Product Details
Release Date: | 12/12/2006 |
---|---|
Label: | Bmg |
UPC: | 4988017644553 |
Tracks
Album Credits
Performance Credits
Bowling for Soup Primary ArtistVivek Kamath Orchestra
Jung Sun Yoo Orchestra
Nikki Messing Vocals
Neil Tiemann Vocals,Whistle (Human)
Kira Von Sutra Vocals
Josh Center Vocals,Whistle (Human)
Andy Skib Vocals,Whistle (Human)
Tomas K. Carney Orchestra
April Farmer Vocals
Michael Casteel Orchestra
Alexis Skib "Lyndsay" Vocals,Whistle (Human)
Bryan Jewett Vocals,Whistle (Human)
Lesley Roy Vocals
Maria Kitsopoulos Orchestra
Brando Vocals,Whistle (Human)
When We Die Orchestra Orchestra
Casey Diiorio Guitar,Keyboards,Percussion,Vocals (Background)
Shmuel Katz Orchestra
Laura Seaton Orchestra
Elizabeth Lim-Dutton Orchestra
Greg Lobdell Vocals,Whistle (Human)
Adam Schlesinger Guitar,Vocals
Russ-T Cobb Guitar,Keyboards,Percussion,Vocals (Background)
Sandra Park Orchestra
Rob Mathes Piano,Conductor,Orchestra
Butch Walker Guitar,Keyboards,Percussion,Vocals (Background)
Suzanne Ornstein Orchestra
Zac Maloy Guitar,Keyboards,Percussion,Vocals (Background)
Joey Huffman Organ,Piano,Moog Synthesizer
Technical Credits
Karl Egsieker EngineerGary Group Member
James Arthur Salter Assistant Engineer
Erik Group Member
Jaret Group Member
Pablo Mathiason A&R
Bobby Wayne Bass Technician,Guitar Technician
Jaret Reddick Producer
Alex Venguer Assistant Engineer
Chris Group Member
Greg Lobdell Drum Technician,Monitor Engineer
Edo Levi DJ,Stage Manager
Casey Diiorio Engineer
Russ-T Cobb Mixing,Engineer,Producer
Rob Mathes String Arrangements
Butch Walker Producer
Sean Loughlin Assistant Engineer
Adam Schlesinger Producer
Tom Lord-Alge Mixing
Howie Weinberg Mastering
Mark Mandelbaum Engineer
From the B&N Reads Blog
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