The Guerilla Guide to the Music Business / Edition 1

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Overview

A companion to the successful "Guerilla Film Maker's Handbook", this book deals with every aspect of professional music making in today's popular music industry on both sides of the Atlantic. In creating music and developing a career, almost everyone starts out "independently", that is without the support of a large company. However, independent music making can be defined in a broad sense as a particular attitude towards creating and distribution of music held by professional people. The attitude involves a commitment to retaining control over your work as far as it is practically comaptible with getting it to the larget possible relevant audience. This does not necessarily mean that the independent musician does everything him or herself. One of the most important dimensions of the book will be the checklists of questions musicians need to ask themselves in order to decide whether they need outside help from a manager, lawyer, accountant, record company, music publisher, agent, press officer, plugger etc. The book is divided into six sections, each of which includes brief interviews with key experts. The first two deal with the main areas of musical activity - live performance and recording. Section three explains other aspects of musical activity while section four gets down to the nitty-gritty of the business aspects of making music. Section five summarizes the whole area through some well-chosen real life examples of independent musical activity. Finally, a toolkit section will provide examples of key documents (recording contracts, PRS membership agreements, etc) and other relevant data.

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Product Details

  • ISBN-13: 9780826447005
  • Publisher: Bloomsbury
  • Publication date: 8/2/2001
  • Edition number: 1
  • Pages: 448
  • Product dimensions: 5.76 (w) x 8.22 (h) x 0.84 (d)

Meet the Author

Sarah Davies has worked in most areas of the music business over the past decade - as a gigging and recording musician, as a partner in an independent record label, in public relations, and as a journalist contributing to Melody Maker, Music Weekly, Songlplugger, and Future Music.

Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry.

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Table of Contents

TOC Contents Part 1: Gigs 1. Rehearsals 2. Equipment 3. Playing in Public 4. The DJ Route 5. Merchandising 6. Money and Management Part 2: Recording 7. Where and How to Record 8. Releasing a Record: Starting Out 9. The First Release and Beyond 10. Marketing and PR Part 3: Other Stuff 11. Media Work 12. Outside Work 13. Songwriting and Publishing 14. Radio and TV Part 4: Business Affairs 15. Artist Management 16. Tax and Accounts 17. Legal Matters and Lawyers 18. Contracts and Licensing Part 5: Case Studies Part 6: Toolbox.

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