The Great Gatsby: The Authorized Text

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Overview

The exemplary novel of the Jazz Age, F. Scott Fitzgeralds' third book, The Great Gatsby (1925), stands as the supreme achievement of his career. T. S. Eliot read it three times and saw it as the "first step" American fiction had taken since Henry James; H. L. Mencken praised "the charm and beauty of the writing," as well as Fitzgerald's sharp social sense; and Thomas Wolfe hailed it as Fitzgerald's "best work" thus far. The story of the fabulously wealthy Jay Gatsby and his love for the beautiful Daisy Buchanan, of lavish parties on Long Island at a time when, The New York Times remarked, "gin was the national drink and sex the national obsession," it is an exquisitely crafted tale of America in the 1920s that resonates
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Overview

The exemplary novel of the Jazz Age, F. Scott Fitzgeralds' third book, The Great Gatsby (1925), stands as the supreme achievement of his career. T. S. Eliot read it three times and saw it as the "first step" American fiction had taken since Henry James; H. L. Mencken praised "the charm and beauty of the writing," as well as Fitzgerald's sharp social sense; and Thomas Wolfe hailed it as Fitzgerald's "best work" thus far. The story of the fabulously wealthy Jay Gatsby and his love for the beautiful Daisy Buchanan, of lavish parties on Long Island at a time when, The New York Times remarked, "gin was the national drink and sex the national obsession," it is an exquisitely crafted tale of America in the 1920s that resonates with the power of myth. A novel of lyrical beauty yet brutal realism, of magic, romance, and mysticism, The Great Gatsby is one of the great classics of twentieth-century literature.

This is the definitive, textually accurate edition of The Great Gatsby, edited by Matthew J. Bruccoli and authorized by the estate of F. Scott Fitzgerald. The first edition of The Great Gatsby contained many errors resulting from Fitzgerald's extensive revisions and a rushed production schedule, and subsequent editions introduced further departures from the author's intentions. This critical edition draws on the manuscript and surviving proofs of the novel, along with Fitzgerald's later revisions and corrections, to restore the text to its original form. It is The Great Gatsby as Fitzgerald intended it.

The timeless story of Jay Gatsby and his love for Daisy Buchanan is widely acknowledged to be the closest thing to the Great American Novel ever written.

Editorial Reviews

Edwin C. Clark
. . . It expresses one phase of the great grotesque spectacle of our American scene. It is humor, irony, ribaldry, pathos and loveliness. . . . A curious book, a mystical, glamorous story of today. It takes a deeper cut at life than hitherto has been essayed by Mr. Fitzgerald. He writes well -- he always has -- for he writes naturally, and his sense of form is becoming perfected. -- Books of the Century; New York Times review, April 1925

Product Details

  • ISBN-13: 9780684801520
  • Publisher: Scribner
  • Publication date: 5/30/1995
  • Pages: 240
  • Lexile: 1070L (what's this?)
  • Product dimensions: 5.32 (w) x 8.12 (h) x 0.50 (d)

Meet the Author

F. Scott Fitzgerald
F. Scott Fitzgerald
Inseparably associated with a point in history he claimed to despise, F. Scott Fitzgerald is both the quintessential Jazz-Age writer and perhaps the era’s harshest critic. However, the complexity and sheer timelessness of classics such as The Great Gatsby has ensured that Fitzgerald’s work will never be regarded as mere period pieces.

Biography

The greatest writers often function in multifaceted ways, serving as both emblems of their age and crafters of timeless myth. F. Scott Fitzgerald surely fits this description. His work was an undeniable product of the so-called Jazz Age of the 1920s, yet it has a quality that spans time, reaching backward into gothic decadence and forward into the future of a rapidly decaying America. Through five novels, six short story collections, and one collection of autobiographical pieces, Fitzgerald chronicled a precise point in post-WWI America, yet his writing resonates just as boldly today as it did nearly a century ago.

Fitzgerald's work was chiefly driven by the disintegration of America following World War I. He believed the country to be sinking into a cynical, Godless, depraved morass. He was never reluctant to voice criticism of America's growing legions of idle rich. Recreating a heated confrontation with Ernest Hemingway in a short story called "The Rich Boy," Fitzgerald wrote, "Let me tell you about the very rich. They are different from you and me. They possess and enjoy early, and it does something to them, makes them soft where we are hard, and cynical where we are trustful, in a way that, unless you were born rich, it is very difficult to understand. They think, deep in their hearts, that they are better than we are because we had to discover the compensations and refuges of life for ourselves. Even when they enter deep into our world or sink below us, they still think that they are better than we are. They are different."

