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| Cat Power | Primary Artist |
| Doug Easley | Guitar, Pedal Steel Guitar |
| Leroy Hodges | Bass |
| Mabon "Teenie" Hodges | Guitar |
| Jim Spake | Saxophone |
| Scott Thompson | Trumpet |
| Roy Brewer | Violin |
| Rick Steff | Organ, Piano, Keyboards |
| Beth Luscombe | Viola |
| Chan Marshall | Guitar, Piano, Vocals |
| David Smith | Bass |
| Steve Potts | Drums |
| Stuart Sikes | Engineer |
| Chan Marshall | Composer, String Arrangements |
Anonymous
Posted October 1, 2010
This is by far her best album. You must buy it!
1 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Asher_Ben-Daniyyel
Posted October 1, 2010
Absolutely, with a doubt Chan Marshall's (A.K.A. Cat Power's) greatest work. It's an amazing masterpiece.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted October 29, 2008
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Anonymous
Posted October 23, 2008
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Anonymous
Posted November 22, 2009
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Anonymous
Posted November 22, 2009
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Anonymous
Posted July 10, 2009
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Editorial Reviews
Barnes & Noble - David Sprague
While it's not a best-of set -- or even a concept album about the life of Muhammad Ali (who does get name-checked on the title track, a boxing tale) -- this disc actually lives up to its title, given that it's easily the most powerful outing to date from the enigmatic Chan Marshall. Recorded in Memphis, The Greatest could be described, in shorthand, as Cat Power's soul album, but that's only part of the story. Employing Al Green's stalwart rhythm section -- and a passel of the town's better horn players -- adds a burnished, Hi Records feel to soul struts like the misty "Lived in Bars," but that's only one of the ways Marshall dips into the essential Memphis zeitgeist. ...