- In Between Days
- Kyoto Song
- Blood
- Six Different Ways
- Push
- Baby Screams
- Close To Me
- Night Like This
- Screw
- Sinking
5
1
0602498400173
Simon Gallup Guitar (Bass),Bass
Robert J. Smith Guitar,Vocals,Keyboards
Robert Smith Guitar,Vocals,Keyboards,Guitar,Vocals,Keyboards
Boris Williams Drums,Percussion
Lol Tolhurst Keyboards
Porl Thompson Guitar,Keyboards
Ron Howe Saxophone
Dave Allen Audio Engineer,Mixing,Engineer,Producer
Howard Grey Producer
Robert J. Smith Producer
Chihiro Nozaki Art Coordinator
Boris Williams Group Member
Lol Tolhurst Group Member
Joe Black Project Coordinator
The Cure Performer
Jason Cooper Composer
Howard Gray Producer
Porl Thompson Composer,Group Member
Martin White Engineer,Assistant Engineer
Simon Gallup Composer,Group Member
Reggie Collins Project Assistant
Tom Leader Engineer,Assistant Engineer
Amanda Smith Project Assistant
Kenny Nemes Project Assistant
Phil Tennant Engineer,Assistant Engineer
Frank Barretta Engineer,Assistant Engineer
Paul Thompson Design
Andy Vella Design,Photography
Zoe Roberts Tape Research
Nick Knight Photography
Parched Art Design
Shinjiro Kawashima Art Research
Minoru Harada Product Manager


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Overview
After recording one of their darkest albums, 1984's The Top, the Cure regrouped and shuffled their lineup, which changed their musical direction rather radically. While the band always had a pop element in their sound and even recorded one of the lightest songs of the '80s, "The Lovecats," The Head on the Door is where they become a hitmaking machine. The shiny, sleek production and laser-sharp melodies of "Inbetween Days" and "Close to Me" helped them become modern rock radio staples and the inspired videos had them in heavy rotation on MTV. The rest of the record didn't suffer for hooks and inventive arrangements either, making even the gloomiest songs like "Screw" and "Kyoto Song" sound radio-ready, and the inventive arrangements (the flamenco guitars and castanets of "The Blood," the lengthy and majestic intro to "Push," the swirling vocals on "The Baby Screams") give the album a musical depth previous efforts lacked. All without sacrificing an ounce of the emotion of the past, which songs as quietly desperate as "A Night Like This" and "Sinking" illustrate. With The Head on the Door, Robert Smith figured out how to make gloom and doom danceable and popular to both alternative and mainstream rock audiences. It was a feat the band managed to pull off for many years afterward, but never as concisely or as impressively as they did here. ~ Tim Sendra
Product Details
Release Date: | 11/06/2006 |
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Label: | Polydor / Universal |
UPC: | 0602498400173 |
Tracks
Album Credits
Performance Credits
The Cure Primary ArtistSimon Gallup Guitar (Bass),Bass
Robert J. Smith Guitar,Vocals,Keyboards
Robert Smith Guitar,Vocals,Keyboards,Guitar,Vocals,Keyboards
Boris Williams Drums,Percussion
Lol Tolhurst Keyboards
Porl Thompson Guitar,Keyboards
Ron Howe Saxophone
Technical Credits
Robert Smith Audio Production,Producer,Group Member,Remastering Producer,Mixing,Composer,Producer,PerformerDave Allen Audio Engineer,Mixing,Engineer,Producer
Howard Grey Producer
Robert J. Smith Producer
Chihiro Nozaki Art Coordinator
Boris Williams Group Member
Lol Tolhurst Group Member
Joe Black Project Coordinator
The Cure Performer
Jason Cooper Composer
Howard Gray Producer
Porl Thompson Composer,Group Member
Martin White Engineer,Assistant Engineer
Simon Gallup Composer,Group Member
Reggie Collins Project Assistant
Tom Leader Engineer,Assistant Engineer
Amanda Smith Project Assistant
Kenny Nemes Project Assistant
Phil Tennant Engineer,Assistant Engineer
Frank Barretta Engineer,Assistant Engineer
Paul Thompson Design
Andy Vella Design,Photography
Zoe Roberts Tape Research
Nick Knight Photography
Parched Art Design
Shinjiro Kawashima Art Research
Minoru Harada Product Manager
From the B&N Reads Blog
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