The preceding quote may sum Fitzgerald's philosophy more completely than any other, yet he also hypocritically embodied much of what he claimed to loathe. Fitzgerald spent money freely, threw lavish parties, drank beyond excess, and globe-trotted with his glamorous but deeply troubled wife Zelda. Still, in novel after novel, he sought to expose the great chasm that divided the haves from the have-nots and the hollowness of wealth. In This Side of Paradise (1920) he cynically follows opulent, handsome Amory Blaine as he bounces aimlessly from Princeton to the military to an uncertain, meaningless future. In The Beautiful and the Damned (1922) Fitzgerald paints a withering portrait of a seemingly idyllic marriage between a pair of socialites that crumbles in the face of Adam Patch's empty pursuit of profit and the fading beauty of his vane wife Gloria.

The richest example of Fitzgerald's disdain for the upper class arrived three years later. The Great Gatsby is an undoubted American classic, recounting naïve Nick Carraway's involvement with a coterie of affluent Long Islanders, and his ultimate rejection of them when their casual decadence leads only to internal back-stabbing and murder. Nick is fascinated by the mysterious Jay Gatsby, who had made the fatal mistake of stepping outside of his lower class status to pursue the lovely but self-centered Daisy Buchanan.

In The Great Gatsby, all elements of Fitzgerald's skills coalesced to create a narrative that is both highly readable and subtly complex. His prose is imbued with elegant lyricism and hard-hitting realism. "It is humor, irony, ribaldry, pathos and loveliness," Edwin C. Clark wrote of the book in the New York Times upon its 1925 publication. "A curious book, a mystical, glamorous story of today. It takes a deeper cut at life than hitherto has been essayed by Mr. Fitzgerald."

Gatsby is widely considered to be Fitzgerald's masterpiece and among the very greatest of all American literature. It is the ultimate summation of his contempt for the Jazz-Age with which he is so closely associated. Gatsby is also one of the clearest and saddest reflections of his own destructive relationship with Zelda, which would so greatly influence the mass of his work.

Fitzgerald only managed to complete one more novel -- Tender is the Night -- before his untimely death in 1940. An unfinished expose of the Hollywood studio system titled The Love of the Last Tycoon would be published a year later. Still The Great Gatsby remains his quintessential novel. It has been a fixture of essential reading lists for decades and continues to remain an influential work begging to be revisited. It has been produced for the big screen three times and was the subject of a movie for television starring Toby Stephens, Mira Sorvino, and Paul Rudd as recently as 2000. Never a mere product of a bygone age, F. Scott Fitzgerald's greatest work continues to evade time.

Good To Know

In 1937, Fitzgerald moved to Hollywood to pursue a screenwriting career. He only completed a single screenplay Three Comrades during this time before being fired for his excessive drinking.

He held a very romantic view of Princeton before attending the university in 1913. However, his failure to maintain adequate grades or become the football star he dreamed to be lead to an early end to his studies in 1917.

Fitzgerald owes a his name to another famous American writer. He was named after Francis Scott Key, the composer of "The Star Spangled Banner," who also happened to be a distant relative of Fitzgerald's.

    1. Also Known As:
      Francis Scott Key Fitzgerald (real name)
    1. Date of Birth:
      September 24, 1896
    2. Place of Birth:
      St. Paul, Minnesota
    1. Date of Death:
      December 21, 1940

Read an Excerpt

The Great Gatsby


By F. Scott Fitzgerald

Scribner

Copyright © 1925 Charles Scribner's Sons
All right reserved.

ISBN: 0-743-24639-X


Chapter One

In my younger and more vulnerable years my father gave me some advice that I've been turning over in my mind ever since.

"Whenever you feel like criticizing anyone," he told me, "just remember that all the people in this world haven't had the advantages that you've had."

