The Great Otis Redding Sings Soul Ballads

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Editorial Reviews

All Music Guide - Lindsay Planer
The aptly named Great Otis Redding Sings Soul Ballads 1965 builds upon the strength and relative success of the vocalist's solo debut long-player, Pain in My Heart 1964. The format -- blending a few originals with well-chosen covers -- remained consistent. However, increasingly evident is the strength of Redding's interaction with Booker T. Jones organ, Steve Cropper guitar/piano, Donald "Duck" Dunn bass, and Al Jackson, Jr. drums, aka Booker T. & the MG's. That relationship is sonically solidified with the singer's seemingly innate ability to sculpt his leads around the powerful Memphis Horn section of Wayne Jackson trumpet, Charles "Packy" Axton tenor sax, and ...
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Editorial Reviews

All Music Guide - Lindsay Planer
The aptly named Great Otis Redding Sings Soul Ballads 1965 builds upon the strength and relative success of the vocalist's solo debut long-player, Pain in My Heart 1964. The format -- blending a few originals with well-chosen covers -- remained consistent. However, increasingly evident is the strength of Redding's interaction with Booker T. Jones organ, Steve Cropper guitar/piano, Donald "Duck" Dunn bass, and Al Jackson, Jr. drums, aka Booker T. & the MG's. That relationship is sonically solidified with the singer's seemingly innate ability to sculpt his leads around the powerful Memphis Horn section of Wayne Jackson trumpet, Charles "Packy" Axton tenor sax, and Floyd Newman baritone sax. The results clearly speak for themselves with each of the album's dozen selections as all the proof one needs. Redding's testifyin' on the opener, "That's How Strong My Love Is," was powerful enough to garner the attention of several British Invasion bands. While it was the Rolling Stones' punkish cover that grabbed the most attention, to equal effect the Hollies and the Creation are among the others to have been similarly inspired. Adding to that cyclical experience are the obviously sincere updates of the Chuck Willis' R&B heartbreaker "It's Too Late," "For Your Precious Love" -- which had been a huge hit for the Jerry Butler-led incarnation of the Impressions -- and Sam Cooke's "Nothing Can Change This Love." Of the latter, Redding's take is arguably more powerful as the intimacy of his interpretation perfectly demonstrates the artist's uncanny aptitude for emotional evocation. The Redding-penned titles likewise reflect his mentors, as "Chained and Bound" easily adopts the pleading conviction apparent in one facet of Cooke's music. The samba groove of "I Want to Thank You" and the midtempo bounce of "A Woman, a Lover, a Friend" reflect the lighter, fun-loving side à la Cooke's "Another Saturday Night" and "Everybody Loves to Cha Cha Cha." Saving the best for last, the Redding/Cropper collaboration on the upbeat and bluesy "Mr. Pitiful" -- a nickname given to Redding by a local Memphis DJ -- became the platter's signature side, not to mention a significant crossover hit, landing in the Top Ten of the R&B survey and just missing the Top 40 Pop Singles chart by a solitary position.
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Product Details

  • Release Date: 3/12/2002
  • Label: 4 Men With Beards
  • UPC: 646315110517
  • Catalog Number: 105
  • Sales rank: 13,516

Album Credits

Performance Credits
Otis Redding Primary Artist, Vocals
Steve Cropper Guitar, Piano
Johnny Jenkins Guitar
Charles "Packy" Axton Tenor Saxophone
Sammie Coleman Trumpet
Donald "Duck" Dunn Bass
Wayne Jackson Trumpet
Booker T. Jones Organ, Keyboards
Floyd Newman Baritone Saxophone
Al Jackson Jr. Drums
Technical Credits
Yves Beauvais Reissue Producer
Dan Hersch Remastering
Bill Inglot Remastering
Jim Stewart Contributor
Paul Ackerman Liner Notes
Loring Eutemey Artwork
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