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Great Escape [Japan Bonus Tracks]
     

Great Escape [Japan Bonus Tracks]

by Blur
 

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In the simplest terms, The Great Escape is the flip side of Parklife. Where Blur's breakthrough album was a celebration of the working class, drawing on British pop from the '60s and reaching through the '80s, The Great Escape concentrates on the suburbs, featuring a cast of characters all trying to cope with the numbing

Overview

In the simplest terms, The Great Escape is the flip side of Parklife. Where Blur's breakthrough album was a celebration of the working class, drawing on British pop from the '60s and reaching through the '80s, The Great Escape concentrates on the suburbs, featuring a cast of characters all trying to cope with the numbing pressures of modern life. Consequently, it's darker than Parklife, even if the melancholia is hidden underneath the crisp production and catchy melodies. Even the bright, infectious numbers on The Great Escape have gloomy subtexts, whether it's the disillusioned millionaire of "Country House" and the sycophant of "Charmless Man" or the bleak loneliness of "Globe Alone" and "Entertain Me." Naturally, the slower numbers are even more despairing, with the acoustic "Best Days," the lush, sweeping strings of "The Universal," and the stark, moving electronic ballad "Yuko & Hiro" ranking as the most affecting work Blur has ever recorded. However, none of this makes The Great Escape a burden or a difficult album. The music bristles with invention throughout, as Blur delves deeper into experimentation with synthesizers, horns, and strings; guitarist Graham Coxon twists out unusual chords and lead lines, and Damon Albarn spits out unexpected lyrical couplets filled with wit and venomous intelligence in each song. But Blur's most remarkable accomplishment is that it can reference the past -- the Scott Walker homage of "The Universal," the Terry Hall/Fun Boy Three cop on "Top Man," the skittish, XTC-flavored pop of "It Could Be You," and Albarn's devotion to Ray Davies -- while still moving forward, creating a vibrant, invigorating record. [The Japanese edition adds "Ultranol" and "No Monsters in Me."]

Product Details

Release Date:
04/04/2000
Label:
Toshiba Emi Japan
UPC:
4988006710597
catalogNumber:
8633
Rank:
294770

Tracks

Album Credits

Performance Credits

Blur   Primary Artist
Damon Albarn   Organ,Synthesizer,Piano,Vocals,Choir, Chorus,Hand Clapping
Simon Clarke   Saxophone
Graham Coxon   Acoustic Guitar,Banjo,Electric Guitar,Saxophone,Background Vocals,Choir, Chorus,Hand Clapping
Alex James   Bass Guitar
Roddy Lorimer   Trumpet
Dave Rowntree   Drums,Choir, Chorus,Hand Clapping
Tim Sanders   Saxophone
J. Neil Sidwell   Trombone
Stephen Street   Hand Clapping
Cathy Gillat   Vocals
Ken Livingstone   Narrator
Ivan McCermoy   Cello
Angela Murrell   Background Vocals
Rick Koster   Violin

Technical Credits

Damon Albarn   Composer,Engineer
Graham Coxon   Composer,Engineer
Alex James   Composer,Engineer
Dave Rowntree   Composer,Engineer
Stephen Street   Producer
John Smith   Engineer
Tom King   Cover Photo

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