He didn't say any more but we've always been unusually communicative in a reserved way and I understood that he meant a great deal more than that. In consequence I'm inclined to reserve all judgements, a habit that has opened up many curious natures to me and also made me the victim of not a few veteran bores. The abnormal mind is quick to detect and attach itself to this quality when it appears in a normal person, and so it came about that in college I was unjustly accused of being a politician, because I was privy to the secret griefs of wild, unknown men. Most of the confidences were unsought - frequently I have feigned sleep, preoccupation or a hostile levity when I realized by some unmistakable sign that an intimate revelation was quivering on the horizon - for the intimate revelations of young men or at least the terms in which they express them are usually plagiaristic and marred by obvious suppressions. Reserving judgements is a matter of infinite hope. I am still a little afraid of missing something if I forget that, as my father snobbishly suggested and I snobbishly repeat, a sense of the fundamental decencies is parcelled out unequally at birth.

And, after boasting this way of my tolerance, I come to the admission that it has a limit. Conduct may be founded on the hard rock or the wet marshes but after a certain point I don't care what it's founded on. When I came back from the East last autumn I felt that I wanted the world to be in uniform and at a sort of moral attention forever; I wanted no more riotous excursions with privileged glimpses into the human heart. Only Gatsby, the man who gives his name to this book, was exempt from my reaction - Gatsby who represented everything for which I have an unaffected scorn. If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away. This responsiveness had nothing to do with that flabby impressionability which is dignified under the name of the "creative temperament" - it was an extraordinary gift for hope, a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again. No - Gatsby turned out all right at the end; it is what preyed on Gatsby, what foul dust floated in the wake of his dreams that temporarily closed out my interest in the abortive sorrows and short-winded elations of men.

My family have been prominent, well-to-do people in this middle-western city for three generations. The Carraways are something of a clan and we have a tradition that we're descended from the Dukes of Buccleuch, but the actual founder of my line was my grandfather's brother who came here in fifty-one, sent a substitute to the Civil War and started the wholesale hardware business that my father carries on today.

I never saw this great-uncle but I'm supposed to look like him - with special reference to the rather hard-boiled painting that hangs in Father's office. I graduated from New Haven in 1915, just a quarter of a century after my father, and a little later I participated in that delayed Teutonic migration known as the Great War. I enjoyed the counter-raid so thoroughly that I came back restless. Instead of being the warm center of the world the middle-west now seemed like the ragged edge of the universe - so I decided to go east and learn the bond business. Everybody I knew was in the bond business so I supposed it could support one more single man. All my aunts and uncles talked it over as if they were choosing a prep-school for me and finally said "Why - ye-es" with very grave, hesitant faces. Father agreed to finance me for a year and after various delays I came east, permanently, I thought, in the spring of twenty-two.

The practical thing was to find rooms in the city but it was a warm season and I had just left a country of wide lawns and friendly trees, so when a young man at the office suggested that we take a house together in a commuting town it sounded like a great idea. He found the house, a weather beaten cardboard bungalow at eighty a month, but at the last minute the firm ordered him to Washington and I went out to the country alone. I had a dog, at least I had him for a few days until he ran away, and an old Dodge and a Finnish woman who made my bed and cooked breakfast and muttered Finnish wisdom to herself over the electric stove.

It was lonely for a day or so until one morning some man, more recently arrived than I, stopped me on the road.

"How do you get to West Egg Village?" he asked helplessly.

I told him. And as I walked on I was lonely no longer. I was a guide, a pathfinder, an original settler. He had casually conferred on me the freedom of the neighborhood.

And so with the sunshine and the great bursts of leaves growing on the trees - just as things grow in fast movies - I had that familiar conviction that life was beginning over again with the summer.

There was so much to read for one thing and so much fine health to be pulled down out of the young breath-giving air. I bought a dozen volumes on banking and credit and investment securities and they stood on my shelf in red and gold like new money from the mint, promising to unfold the shining secrets that only Midas and Morgan and Maecenas knew. And I had the high intention of reading many other books besides. I was rather literary in college - one year I wrote a series of very solemn and obvious editorials for the "Yale News" - and now I was going to bring back all such things into my life and become again that most limited of all specialists, the "well-rounded" man. This isn't just an epigram - life is much more successfully looked at from a single window, after all.

It was a matter of chance that I should have rented a house in one of the strangest communities in North America. It was on that slender riotous island which extends itself due east of New York and where there are, among other natural curiosities, two unusual formations of land. Twenty miles from the city a pair of enormous eggs, identical in contour and separated only by a courtesy bay, jut out into the most domesticated body of salt water in the Western Hemisphere, the great wet barnyard of Long Island Sound. They are not perfect ovals - like the egg in the Columbus story they are both crushed fiat at the contact end - but their physical resemblance must be a source of perpetual confusion to the gulls that fly over-head. To the wingless a more arresting phenomenon is their dissimilarity in every particular except shape and size.

I lived at West Egg, the - well, the less fashionable of the two, though this is a most superficial tag to express the bizarre and not a little sinister contrast between them. My house was at the very tip of the egg, only fifty yards from the Sound, and squeezed between two huge places that rented for twelve or fifteen thousand a season. The one on my right was a colossal affair by any standard - it was a factual imitation of some Hôtel de Ville in Normandy, with a tower on one side, spanking new under a thin beard of raw ivy, and a marble swimming pool and more than forty acres of lawn and garden. It was Gatsby's mansion. Or rather, as I didn't know Mr. Gatsby it was a mansion inhabited by a gentleman of that name. My own house was an eye-sore, but it was a small eye-sore and it had been overlooked, so I had a view of the water, a partial view of my neighbor's lawn and the consoling proximity of millionaires - all for eighty dollars a month.

Across the courtesy bay the white places of fashionable East Egg glittered along the water and the history of the summer really begins on the evening I drove over there to have dinner with the Tom Buchanans. Daisy was my second cousin once removed and I'd known Tom in college. And just after the war I spent two days with them in Chicago.

Her husband, among various physical accomplishments, had been one of the most powerful ends that ever played football at New Haven - a national figure in a way, one of those men who reach such an acute limited excellence at twenty-one that everything afterwards savours of anti-climax. His family were enormously wealthy - even in college his freedom with money was a matter for reproach - but now he'd left Chicago and come east in a fashion that rather took your breath away: for instance he'd brought down a string of polo ponies from Lake Forest. It was hard to realize that a man in my own generation was wealthy enough to do that.

Why they came east I don't know. They had spent a year in France, for no particular reason, and then drifted here and there unrestfully wherever people played polo and were rich together. This was a permanent move, said Daisy over the telephone, but I didn't believe it - I had no sight into Daisy's heart but I felt that Tom would drift on forever seeking a little wistfully for the dramatic turbulence of some irrecoverable football game.

And so it happened that on a warm windy evening I drove over to East Egg to see two old friends whom I scarcely knew at all. Their house was even more elaborate than I expected, a cheerful red and white Georgian Colonial mansion overlooking the bay. The lawn started at the beach and ran toward the front door for a quarter of a mile, jumping over sun-dials and brick walks and burning gardens - finally when it reached the house drifting up the side in bright vines as though from the momentum of its run. The front was broken by a line of French windows, glowing now with reflected gold, and wide open to the warm windy afternoon, and Tom Buchanan in riding clothes was standing with his legs apart on the front porch.

He had changed since his New Haven years. Now he was a sturdy, straw haired man of thirty with a rather hard mouth and a supercilious manner. Two shining, arrogant eyes had established dominance over his face and gave him the appearance of always leaning aggressively forward. Not even the effeminate swank of his riding clothes could hide the enormous power of that body - he seemed to fill those glistening boots until he strained the top lacing and you could see a great pack of muscle shifting when his shoulder moved under his thin coat. It was a body capable of enormous leverage - a cruel body.

His speaking voice, a gruff husky tenor, added to the impression of fractiousness he conveyed. There was a touch of paternal contempt in it, even toward people he liked - and there were men at New Haven who had hated his guts.

"Now, don't think my opinion on these matters is final," he seemed to say, "just because I'm stronger and more of a man than you are." We were in the same Senior Society and while we were never intimate I always had the impression that he approved of me and wanted me to like him with some harsh, defiant wistfulness of his own.

We talked for a few minutes on the sunny porch.

"I've got a nice place here," he said, his eyes flashing about restlessly.

Turning me around by one arm he moved a broad flat hand along the front vista, including in its sweep a sunken Italian garden, a half acre of deep pungent roses and a snub-nosed motor boat that bumped the tide off shore.

"It belonged to Demaine the oil man." He turned me around again, politely and abruptly. "We'll go inside."

We walked through a high hallway into a bright rosy-colored space, fragilely bound into the house by French windows at either end. The windows were ajar and gleaming white against the fresh grass outside that seemed to grow a little way into the house. A breeze blew through the room, blew curtains in at one end and out the other like pale flags, twisting them up toward the frosted wedding cake of the ceiling - and then rippled over the wine-colored rug, making a shadow on it as wind does on the sea.

The only completely stationary object in the room was an enormous couch on which two young women were buoyed up as though upon an anchored balloon. They were both in white and their dresses were rippling and fluttering as if they had just been blown back in after a short flight around the house. I must have stood for a few moments listening to the whip and snap of the curtains and the groan of a picture on the wall. Then there was a boom as Tom Buchanan shut the rear windows and the caught wind died out about the room and the curtains and the rugs and the two young women ballooned slowly to the floor.

The younger of the two was a stranger to me. She was extended full length at her end of the divan, completely motionless and with her chin raised a little as if she were balancing something on it which was quite likely to fall. If she saw me out of the corner of her eyes she gave no hint of it - indeed I was almost surprised into murmuring an apology for having disturbed her by coming in.

The other girl, Daisy, made an attempt to rise - she leaned slightly forward with a conscientious expression - then she laughed, an absurd, charming little laugh, and I laughed too and came forward into the room.

"I'm p-paralyzed with happiness."

She laughed again, as if she said something very witty, and held my hand for a moment, looking up into my face, promising that there was no one in the world she so much wanted to see. That was a way she had. She hinted in a murmur that the surname of the balancing girl was Baker. (I've heard it said that Daisy's murmur was only to make people lean toward her; an irrelevant criticism that made it no less charming.)

At any rate Miss Baker's lips fluttered, she nodded at me almost imperceptibly and then quickly tipped her head back again - the object she was balancing had obviously tottered a little and given her something of a fright. Again a sort of apology arose to my lips. Almost any exhibition of complete self sufficiency draws a stunned tribute from me.

I looked back at my cousin who began to ask me questions in her low, thrilling voice. It was the kind of voice that the ear follows up and down as if each speech is an arrangement of notes that will never be played again.

Continues...


Excerpted from The Great Gatsby by F. Scott Fitzgerald Copyright © 1925 by Charles Scribner's Sons. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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    Posted May 13, 2008

    great for those with a high lighter

    It is deffinetely not for those that love high action like myself, but if you are bored and need a good mind teaser, go ahead, sit down and start reading, make yourself find those hidden meanings and symbols. I admit, i fell asleep too while listening to the book on tape in class, but i did enjoy it. Being the teenager I am, I know that this book is deffinetely not for those not reading at a college level. So if you dare, go ahead and read it, you might enjoy it.

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  • Anonymous

    Posted February 18, 2008

    How do you mean Great?

    This book is one of the most boring books I ever read. I think no-one likes this book and the writer put the positive reviews on the internet. I have to read this story for my English class, and I hate my teacher for make me do it. It's a good: I wanna sleep story! I recommend it to people with insomnia.

    0 out of 2 people found this review helpful.

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  • Anonymous

    Posted March 21, 2006

    The Great American Novel

    The Great Gatsby is by far the best novel ever written by an American. The themes of the Death of the American Dream, and how wealth corrupts, epitomize the 20s completely. Every person who said the book was shallow clearly lacked the literary vision to see Fitzgerald's incredible use of symbolism. Every color, every object, every setting and mood is symbolic of something. Fitzgerald doesn't write things w/o meaning. The GG is one of the greatest works ever completed by a human being.

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  • Anonymous

    Posted November 2, 2005

    The Great Gatsby

    I found this novel to be very shallow and pedantic. The themes that were supposedly representing the American Dream were inane and seemed to be out of grasp for the protagonistic paradigm of life. This novella contained no meaning yet managed to transcend time into space.

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  • Anonymous

    Posted December 29, 2005

    American literature read to death.

    i have to say when first reading this novel i found it rather tedious and slow, when things picked up towards the end i realised just why Fitzgerald has structured it in such a way. The American Dream in this era has become a corrupt version of Thomas Jefferson's 'life, liberty and the pursuit of happiness' and turned more into the pursuit of money through any means possible. It is impossible to ignor all the immoral happening that go on throughout the novel, Tom's infidelity, Gatsby's involvment with bootlegging, Jordan's cheating in the golf tornament and the most influential, the car incident leading to the deaths. the reason for Fitzgerald's blatant use of immorality, he wants to show how corrupt the American society has become through this longing for wealth and equality between classes. Although i have pritty much read this book to death, i recommend it to everyone, but it cannot simple be skim read and Fitzgerald's message is important to take into account.

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  • Anonymous

    Posted November 28, 2005

    Excellent Example of American Literature

    I know this is a book that comes up at least once in just about everybody's life. I know that reading is a boring activity for most modern people, but this book is one of a handful that should really make even both layman and professor think. This book chronicles the ideals of the American dream and the pitfalls that come with it. It critiques the ambitiousness of the nouveau riche and the strange case of the Lost Generation. That case is that their morals and perception of reality and distinction are all morphed in one great sounding of shells and shrapnel. This was an age for men to take a start into humble beginnings (like Nick) or a start into ambigous, ambitious extension of the 'American spirit.' Fitzgerald hides this satire well, especially by making the narrator so objective that he calls the amoral Gatsby 'gorgeous.' One part that really caught me however was his imagery. All imagery that's bleak and pitiable, often set in the night -- either with a boisterous soiree or with a contemplative look into the vacant night skies. It also contains synaesthetic imagery that affects me on a personal level-- the 'yellow cocktail music,' that ever-present 'green light,' etc. Please buy this book to feel as one of the Lost Generation did, to know the beauty and the shame of the Jazz Age, to know the levity and brevity of dreaming, to know that dreaming itself sometimes flaunts the passage of time and the resulting enervation.... I love this quote from Hemingway I found on Fitzgerald-- 'His talent was as natural as the pattern that was made by the dust on a butterfly's wings.'

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  • Anonymous

    Posted May 18, 2005

    Classic

    Most intricately patterned novel you will ever read; if the time is taken to thoroughly examine the story, attention paid to details, you'll find how perfect this social commentary really is. An absolute must read!

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  • Anonymous

    Posted March 14, 2005

    Literary art for real

    A fantastic read for anyone. It was the rich characterizations that made this book. Fitzgerald's career unfortunately could not survive his greatest literary triumph or the insanity of his wife, Zelda. Still his achievements in books stands the test of time.

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  • Anonymous

    Posted March 8, 2005

    Great Gatsby

    I did not like this book very much. I thought that it was boring and somewhat pointless.

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  • Anonymous

    Posted February 9, 2005

    LOVELY BOOK!

    I had to read this for an honors english class in high school and I found it to be very touching. It is a story about a poor man that gets rich and has lavish parties to try to win the heart of the woman he loves. I am 16 years old and found this book not boring at all and actually I think that many people could still relate to the story even if it was published 80 years ago.

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  • Anonymous

    Posted February 8, 2005

    DO NOT READ THIS NOVEL!!

    -------------------------------------------- The Great Gatsby is by far one of the worst stories I have ever read. It is an extremely boring soap-opera type story, with really no purpose or plot. Unless you have to read this for an English class, I would advise you NOT to read this book!! -------------------------------------------- I could have not said it better.

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  • Anonymous

    Posted January 31, 2005

    Extremely boring

    The Great Gatsby is by far one of the worst stories I have ever read. It is an extremely boring soap-opera type story, with really no purpose or plot. Unless you have to read this for an English class, I would advise you NOT to read this book!!

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  • Anonymous

    Posted January 5, 2005

    A intreging book

    I enjoyed reading The Great Gatsby. For other readers I would recomend that you keep an open mind about Gatsby throughtout the book.

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  • Anonymous

    Posted February 21, 2005

    my All Time favorite book

    this was my all time favorite book. i went into it thinking it was going to be horrible, since i had to read it for school. but i came out of it going 'wow that was completely awesome' i highly reccomend it.

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  • Anonymous

    Posted December 15, 2004

    ben's review

    The Great Gatsby is story written about a few peoples lives in the ¿Roaring Twenties.¿ The main character is man named Jay Gatsby who was a very wealthy New Yorker. Although how he acquired his riches is unknown, it is speculated that he might be involved in illegal bootlegging or other illegal activities. Jay Gatsby was very well known for the extravagant parties he would throw at his mansion. Nick Carraway, the narrator, was Jay Gatsby¿s neighbor in West Egg. Nick was a young man from the Midwest, who moved to New York to start in the bond business. After arriving in New York, Nick goes and visits with his cousin Daisy Buchanan and her husband Tom. While visiting at the Buchanan¿s, Nick meets a woman Jordan Baker, who he later becomes involved with. Jordan later tells Nick that his cousin Daisy¿s husband Tom is having an affair with a woman who lives in the valley of ashes, Myrtle Wilson. The next day Tom takes Nick into New York, and they stop at a garage on the way that is owned by George Wilson who is Myrtle¿s husband. Tom asks Myrtle to meet him later in the city. In the city, Tom keeps an apartment in Morningside Heights for his affair, this is where he had Myrtle come. Tom, Nick, Myrtle, and some of Myrtle¿s friends all get drunk at the apartment. As Myrtle becomes more intoxicated she keeps bugging Tom about Daisy so he breaks her nose. Needless to say, the party was now over. Later in the story, Nick gets invited over to Gatsby¿s for lunch, where he is introduced to Gatsby¿s business partner, Meyer Wolfsheim. Wolfsheim is known for being a criminal, and it was believed that he was responsible for fixing the 1919 World Series. Jay Gatsby seemed to avoid the Buchanan¿s, and that was because he was in love with Daisy Buchanan since they had first met in Louisville before the war. Gatsby was still in love with her. So because of this love, Gatsby talks Nick into arranging a meeting with Daisy. When they met, Gatsby gave Daisy a full tour of his mansion trying to show off his wealth. He did awake her old love for him, and they began to have an affair. Nick realizes that Gatsby is obsessed with Daisy and probably wishes she would leave Tom for him. This is a problem for Gatsby, he doesn¿t realize she is so shallow. He thinks he can fix things, but it is her shallowness that first caused their separation. After getting back together with Daisy, Gatsby quit throwing parties altogether. He only threw them to impress her, and now that he had found her they were no longer necessary. Gatsby, Nick, and Jordan are all invited to the Buchanan¿s for lunch where Daisy tries to make Tom jealous by flirting with Gatsby. Even though Tom is having an affair, he is enraged that Daisy is as well. Tom makes everyone there go back to the city with him, to the Plaza hotel where the two men get into a confrontation. Tom reveals to Daisy that Gatsby did acquire all of his cash through illegal activities. Going back to East Egg, Gatsby lets Daisy drive to relax, and when swerving to miss a car she hit and killed Myrtle! After George Wilson finds out about his wife Myrtle, he is obviously mad and wants to find her killer. Wilson is told by Tom that Gatsby killed Myrtle, so he goes and kills Gatsby and then himself. Frustrated with life in New York after all of the drama, he heads back to the Midwest. Nick Carraway the narrator, thought that Gatsby, because of his ambition to see his dreams become reality, was a truly great man. The Great Gatsby started out the most boring book I had ever read. After completing the story, I would recommend this book to anyone looking for a book to read. Although it was kind of hard to follow, it began to have more and more connections to the world I live in. Struggles to make women happy, adultery, and the fight for status and wealth, are all factors in an interesting story. It was a good book.

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  • Anonymous

    Posted December 9, 2004

    Love No More

    The Graet Gatsby is a heartbreaking novel. Everybody in the book loves somebody else than who they really are with. It is also a sad book but it will make you understand that there is true love out there for everybody. In opinion everybody should read this book because everybody deserves to be loved. This is an excellent book. I highly recommend it. It has alot of morals and values in it that it teaches to the readers. It is a great book even for people that does not like to read.Sit down for a while and enjoy a good reading starting with The Great Gatsby.

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  • Anonymous

    Posted December 8, 2004

    freshman college student

    I really enjoyed this book. It has a very simple storyline to follow. If you have a hard time of keeping focus on what you read , this is a book that will keep your attentiona nd you can stay focus.

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  • Anonymous

    Posted October 30, 2004

    A wonderful book with a wonderful story!

    This book is an wonderful book. The story of a man who gives anything to achieve his dreams. He also wishes to have a girl he once dated but who is now married. He was once a poor boy, but has become a wealthy man, but how did he do it? He tries to do anything to have her, tries to impress her with lavish parties. Many intersting conflicts are throughout this novel, lies, crime, adultry, murders...it is filled with mystery and excitement. I recommend this book for everyone!

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  • Anonymous

    Posted September 19, 2004

    i'd give it 3 1/2

    This book was very well written, but a little short. I felt you didn't get to know much about the charachters. Everything else was done very nicely.

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  • Anonymous

    Posted September 22, 2004

    Breath Taking

    I liked the book because it made me want to read ahead and see what happened next. I din't like the book because at different points in the story it was boring. Readers should read this book because at different places in the book you can't figure out what is going to happen next. Readers shouldn't read the book because at different intervals it is too boring.

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